Interlink Books, 2023 paperback, 224ppThe stories in Master of the Eclipse are populated by filmmakers, poets, girls, professors, and prostitutes who live in Beirut, Paris, Sicily, California, Saddam's Iraq, and New York. The world of these stories is ours, with the same occupations and wars - a 'world that would be a cemetery' were it not also a place where taxis are 'yellow flowers floating down the avenues.' From the collection's title story, a long meditation on history and war, power and poetry, to its concluding tale, a strangely quiet vision of a tree floating in a Damascus stream, Etel Adnan's painterly vision, her cosmopolitan flexibility, and her philosophical bent are on full display. This is a woman, after all, trained in philosophy at the Sorbonne, Harvard, and the University of California at Berkeley, who became a painter, and then a poet. Her voice comes to us as something the opposite of her title: She is a master of light and revelation, of language, variety, and colour.

French paperback with flaps, 160 pagesPublished 7 June 2023, FitzcarraldoWhat do you do with death and dying when they can no longer be pushed to the outer limits of your lived experience or dismissed from your conscious mind? How do you live with death or rather how do you ‘live death’ when death comes too close, seeming to enter the very air you breathe?     The Plague is a collection of essays guiding us from the Covid-19 pandemic through to the war in Ukraine in order to imagine a world in which a radical respect for death might exist alongside a fairer distribution of the earth’s wealth. ‘Living death’ will appear as something of a refrain, a reminder that to think of death as an avoidable intruder into how we order our lives, especially in the West, is an act of defiance that is doomed to fail. In the thought of the philosopher Simone Weil, who plays a key role in the book, only if we admit the limits of the human, will we stop vaunting the brute illusion of earthly power.

Hamish Hamilton, 2023 Hardback, 240ppRaw and radical, strange and beguiling - a love letter to Britain's breathtaking flatlands, from Orford Ness to Orkney, and a reckoning with the painful, hidden histories they contain. Noreen Masud has always loved flatlands. Her earliest memory is of a wide, flat field glimpsed from the back seat of her father's car in Lahore. As an adult in Britain she has discovered many more flat landscapes to love: Orford Ness, the Cambridgeshire Fens, Morecambe Bay, Orkney. These bare, haunted expanses remind her of the flat place inside herself: the place created by trauma. Noreen suffers from complex post-traumatic stress disorder: the product of a profoundly disrupted and unstable childhood. It flattens her emotions, blanks out parts of her memory, and colours her world with anxiety. Undertaking a pilgrimage around Britain's flatlands, seeking solace and belonging, she weaves her impressions of the natural world with poetry, folklore and history, and with recollections of her own early life. Noreen's British-Pakistani heritage makes her a partial outsider in these landscapes: both coloniser and colonised, inheritor and dispossessed. Here violence lies beneath the fantasy of pastoral innocence, and histories of harm are interwoven with nature's power to heal. Here, as in her own family history, are many stories that resist the telling. She pursues these paradoxes fearlessly across the flat, haunted spaces she loves, offering a startlingly strange, vivid and intimate account of the land beneath her feet.

Pluto Press, 2019 Harback, 256ppIn the first major biography of Baldwin in more than a decade, Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement.

Verso, 2024  paperback, 192ppThe first novel from Izumi Suzuki to be published in English: a candid, intimate exploration of passion, music and transgression Hope I’m in for a good time, I thought. Even if it’s just for tonight.Set in the underground bar and club scene of 1970s Tokyo, Set My Heart On Fire tells the story of Izumi in her turbulent twenties. Through a series of disarmingly frank vignettes, author Izumi Suzuki presents an unforgettable portrait of a young woman encountering missteps and miscommunication, good music and unreliable men, powerful drugs and disorientating meds. Izumi usually keeps her relationships short but complicated, until she meets Jun.Set My Heart on Fire is a visceral novel about mistaken relationships and the convolutions of desire, about regret and acceptance. Pulsing through the narration is the protagonist’s love of music, a vital soundtrack spanning the Zombies, T. Rex and the Rolling Stones as well as underground Japanese psychedelic-rock bands such as the Tigers and the Tempters.

First published in 1971 and long out of print, 'Sonic Meditations' is now reprinted by Pauline Oliveros Publications & Ministry of Maåt Publications. "One of the most seminal works in late 20th century avant-garde musical thought, Sonic Meditations not only departs from standard musical notation, but with the entire conception of where music grows from, and how it can be realized. Her focus lies on the cognition of sound – largely through the practice of meditation, and group participation. Oliveros highlights the virtues of meditation for making sounds, imagining sounds, listening to, and remembering sounds, and sets into action twelve text scores to help practitioners realize these new relationships. Sonic Meditations is as much a workshop for use, as it is a series of pieces. The short volume is particularly important because of its focus on community, the social power of sound, an extended recognition of its sources, and its deconstruction of hierarchy. Though undoubtedly a new way of composing, it also proposed a new way of existing in the world, and interacting with others." - Bradford Bailey "Pauline Oliveros' Sonic Meditations are a series of "word pieces" designed to develop our listening skills and appreciation of sound in its myriad forms, both real and imaginary. They can enrich the lives of those without any musical training and are also the foundation of Oliveros' virtuosic performance practice, a form of solo and group improvisation that evolved over the course of her artistic career. The Sonic Meditations not only teach us how to make music, but also how to live together which, given the present moment in human history, is more crucial than ever before." - David W. Bernstein

