Saturday 11 January 2014, 8pm
Two artists pushing at the parameters of avant-folk and traditional songcraft. With hundreds of solo and collaborative releases on countless labels (including his own “No Fans” label) Richard Youngs’ music has been heaped with accolades since the 1990’s. Whether through his collaborations with the likes of Simon Wickham-Smith, Jandek, Neil Campbell or Makoto Kawabata, or in his solo work encompassing the starkest minimalism, lush acapella and acoustic balladry, Richard adds a touch of humanity to any project he’s involved with. Tonight he forms one half of a double bill with one of Canada's most respected and long-standing experimental guitar players and songwriters, Eric Chenaux, whose clear voice and erudite lyricism is guided by an utterly unique guitar technique and a deep immersion in pop and folk traditions from medieval to post-modern.
RICHARD YOUNGS
Born in Cambridge and raised in the Fens, Richard Youngs began making music at the start of the seventies. His early work centred on the family piano. When this was sold in the late seventies, however, the classical guitar and cassette recorder became his instruments of choice, along with anything at hand that made a sound. From then on he has played any number of roles with bands such as Astral Social Club, Concrete Hedge, No Deserts, Jandek and Future Pilot A.K.A. Recent collaborative work with Andrew Paine, Heatsick, Kawabata Makoto and John Clyde-Evans also show him as a highly social musician.
His catalogue of releases wanders into all kinds of zones over a vast array of albums on various labels including his No Fans imprint: they include accapella, guitars, pipes or electronics and come out of solitude and in partnership with atmospheres that range from fragmental folk to all-out fuzz.
“THE iconic figure of the modern UK underground … Richard Youngs evolves in the shadows where most won’t look, but those who do will forever be dazzled and amazed” – The Quietus
"I’m in love with Eric Chenaux’s Guitar & Voice... Whether Chenaux is delivering compelling images atop gentle guitar solos or producing long, airy drones, the sound throughout is intoxicating." - Stereophile