Viv Corringham

Viv Corringham (New York/ London) has maintained a soundwalking practice for decades and is also a vocalist and “a vital force in improvised music since the late 1970s” (BBC R3). Her recent album “Soundwalkscapes” (Bandcamp’s Best Field Recordings 2024) uses voice, place and walking to create layers of time and space. She studied and performed with Pauline Oliveros and teaches her Deep Listening method. In 2024 this practice took her to Mexico, Germany, Spain and The Listening Academy, Hong Kong. Her definitive contribution to sound art practice is her 20 year ongoing “Shadow-walks” which have occurred in 18 countries, are taught in many sound art classes and have been the focus of articles in books and journals. She has an MA Sonic Art and a Deep Listening teaching certificate.
vivcorringham.org

Featured releases

Available as 320k MP3 or 24bit FLAC Tracklisting: 1. Stuck Like Jane Austen - 5.352. Louise - 5.193. Frosted Bats - 3.034. The Time Is Appalling - 2.545. Okonomiyaki - 3.076. Secrets in the Open Sea - 7.507. Spinning Eggs - 4.448. Dark Light - 7.449. Heavy Jelly - 5.2410. Smart City - 9.0511. Stubbornly - 3.4112. Feet Facing Forward - 4.0313. Preserved - 2.0614. How Far Can Words Go? - 5.00 -- All tracks improvised live.“[This] collection of 14 live improvisations is a masterpiece in spontaneous strangeness… Time Trout’s album is a product of incredible musical intelligence.” – Louise Gray, The WIRE OTOroku is thrilled to present the debut album from Time Trout, comprising fourteen tracks improvised in real time. Seemingly summoned out of the ether, these songs arrive fully-formed, with an awkward, jagged personality that moves, all knees and elbows, with a bristling, roiling, unstoppable momentum. It’s a constant high-wire performance, with all four participants looking relentlessly forward lest a glimpse below causes the whole thing to drop. Thankfully, the balance is never in doubt. From the off, drummer Stephen Moses and bass guitarist Dave Mandl create a series of hypnotic locked grooves, that simultaneously draw you in and subtly pull the rug out from underneath you all at once; like repeatedly stumbling down the last couple of steps to the dance floor. Over this hypnotic ouroboros of a rhythm section, Marcus Cummins’ saxophone deftly feints and weaves between the cracks, running the gamut from tentative, staccato stabs to giddily whirling lyricism. The three instrumentalists constantly trade emphases in such an assured way that you quickly stop trying to focus in on one part and give yourself over to the single, intricate whole; running through which, like a bright red thread through the labyrinth, is Viv Corringham’s astonishing spoken word vocal performance. A restless stream of consciousness that seems to have the primal urgency of a message delivered in a dream, Corringham mixes Delphic abstractions with bracingly lucid implorations, the whole performance delivered with such seamlessness that it’s hard to tell whether the lyrics are channeling the music or vice versa. The answer, of course, is both. -- - Viv Corringham / voice- Marcus Cummins / soprano and alto saxophones, ocarina, bells, shruti box- Dave Mandl / bass guitar- Stephen Moses / drums, percussion -- Recorded by George Taylor at Collect Pond Studio, New YorkMixed by Mario Viele at Excello Recording, BrooklynMastered by Oli Barrett in The Shrubbery, Somerset Thanks to: Aaron Moore, Michael Evans, George Taylor, Dann Baker / Hugh Pool / Mario Viele (Excello), David Watson, Ed Baxter.

Time Trout – Stuck Like Jane Austen

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