Sunday 26 August 2018, 2pm, OTO Project Space

Photo by Gérard Rouy

Alterations Festival: Workshop: ‘Painting Music’ with Gina Southgate + Exhibition + Steve Beresford / Max Eastley

No Longer Available

SCHEDULE

2pm - 4pm Workshop: ‘Painting Music’ with Gina Southgate, with music selector Steve Beresford.
Tickets £35 presale/ £40 otd Materials included.
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Gina will be leading the workshop, showing a number of painting techniques to respond to music.
Steve Beresford will be part of the session as music selector playing some of his favourite tracks.

4pm - 6pm Closing Exhibition at Oto Projects

6pm -7pm Performance: Steve Beresford + Max Eastley. Tickets £5 otd

Gina Southgate

Gina Southgate is primarily a live painter, best known on the international jazz scene where she produces spectacular, qualitative, real-time paintings. For over three decades she's painted at gigs and festivals capturing the vitality and nuance in her unique portraits of world-class musicians.

She also performs creating real-time audio/visual interactive artworks with improvising musicians. Coming up through the world of freely improvised music and spontaneous site-specific performance happenings on the avant-garde fringe in the 90's Southgate was encouraged by the inclusivity of that scene to perform herself. In this role, she creates and manipulates site-specific artworks with paint, props and objects. These are chosen for their absurdist qualities as well as for their visual and sculptural potential and their sonic abilities. She explores in performance the futility and irony of domesticity and labour. Southgate's degree training in metalwork and its necessary long-winded skills served as a springboard and a catalyst to a world where art is made in and of the moment, fuelled by and aligned with the musicians she interacts with.

She currently performs in duos with Maggie Nicols and Charles Hayward and had a longstanding duo with the late John Russell.

artistginasouthgate.com

Steve Beresford

Steve Beresford has been a central figure in the British and international spontaneous music scenes for over forty years, freely improvising on the piano, electronics, and other things with people like Derek Bailey, Evan Parker, Han Bennink, John Zorn, and Alterations (with David Toop, Terry Day and Peter Cusack).

He has written songs, written for large and small ensembles, and scored short films, feature films, TV shows, and commercials. He was part of the editorial teams of Musics and Collusion magazines, writes about music in various contexts, and was a senior lecturer in music at the University of Westminster. With Blanca Regina, he is part of Unpredictable Series, which produces events and sound and video recordings of experimental music and art.

Steve has worked with Christian Marclay on numerous Marclay mixed media pieces. He has also worked with The Slits, Najma Akhtar, Stewart Lee, Ivor Cutler, Prince Far-I, Alan Hacker, Tania Chen, Ray Davies, Mandhira De Saram, The Flying Lizards, Zeena Parkins, The Portsmouth Sinfonia, Ilan Volkov, Rachel Musson, Vic Reeves, Lore Lixenberg and many others.

Beresford has an extensive discography as performer, arranger, free-improviser, composer and producer, and was awarded a Paul Hamlyn award for composers in 2012. In 2021, Bloomsbury published a book by Andy Hamilton: ‘Pianos, Toys, Music and Noise: Conversations with Steve Beresford’.

http://www.efi.group.shef.ac.uk/mberes.html

Max Eastley

Max Eastley is a sound installation artist and a musician. He has been an AHRC Senior Researcher at Oxford Brookes University investigating Aeolian phenomena through practice-lead research; City Sound Artist for Bonn, Germany; a guest of the DAAD, Berlin, exhibiting installations as well as working as musician and performer, and he is an artist with the Cape Farewell Climate Change Project. His most recent Aeolian installation was at Perrotts Folly for the Ikon Gallery, Birmingham.

He has played many solo concerts as well as in combinations with musicians such as David Toop, Evan Parker, Steve Beresford, John Butcher, Ute Wasserman, Phil Minton, Axel Dorner and Al Doyle. He has worked extensively with music and performance including works with dancers and choreographers such as Anna Huber and the Siobhan Davies Company.

His film, “Clocks of the Midnight Hours”, made with director Simon Reynell, has just been re-released by the BFI in their new compilation “Great Noises That Fill the Air”.

http://www.maxeastley.co.uk.