Paperback, 131pp First published by Ignota Press, 2019  Second printing Spiral House, August 2025 Love is a many-headed snake in Nisha Ramayya’s debut poetry collection, twisting its way through devotion, sacrifice, and bliss. Seeking a way home, Ramayya discovers that homecoming – the impossible return – is a process of make-believe and magical thinking across Britain, India, and the infinite expanse. Ramayya’s visionary poetry traces an opalescent, treacherous world by way of heritage, ritual, and myth. Thousand-petalled lotuses bloom inside skulls, goddesses with dirty feet charm honeybees, strains of jazz standards bleed into anti-national anthems. Meditating on diasporic identity and relationships, her writing roams the Indo-European language family, finds consolation in genealogies of decolonial and anti-racist resistance, and roots itself in the movements between ancient Sanskrit texts and contemporary feminist prose poems.

Edited by Sarah Shin and Ben VickersWhat are altered states of consciousness? Can altered states produce altered worlds? Altered States explores the varieties of consciousness and revelatory experience. Bringing together thirty-six contributions, Altered States includes encounters with dreams, panpsychism, artificial intelligence, grief, plant allies, mushrooms, ritual and journeys in sound and beyond. These poems stand at the thresholds of alterity to propose a new psychedelic style for the twenty-first century.  Contributors: Will Alexander, K Allado-McDowell, Rachael Allen, Khairani Barokka, Jen Calleja, Jesse Darling, Paige Emery, James Goodwin, Hannah Gregory, Johanna Hedva, Caspar Heinemann, IONE, Lucy Ives, Bhanu Kapil, Daisy Lafarge, Dorothea Lasky, So Mayer, Lucy Mercer, Hoa Nguyen, Irenosen Okojie, Precious Okoyomon, Nisha Ramayya, Mark von Schlegell, Erica Scourti, Yasmine Seale, Emily Segal, Tai Shani, Merlin Sheldrake, Sin Wai Kin, Himali Singh Soin, Janaka Stucky, Jenna Sutela, Rebecca Tamás, Ayesha Tan Jones, Flora Yin Wong, Bett Williams & Rosemary Carroll Cover image by Jakob Kudsk Steensen, Berl-Berl, 2021: Undergrowth fungal network from the Spreewald, scanned with photogrammetry using a canoe.

‘The GPT-3 neural net is powerful, and when it’s fed a steady diet of Californian psychedelic texts, the effect is spectacular. No human being ever composed a “book” like Pharmako-AI – it reads like a gnostic’s Ouija board powered by atomic kaleidoscopes.’ — Bruce Sterling, author of The Difference Engine and Islands in the Net and editor of Mirrorshades: The Cyberpunk Anthology  ‘An exciting example of the future of AI creativity: code as collaborator not competitor. Discover how AI can stop us humans falling into lazy mechanistic ways of thinking and challenge us with provocative new ideas.’ — Marcus du Sautoy, Simonyi Professor for the Public Understanding of Science at the University of Oxford and author of The Creativity CodeDuring the first summer of the coronavirus pandemic, a diary entry by K Allado-McDowell initiates an experimental conversation with the AI language model GPT-3. Over the course of a fortnight, the exchange rapidly unfolds into a labyrinthine exploration of memory, language and cosmology. The first book to be co-created with the emergent AI, Pharmako-AI is a hallucinatory journey into selfhood, ecology and intelligence via cyberpunk, ancestry and biosemiotics. Through a writing process akin to musical improvisation, Allado-McDowell and GPT-3 together offer a fractal poetics of AI and a glimpse into the future of literature. Pharmako-AI reimagines cybernetics for a world facing multiple crises, with profound implications for how we see ourselves, nature and technology in the 21st century.

‘Air Age Blueprint inaugurates a new stage in twenty-first century AI writing. K Allado-McDowell’s book has come into being through a collaboration between different forms of intelligence and its story presents a continuation of its own making – a coming together of different forms of existence and thought.’—Hans Ulrich Obrist ‘Air Age Blueprint elegantly weaves immigrant family histories, native entheogenic cultures, and cybernetic manifestos of social revolution into a collaborative human-machine writing adventure. It certainly opens a portal to a de-anthropocentric narrative of the future. An unquestionable tour-de-force.’ —Chen Qiufan author of The Waste Tide and AI 2041: Ten Visions for Our FutureA young filmmaker’s life is disrupted by a fated encounter with a Peruvian healer. Called to twin paths of artistic creation and mystic truth-seeking, they set out on a transcontinental journey. In the Pacific Northwest they meet K, a double agent working between art and technology, who invites them to test a secret program called Shaman.AI. This human-machine experiment, rooted in magic, produces a key to rewriting reality – a manifesto describing how entangled human and non-human intelligence will remake our technologies, identities and deepest beliefs. Allado-McDowell (along with their AI writing partner GPT-3) weave fiction, memoir, theory and travelogue into an animist cybernetics – an air age blueprint.  Cover art by Somnath Bhatt

In the twelfth century since the appearance of the prophet Jesus Christ on the now-evacuated planet Earth, Hildegard of Bingen discovers grace in the moral and spiritual ruins of her medieval world. She inscribes her visions into Scivias, an indescribably beautiful codex of writing and illuminations, thought to be lost during the collapse of the Information Age. On the planet Avaaz, in a sea cave with cracked amethyst walls, Pinky Agarwalia discovers fragments of this beguiling text: a mystic toolkit including a cosmology, medicine, a morphology of crystals and recipes for survival – in strange, illegible symbols. How to decipher this unknown language? As Pinky traces the diagrams with her finger, a vision appears revealing that water – a guarded substance – is the alchemical agent: in water, the mysterious script transforms into feeling and light. Unlocking the secrets of viriditas, Hildegard’s mythic quantum energy threaded