edited by Irene Revell and Sarah Shin  With contributions from:  Sara Ahmed, Ximena Alarcón, Svetlana Alexievich, Ain Bailey & Frances Morgan, Anna Barham, Xenia Benivolski, Leanne Betasamosake Simpson & Kite, Elena Biserna, Karen Barad & Black Quantum Futurism, Anne Bourne, Daniela Cascella, Theresa Hak Kyung Cha, Maria Chávez, Don Mee Choi, Carson Cole Arthur, Petero Kalulé & AM Kanngieser, Lindsay Cooper, Julia Eckhardt, Lucia Farinati & Claudia Firth, Ella Finer, Annie Goh, Louise Gray, Christina Hazboun, Johanna Hedva, Sarah Hennies, Tomoko Hojo, IONE, Lee Ingleton, Hannah Catherine Jones, Christine Sun Kim, Nat Lall, Cathy Lane, Jeanne Lee & Lona Foote, Marysia Lewandowska, Annea Lockwood & Jennifer Lucy Allan, Cannach MacBride, Elaine Mitchener & Hannah Kendall, Alison O'Daniel, Naomi Okabe, Pauline Oliveros, Daphne Oram, Gascia Ouzounian, Holly Pester, Roy Claire Potter, Anna Raimondo, Tara Rodgers, Aura Satz & Barbara London, Shortwave Collective, Sisters of the Order of Celestial Nephology, Sop, Syma Tariq, Marie Thompson, Trinh T. Minh-ha & Stoffel Debuysere, Salomé VoegelinPaperback, 408ppSilver Press, London, November 2024

Isobar Press, 2022 120 pages, paperback

masala noir, 2024Japanese Punk graphics from 1980 to 2010 compiled by Masala Noir.

Primary Information, 2024, Softcover, 208 pages, 18 × 11 cmThis collection of writings by artist and filmmaker Tiffany Sia gathers six essays that offer a framework for an exilic, fugitive cinema. Sia addresses geopolitics in cinema, image circulation, and national imaginaries, highlighting the stakes of deterritorializing the discursive formation of new media and film practices and making the case for the continued relevance of cinema in an era of networked images and screen ubiquity. An essential counterpart to Sia’s films and artworks, this volume is a critical intervention into global film studies, the politics of film/photographic practices, and experimental approaches to documentary. As a practitioner and thinker, Sia has been at the forefront of a new generation of filmmakers working with new vernacular media to trace and comment on social unrest and political crackdowns. Drawing from personal experience and historical study, the essays in this volume offer urgent reflections on a cultural landscape changed by national-security policies, shadow bureaucracies, censorship, and surveillance.

translated by Dr. Muhammad Tutunji Project of The Palestinian Youth Movement  331 pages, Paperback 1804 Books, 2024The Trinity of Fundamentals follows the story of 22-year-old Kan’an during his nine years of hiding from the occupation between 1982 and 1991. Driven by an unshakable commitment to the Palestinian cause, Kan’an takes the reader through his compelling journey filled with sacrifice and struggle, love and pain, isolation and liberation. All the while, major political and historical transformations unfold across international, regional and local contexts, including the First Intifada. Throughout all this, Kan’an maintains a spirit of revolutionary optimism so strong that the reader is bound to be transformed. It is all the more moving to know that Kan’an’s story is inspired by the real life experience of Rafeedie as he organized and struggled against the Zionist oppression of his people. Love, revolution, and life—these are the “Trinity of Fundamentals'' that pave Kan’an’s path of struggle. Although the novel is set in the past, it holds many lessons that resonate with our current political moment, mobilizing us into collective action.

A5, 48 pages, Black & white printing, Saddle stitched, Softcover Materials, 2017Poems written in Berlin between September 2015 and the Summer of 2017. This pamphlet contains selected work from the pamphlet Cancer: Poems after Katerina Gogou, previously published in a limited edition, and an ongoing sequence entitled Our Death, as well as other pieces from the period. These are poems haunted by catastrophe, light, fires, the sun, violence and love. As Bonney writes: “We were talking about prophecy, about defeat and war, about how nobody knows what those words really mean, and what they will come to mean”. Drawing on writers like Baudelaire, Artaud, Anita Berber and Hölderlin like “marks on a calendar”, “a kind of cacophony”, or “the beginnings of a map”, these poems are vital indices of where we are.

