Sunday 23 September 2018, 7.30pm
Hugely excited to present a three-day residency with the one and only Wolf Eyes following on from the reissue of their seminal Dread LP as well as new double LP from Universal Eyes – Four Variations On 'Artificial Society – that brings together Wolf Eyes and the reborn Universal Indians project which first emerged in 1993.
Born in the dead, dread-filled haunted hills of Michigan, Wolf Eyes are the rabid beasts of Trip Metal & have been plowing thru new tunnels of the underworld since 1997. Pure audio stunn, homemade post-nuclear terror & claustrophobic atmospheres -- the most shattered and confusing horrorvision since Bo Diddley dropped the duct taped warhead on all humans in 2024.
Hailing from Michigan, Aaron Dilloway was a founding member of formidable trip metal gods Wolf Eyes. Since he left that band a decade ago, he’s delicately extended his exploration of tape manipulations and found sound appropriation, simultaneously bringing warmth and acidity, high-end assault and dreamy dislocation in a way that could be said to unwittingly form a bridge between Robert Ashley and hauntology.
A serial collaborator, he’s also made great records in cahoots with Jason Lescalleet, C. Spencer Yeh and many more and been compared to Maryanne Amacher and Nurse With Wound. Currently based in Oberlin, Ohio, from where he runs the Hanson Records label and mailorder.
Her work relates to sound, architecture, live performance and participatory art, investigating presence, embodiment, the psychology of sound and its relationship with space.
Sharon performs solo and on-going collaborations with David Toop, Steve Beresford, Phil Minton, Alex Ward, Yoni Silver, Anat Ben-David, Lina Lapelyte and Andie Brown.
She also directs a series of large group participatory compositions/performances, examining the inter-relations between people and place. These pieces are site specific; evolving collaboratively and inviting participation from the public. They offer artistic engagement, play, and creative exchange, as a means to learning and bringing together, presenting a democratic space and collective ownership. L'esprit d’escalier – for voices in a staircase, Toy Orchestra – for children and adults, Room to Breathe - for balloons and instruments, Long Drone – for many instruments, Gals with Guitars – for female guitar players, Sound Out – for a large ensemble of voices in a public space and Feel the Noise for a large ensemble of electric guitars and micro amps.
Sharon is a co-founder of Resonance 104.4 FM arts radio.
Her music was released by various labels: The Tapeworm, American Tapes, Ash International, A Silent Place Records, Chocolate Monk, Emanem Records, Ecstatic Yod, Paradigm Records, My Dance the Skull, Wild Silence, Fractal Meat Cuts and Visible Near Midnight Recordings.
She performed in the UK & internationally including; The V&A, Science Museum, ICA, The Whitechapel Gallery, Arnolfini Gallery, Tate Modern & Tate Britain, MACBA and Colour Out of Space, Borealis and Supernormal festivals. http://www.sharon-gal.com/
London’s Beatrice Dillon is an artist, producer, and NTS DJ with acclaimed solo releases, remixes and collaborations across Hessle Audio, The Trilogy Tapes, PAN, Boomkat Editions, Timedance and Where To Now? etc. Recent performances include MUTEK Montreal, Tokyo wwwx, Documenta Athens, Barbican Centre, Masåfåt Cairo, Moscow’s Save, Dekmantel and Borealis Norway. She has collaborated with intl. visual artists across Lisson Gallery, Tate, ICA, Southbank Centre, amongst others. Dillon was the recipient of Wysing Arts Centre’s artist residency in 2016 and is resident at Somerset House Studios.