Angus Carlyle’s work explores environments and atmospheres as embodiments of stress and relief, with listening becoming writing, recordings, photographs and films (and very rarely performances). Carlyle has collaborated with Kozo Hiramatsu and Rupert Cox on projects related to civilian and military overflights since 2011; with Cathy Lane as part of the Creative Research into Sound Arts Practice (CRiSAP) research centre since 2005; with Mark Peter Wright as Decoys since 2015; with Simon James along the Shoreham coastline since 2021; and with Katrin Losleben, Za Barron, Paula Ryggvik Mikalsen and Britta Sweers on Arctic Auditories (2022 – 2025).

Mark Peter Wright is an artist, researcher and writer working at the intersection of sound arts, experimental pedagogy and critical theory. He is the Director of Creative Research in Sound Arts Practice (CRiSAP, UAL). His book Listening After Nature is published by Bloomsbury, 2022/23. Wright’s practice investigates relations between humans and animals, geographies and technologies, observers and subjects. Working between the field and lab, site and gallery, he is committed to amplifying forms of power and poetics within the creative use of sound and documentary media.

Rory Salter is a musician, artist and sound technician living in London. He has published albums under various monikers with Index Clean, TEETH, Zoomin' Night, Alter, TakuRoku, MAL and Bison, amongst others.​ His work is formed through experimentations with acoustic & electronic instruments, faulty & functional technologies, cassette tape, feedback and walking; motivated by exploring relationships to environment, work/labour & cræft; It is rooted in practice and documentation. He has performed and worked with Derek Baron, Phil Julian, Sun Yizhou, Mark Peter Wright, Regan Bowering, Li Song and others.He co-runs the record label and mail-order distribution Infant Tree with artist Ben Victor Waggett and curates a series of concerts in London between Cafe OTO, Dalston and Spanners, Loughborough Junction.