Ugly Duckling Presse, 2018  160pp paperback   A meandering and dead-serious meditation challenging the centrality of black music to black poetry and black critical theory, this book proposes disinvestment in the idea of the music as the highest form of what blackness ‘is’.   Half poems, half prose, Dear Angel of Death braids intimate and public thinking about forms of togetherness. Is one woman a mother, a person in an artworld, a “black”? What imaginary and real spirits are her guides? The title essay proposes disinvestment in the idea of the Music as the highest form of what blackness “is” and includes many forms: philosophical divergence on the problem of folds for black life, a close reading of Nathaniel Mackey’s neverending novel From a Broken Bottle Traces of Perfume Still Emanate, and an impassioned defense-cum-dismissal of contemporary hip hop’s convergence with capitalism.

110 x 165mm, 64 pp, black and white printing, perfect bound, softcover Varamo Press, 2024Writing from the body, from nervous impulses, sensations and gestures, but also from our being carried by matter, language and history, Sabina Holzer explores how writing may become ‘a way of singing and slip over into liminal, latent meanings and potentials.’ How to stay close to the body of the word? To perceive some of the multiplicity of our reality and ways of being, she incorporates somatic practices, ecology and new materialism, fables and science fiction in her writing. Allow me to dream a body with you gathers poetic essays and stories that delve into the fine grain of our corporeal entanglements and embeddedness. ‘Would an encounter between you and me be possible without all this?’ Sabina Holzer works in the field of expanded choreography. Her performances, interventions and texts explore the ecologies of human and more-than-human bodies with particular attention to movement and matter. She engages in practices of collaboration, philosophy, ecology, science fiction and poetry.

Isabel de Naverán is a writer and researcher. Concern with the passage and use of time is the backbone of her work, which focuses on bodily transmission and the examination of the concept of historical time by way of ephemeral and fugitive practices. She holds a PhD in art from the University of the Basque Country.   Paperback, 112pp, 110 x 165mm Varamo Press, 2024  18 July 1936, Bayonne. After hearing the news of the Fascist uprising, the Spanish dancer and bailaora Antonia Mercé y Luque, known as La Argentina, suffers a syncope and dies in fateful synchrony with the Second Republic. History, and the artist’s body, have been seized and broken by the event. In close dialogue with images and historical documents, Isabel de Naverán pursues the reverberations of that shock and how it resonates with collective pain and artistic translations (by Federico García Lorca, Gertrude Stein, Kazuo Ohno and others). How does history affect and move through bodies? How do living bodies carry and pass on cultural legacy and collective memory? What do these complex movements reveal about the present? Wrap, History and Syncope is an affective journey that invites the reader into tracing and revisiting other bodies, to ultimately dance their difference and multiplicity for oneself.

Jonathan Burrows is a choreographer, who has worked for many years in collaboration with the composer Matteo Fargion, with whom he continues to create and perform work. He is the author of A Choreographer’s Handbook (Routledge, 2010) and is currently an Associate Professor at the Centre for Dance Research, Coventry University.     Paperback, 80pp, 11 x 16.5cm Varamo Press, September 2023‘Human beings embody whatever they meet, and it’s all there when you work whether you want it there or not.’ Practice is like the dust that accumulates, and revisiting fragments of essays and talks on choreography Jonathan Burrows ended up embracing the haphazard and the mess, moments of unfocus and focus, harnessing them in pithy formulations and scores, adding room and punctuation and line breaks in the process so readers can hear the rhythm as he writes his dance on writing dance.

Janne-Camilla Lyster is a writer, dancer and choreographer. She has published poetry, novels, essays and plays.www.jannecamillalyster.no   Paperback, 56pp, 11 x 16.5cm Varamo Press, May 2023Imagine words approaching a dance eyes closed or sleepwalking, words adrift beyond what can be envisioned beforehand, prompting writer and reader alike into a zone where time multiplies, where bodies grow footnotes and paper skin, savour the taste of language, attune their ears to the wavelength of blue. In a string of brief essays on her practice of writing choreographic poetry and scores, Janne-Camilla Lyster offers reflections on time, memory and the senses, on translation, punctuation and rhythm, on mistakes and crevasses, on the impossible and yet other things. What does it take to enter another form of existence, say, a chair?

Anne Juren is a choreographer, dancer and Feldenkrais practitioner. In 2021 she finished her PhD at Stockholm University of the Arts with the project Studies on Fantasmical Anatomies.www.wtkb.org   Paperback, 68pp, 11 x 16.5cm  Varamo Press, March 2023Lesson on Gravity is a slice of Anne Juren’s ongoing artistic research into ‘fantasmical anatomies’. ‘What happens when our sense of ground, orientation and support is lost? What are the risk and the promise of detaching ourselves from the pull of gravity?’ As this apocryphal Feldenkrais lesson embraces moments of intrusion and fragmentation, poetry and flights of fancy, it shows how language is alive, embodied and liquid. It also invites the reader to treat the book itself as a body, an unruly tongue sticking somewhere in its folds and creases.