Wednesday 30 June 2021, 7.30pm
Dramatic soprano, composer and improvising vocalist Alya Al-Sultani joins experimental turntablist and composer Mariam Rezaei for their debut duo performance at Cafe Oto. Eschewing stereotypes, they will warp and weave elements of opera, hiphop, noise and free improv together. Both Al-Sultani and Rezaei will playing with Middle Eastern poetry, vocal improv and instrumental samples in a free-form collaboration that will push at the boundaries of two turntables and one microphone.
Award-winning experimental composer Cassandra Miller is known for her large-scale orchestral works with the likes of Charles Curtis, Plus-Minus and BBC SSO. In this rare live performance, Miller will improvise solo, moving between vocals and instruments. This special performance will be luminous and promises to unveil more of the profoundly beautiful music that we love from Miller.
Experimental composer, performer and visual artist Amy Cutler will perform across musical mediums. Her delicate mixture of reductionism, experimental electronics, found sounds and ethereal vocals make up her gorgeously unique sound palette. Fresh from the release of her new album ’the ends (also end) of (the)earth and variants’, Cutler will perform live with multiple instruments and experimental vocals.
Alya Al-Sultani is a dramatic soprano, improvising vocalist and opera-maker from Basrah, Iraq. Her work is focused on the themes of liberation and love. Her current work includes a trio with Pat Thomas and Khabat Abas (Manara) and with Robert Mitchell and Maggie Nicols, a duo with Maggie Nicols and an underground electronic / opera duo with GRANDMIXXER. She is working on a new opera with Jennifer Farmer, In The Teeth of the Wind, due to be debuted in 2026. She continues to be a student in the life-long study of maqam and Arabic music and has released albums of Iraqi folk songs and interpretations of Arabic poetry by living and past poets.
Her most recent releases include improvised solo opera suites "Three Ages of Woman/Mother", "Self Lost / Self Found" and "Return/Exile" and a protest album with Maggie Nicols "Free, Free". Her most recent release is "Immersion" with Robert Mitchell and Maggie Nicols and upcoming in September is Manara's debut album, both out on the UK label Discus.
Mariam Rezaei (she/her) is a multi-award-winning composer, turntablist and performer whose work spans experimental new music, free improvisation, noise, mutant club music and hip-hop. The Anglo-Iranian virtuoso expands on classic turntablist skills by developing new techniques with vinyl, allowing her to manipulate an expansive range of samples in real time. Rezaei’s approach has been recognised by The Wire’s Peter Margasak as a “radical expansion of the artform.” Her innovations include free juggling, turntable sines, needle dripping, fractured loops and needle weaving. Across solo, duo, ensemble, orchestral and operatic works, Rezaei takes the philosophy and aesthetics of turntablism into new territory, creating wildly inventive, energetic and beautiful music.
Following on from the highly acclaimed Fractured (2024) and her ground-breaking Blud/Skeen/Bown trilogy (2019-2023), Rezaei will release Selected Adequate Works in early 2027. A major step forward in live turntablist composition, the double album captures the breadth of Rezaei’s vision from warped techno and mangled noise, to shimmering psychedelia and refracted chorales. Each track is recorded live in a single take, with Rezaei transforming her own samples alongside contributions from Elvin Brandhi, Kobe Van Cauwenberghe, Julien Desprez, Lukas Koenig, Eleni Poulou, Lucy Railton and Stewart Smith.
Her major commissions include Scholar’s Record for Donaueschinger Musiktage 2025, a four turntable tour-de-force which drew on the legendary festival’s audio archives, and 6 Scenes for Turntable and Orchestra, an orchestral collaboration with Matthew Shlomowitz for IMD Darmstadt/Tectonics Glasgow. This autumn, she premieres new projects with Ensemble Intercontemporain and Huddersfield Contemporary Music Festival.
In addition to her solo work, Rezaei is a member of the international free music supergroup The Sleep of Reason Produces Monsters, the pioneering Turntable Trio with Evicshen and Maria Chávez, 1984 with Kobe Van Cauwenberghe and Sakina Abdou, and Fire! Orchestra. Other collaborators include Pat Thomas, Bill Orcutt, Jennifer Walshe, Edward George, Farida Amadou, Mats Gustafsson, Valentina Magaletti, Robyn Rocket, Thurston Moore, Lasse Marhaug, Ensemble Contrechamps, Fritz Welch, Raymond MacDonald, Lukas König, Okkyung Lee, Dali de St Paul and Ali Robertson.
In November 2022, Rezaei received the Paul Hamlyn Foundation #AwardsForArtists in recognition of her contribution to music composition. She previously led experimental arts projects TOPH, TUSK FRINGE and TUSK NORTH. She is currently based in Newcastle, United Kingdom.
CASSANDRA MILLER is a Canadian composer living in London. Her notated compositions often explore transcription as a creative process, through which the expressive vocal qualities of pre-existing music are both magnified and transfigured. Other compositions sometimes take the form of collaborations and that combine automatic singing and mimicry to create vulnerable and hospitable spaces for deep listening.
Amy is an artist, cultural geographer, and live cinema artist who works with ideas of geography and nonhuman others. In her career in the GeoHumanities she has completed a PhD, a post-doc, and an ECR fellowship, and she has exhibited her work or run live events with organisations including Somerset House, Sheffield Doc Fest, the Natural History Museum, and Kew Gardens. Her geography training impacts her work as a musician, performer, and designer, and she works frequently on the production of immersive and live cinema and exhibition events provoking and changing the public conversation around ideas of space, geography, and nature-cultures. She is also a cross-disciplinary lecturer and teaches more publicly too, often developing unusual live sessions and field-trips for museums, festivals, and galleries.
