| 1 | Lynboril | 28:51 |
| 2 | Lisinopril | 22:35 |
‘Me, you and Sue’ - the triangulation of improvisers Adam Bohman, Sue Lynch and Crystabel Riley, and the original name for the hand-picked three way of drums, wind and amplified objects responsible for Lynboril Lisinopril. The informality of their original name belies the groups origins - three players naturally drawn to each other via London’s longstanding Horse Improvised Music Club, each of them more concerned with the action of playing than the naming of their sounds.
However, the occasion of their first trio release forced a title, and Lynboril Lisinopril works perfectly - a play on the words Lyn(ch), Bo(hman) and Ril(ey), searched for and spat back at you. “The second word is what you get if you Google the made-up first word” remarks Seymour Wright in the liner notes - the second word being the name of a drug taken for lowering your blood pressure. And although probably not prescribable for hypertension, the music on Lynboril is approached with such a generosity and tenderness that it feels properly airy and light; as equally positive and playful as it is eccentric and uninhibited.
Riley’s bouncy drums keep the trio in a state of permanent uplift, as if being buffeted along by a pleasant tailwind, each player perfectly unhurried in their turning over of a new sound. Alternating between tenor saxophone and clarinet, Sue Lynch is crystalline calm, blowing beautiful lines across the metallics of Riley and Bohman. When the trio dials up for their second half, the intensity lifts but the clarity remains - swirling skin patterns subverted with precision by each scratch and scrawl of the table and the punctuation of the saxophone. Grounding tonic from some of the best free musicians we know.
Adam Bohman / amplified objects and strings
Sue Lynch / tenor sax, clarinet, flute
Crystabel Efemena Riley / drums, metallics
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Recorded and mixed by Billy Steiger on 31st January, 2025. Mastered by Taku Unami. Artwork by Adam Bohman. Liner notes by Seymour Wright. Photographs by Crystabel Efemena Riley. Layout by Jeroen Wille.
Adam Bohman has been operating on the outer fringes of underground music for decades. Working with home-built instruments, found objects, tape cut-ups, collages, ink drawings and graphic scores. Favouring acoustic sounds over electronics, he explores the minute tendrils of sounds coaxed from any number of non-musical instruments and objects. He is a member of British experimental groups, Morphogenesis, The Bohman Brothers, Secluded Bronte, and The London Improvisers Orchestra. Adam's music is unique and experimental, incorporating musique concrete, sound poetry and free improvisation.
Sue Lynch works as an experimental saxophonist and a visual artist. She curates The Horse Improvised Music Club with Adam Bohman and Adrian Northover. Performs with Psychedelic Sudanese band ‘The Scorpios’. Has performed at 3 Klange Tag Festival, Switzerland with Hildegarde Kleeb, Womad BBC Stage, Tusk Festival and Guess Who Festival (Utrecht) with The Scorpios. Solo performances at Pied Nu Festival, Le Havre, SuperNormal Festival 2025 and collaboratively at Light Sounds Festival 2024.
Releases include, ‘Secant/Tangent’ (dxdyrecordings) with Crystabel Efemena Riley and N.O. Moore, ‘Blue Tapes-Minaru’,with LA based artist Anna Homler as featured in an interview in October 2023 Wire Magazine on bluetapes.bandcamp.minaru. 'Sax & Drums' on Scatter archive with Regan Bowering and ‘Orbit-Son’ with Sophie Sleigh-Johnson and Adam Bohman on the Infantree Label. Upcoming release with Adam Bohman and Crystabel Efemena Riley on Café Oto label OTOROKU.
During the late noughties Crystabel Efemena Riley toured Japan and Europe using drums, electronics and make-up in power-noise trio Maria and the Mirrors. This was the start of her interest in patterns on skins — human and drum. An interest in dimensional patterns existing on (and off) different skin surfaces, exploring the idea of 'care and uncare': layered skins, recycled drum skins, smetled sculptures, other metallics and electronics. Crystabel has been a long-term collaborator with Sue Lynch who welcomed her into the Horse Improvised Music Club and later played in the London Improvisers Orchestra. She is currently working on the multi-format duo project @xcrswx with Seymour Wright, together they created the sounds for Edward George’s Black Atlas film at the Warburg Institute.
