Takuroku has been supporting new work by artists made during lock-down, but now and again we’ll be releasing lost archival gems that we feel need to be heard. This is one of the latter: A fiery session between two key players in OTO’s international community, featuring Denmark’s Julie Kjær (saxophone) and Thurston Moore (guitar), recorded at neighbouring experimental music hub The Hundred Years Gallery.
Fans of Rudolph Grey/Arthur Doyle, Kaoru Abe/Masayuki Takayanagi and Sonny Sharrock/Peter Brötzman's explosive symbiosis will relish here in Julie & Thurstons’ bellied roars, tonal dips and dives and thick sheets of sound. Ecstatic spiritual crescendos emerge and collapse, but during which never lose their sense of focus and imaginative interplay. Here’s hoping this duo can play again once things are back to normal (whenever that maybe be).
50% of OTO’s share of the proceeds of this release will be passed to Hundred Years Gallery. Please support their great work in the experimental music community.
"As I was reviewing music files of live events I had been involved with since moving to London over seven years ago, I came across a duo concert with Julie Kjær and myself from 2018. We had played at an event set up by saxophonist Alan Wilkinson at the Hundred Years Gallery in Dalston, a stone's throw from Cafe Oto, and very much a part of the community of exploratory music venues we're so blessed to have here. Julie and her paramour, the composer Paulo Dias Duarte, had been living in the same London neighborhood as my paramour Eva and myself (as well as Alan W and his paramour Gina - it's paramour wild here, kids!), before they relocated to Julie's native Denmark a couple of years back. I had first heard Julie play at one of Alan's always fabulous Flim Flam series shows in the basement of Ryan's Bar in Stoke Newington and was struck by her free playing in the moment of sub/conscious inter/action with her compatriot players. I soon realized her dynamic and long-running breadth of engagement with the London improvisational music scene, as well as the European, primarily Scandinavian, scenes. It was an honor to be asked to play this particular concert, and with eyes, ears and hearts to the past, present and future we created the music presented here. While in a shared quarantine with the world in 2020, it is astounding to see and hear voices rising in collaborative positive energy towards a renewed and consciously just planet. On Saturday June 27 Julie gave birth to her and Paulo's son Hugo, new life, new light, new music and new promise. At a time when creativity is such a significant, and profound, key to our shared consciousness - in regards to the planet and all sentient life - to grace our lives with birth is the hope and truth, the wonder and the spirit, of nature's joy." - Thurston Moore
Thurston Moore & Julie Kjær - Guitar & saxophone
recorded by Graham MacKeachan at Hundred Years Gallery, 19.1.2018
painting by Gene Moore, 2020
1 - New Life Music [34:52]
Julie Kjær's edgy and thoughtful playing and ‘dark, otherworldly imagery’ (Jazzwise) has become increasingly evident around Europe, inhabiting ground between composition and free improv. Experimenting with extended techniques, sound and rhythm she pushes her instruments to their limits. She tours internationally with Norwegian drummer Paal Nilssen-Love and his Large Unit and she has toured internationally and recorded with Django Bates and StoRMChaser. Currently her main focus is on her trio, Julie Kjær 3, with bass player John Edwards and drummer Steve Noble. They’ve just released their debut album on 14th March '16 on Clean Feed. Julie also plays with London Improvisers Orchestra and is a leader and side woman of several other English and Danish ensembles. In 2014 she was chosen to be a Sound and Music “New Voice” Artist and was chosen as a featured composer by the British Music Collection.
Thurston Moore started Sonic Youth in 1980 and has been at the forefront of the alternative rock scene since that particular sobriquet was first used to signify any music that challenged and defied the mainstream standard. With Sonic Youth, Moore turned on an entire generation to the value of experimentation in rock n roll – from its inspiration on a nascent Nirvana, to Sonic Youth’s own Daydream Nation album being chosen by the US Library of Congress for historical preservation in the National Recording Registry in 2006. Thurston records and performs in a cavalcade of disciplines ranging from free improvisation to acoustic composition to black/white metal/noise disruption. He has worked with Yoko Ono, John Zorn, David Toop, Cecil Taylor, Faust, Glenn Branca and many others. His residency at the Louvre in Paris included collaborations with Irmin Schmidt of CAN. Alongside his various activities in the musical world, he is involved with publishing and poetry, and teaches writing at Naropa University, Boulder CO, a school founded by Allen Ginsberg and Anne Waldman in 1974. Thurston also teaches music at The Rhythmic Music Conservatory (Rytmisk Musikkonservatorium) in Copenhagen. Presently he performs and records solo, with various ensembles and in his own band, The Thurston Moore Group.