Saturday 28 April 2018, 7.30pm

Alexander Hawkins – Three-Day Residency: ALEXANDER HAWKINS / GERRY HEMINGWAY (DUO) + ALEXANDER HAWKINS / GERRY HEMINGWAY / OTTO FISCHER / SHABAKA HUTCHINGS (QUARTET)

No Longer Available

Please note that John Edwards has unfortunately had to pull out of this performance but will be replaced by Otto Fischer and Shabaka Hutchings instead.

“I am a long standing fan of Gerry Hemingway’s work, having first encountered him in the Braxton quartet alongside Marilyn Crispell and Mark Dresser. Yet despite having listened to him for many years, we have played together on only one occasion - for the recording of Roberto Ottaviano’s ‘Sideralis’ album, in a quartet completed by Michael Formanek. However, this one occasion was a genuine thrill, and since this time I have been keen to engineer an opportunity for us to perform in public.” – Alexander Hawkins

Alexander Hawkins

Alexander Hawkins’ work ranges from his acclaimed solo performances (‘intensely intricate…powerful, technically brilliant and melodically inventive’) through to works on a much larger canvas, such as his Togetherness Music ('[a] masterpiece that can stand next to the best works of Mitchell, Braxton or Parker’). He collaborates regularly with all generations of creative musicians, including the likes of Anthony Braxton, Marshall Allen, Evan Parker, John Surman, Joe McPhee, Hamid Drake, Nicole Mitchell, Tomeka Reid, Sofia Jernberg, Shabaka Hutchings, and many others. Further creative associations, with two very different icons of African music, Louis Moholo-Moholo and Mulatu Astatke, stretch back for well over a decade. He has been widely commissioned as a composer, including by the likes of the BBC, Berlin’s Pierre Boulez Saal, and numerous festivals. His performance schedule takes him to club, concert hall, and festival stages worldwide.

"Sounds like all the future jazz you might imagine without ever being able to conceive of the details" – The Guardian

Gerry Hemingway

Gerry Hemingway, Composer/Percussionist/Visual Artist/Educator, has been at the forefront of creative music for four decades. He was born in 1955 in New Haven, Conn., to a family with musical interests (his grandmother had been a concert pianist and his father studied composition with Paul Hindemith). He became interested in drums around the age of ten and by the age of seventeen was working as a professional musician primarily in the jazz and bebop traditions. In the 1970's, New Haven was home for a number of interesting musicians. This was where Gerry met and first played with Anthony Davis, Leo Smith, George Lewis and Anthony Braxton. In the late 1970's, Hemingway, trombonist Ray Anderson, and bassist Mark Helias formed a collective trio which they eventually named BassDrumBone. The trio was awarded a grant from Chamber Music America on the occasion of their 30th anniversary in 2007 to compose a new set of works reflecting their then 30 year collaboration. These compositions appear on a release on the Clean Feed label entitled the "The Other Parade"... [more]

Shabaka Hutchings

Hutchings was born in 1984 in London. He moved to Barbados at the age of six, began studying classical clarinet aged nine and remained until sixteen. Shabaka's primary project is the group Sons of Kemet, which won the 2013 MOBO Award for Jazz Act of the Year. In June 2014 Shabaka was invited to join the Sun Ra Arkestra, performing with them and recording a session for BBC Radio 3. He has performed and recorded with Courtney Pine's Jazz Warriors, Mulatu Astatke and the Heliocentrics, Polar Bear and Soweto Kinch. Some of the many notable musicians he has shared the stage with include Jack DeJohnette, Charlie Haden and the Liberation Music Orchestra, Louis Moholo, Evan Parker, King Sunny Ade and Orlando Julius to name a few.

As part of the Caribbean diaspora, he sees his role as that of pushing the boundaries of what musical elements are considered to be Caribbean. Constantly evaluating the nature of his relationship with musical material and tradition, he describes his attempts at composition as wrestling matches with questions of where and how the Caribbean can be encoded, and what happens when it is exposed to the western classical music cannon.