Daniela Cascella (Italy/UK) writes through sound, literature, and art. Her work is driven by a longstanding interest in listening, reading, writing, recording. Writing in English as a second language, writing as a stranger in a language, she is drawn to unstable and uncomfortable forms of writing-as-sounding, and in the transmissions and interferences of knowledge across cultures and languages. These have informed her three books in English: Singed. Muted Voice-Transmissions, After The Fire (Equus Press, 2017), F.M.R.L. Footnotes, Mirages, Refrains and Leftovers of Writing Sound (Zer0 Books, 2015) and En Abîme: Listening, Reading, Writing. An Archival Fiction (Zer0 Books, 2012).