Friday 28 May 2021, 7.30pm
Apartment House investigates the music of longterm partner in time, English composer Laurence Crane, in this his 60th year. Music that is inimitable, rigorous and often poignantly beautiful. Join us to mosey on down through a panoply of his compositions.
Kerry Yong / piano
Nancy Ruffer / flute
Anton Lukoszevieze / cello
- Air (1986) - flute, cello and piano
- Five Preludes (1985) - cello and piano
- Processional (1986) - flute, cello and piano
- Derridas (1985 - 1986) - solo piano
- 10,000 Green Bottles (1986) - flute, cello and piano
- Three Pieces for Solo Cello (1990)
- Second Favourite Chord (1997) - cello and piano
- Erki Nool (1999) - flute and piano
- 20th Century Music (1999) - solo piano
The group, created by cellist Anton Lukoszevieze in 1995, has been captivating audiences with performances of avant-garde and experimental music all over the World, from Moscow to Vancouver and from Barcelona to Vilnius. Recent performances further afield include tours of Russia, Canada and a nine-concert series in Melbourne, Australia.
The ensemble has been a firm fixture on the British concert scene, with regular performances at Café Oto and a recent residency at the Wigmore Hall. Apartment House is the most frequently featured UK ensemble in the history of the Huddersfield Contemporary Music Festival and its 2011 concert of music by John Cage sold out the Queen Elizabeth Hall, Southbank Centre. The ensemble has made a substantial number of live and studio recordings for BBC Radio 3 as well as live recordings for many European stations including Danish Radio DR, Swedish Radio 2, WDR Cologne, ORTF Austria, Radio France and Deutschlandfunk, Berlin.
Over the past 20 years or so it has championed music by emerging or undeservedly little-known composers and has commissioned over 100 new works. Highlights along the way include Jennifer Walshe’s radical ‘Barbie’ opera XXX_LIVE_NUDE_GIRLS!!!, with performances in six countries, and Saskia Moore’s Dead Symphony, a fusion of social documentary, art, biological science and music on near death experiences. Notable portrait events have featured composers Christian Wolff, Luc Ferrari, Alison Knowles, Christopher Fox, Vitalija Gloivackyte, Laurence Crane, Helmut Oehring, Claudia Molitor, David Behrman, Jobina Tinnemans and Richard Ayres.
Unusually for a new music ensemble, Apartment House is equally at home at classical music venues (Wigmore Hall, Southbank Centre), crossover venues (Cafe Oto), art galleries (Serpentine Galleries, Turner Contemporary, Whitechapel Gallery) and international festivals (HCMF, MaerzMusik, Wien Modern, Ultima, Witten New Music Days), demonstrating its appeal to a wide range of audiences.
Over the years Apartment House has gradually increased its recording output, focusing on key releases by experimental composers such as George Maciunas and Laurence Crane, which received widespread acclaim (‘compellingly beautiful’ The Guardian). The group recently began a long term relationship with the UK label Another Timbre, releasing albums of music by Joseph Kudirka, James Saunders, Chiyoko Slavnics, Linda Catlin Smith and Martin Arnold.
Laurence Crane lives and works in London, and his music has regularly been broadcast, recorded and performed across the world.
His output consists mainly of music written for the concert hall, although his list of works also includes pieces written for film, radio, theatre, dance and installation. He is particularly closely associated with the British ensemble Apartment House, who have to date given around forty performances of his works.
‘In Laurence Crane's music the material chosen is familiar; mostly consonant, often tonal, triads, elementary chords, old well-used intervals rescued from a previous unjust ignorant redundancy. The familiar sound or image is abstracted by being placed in a new, clean and often isolated context, like a museum glass case. Its innate value is respected by it remaining alone, unornamented and unaffected during the course of the piece by any development or transformation; the image staying as and where it is by being gently reiterated or prolonged so that it holds our full attention.'- Tim Parkinson