Tuesday 24 October 2017, 7.30pm
'Paradise Yard', is an ensemble formed by Sue Lynch in 2016, as part of The Horse Improvised Music Club’s programme and has featured collaborations with Adam Bohman on text. The ensemble combines written and improvised horn lines with electronics, amplified objects, percussion, vocals and spoken word, including new text collages by Adam Bohman. Previous concerts have included dedications to women electronic pioneers including Delia Derbyshire and Daphne Oram. This ensemble is formed to suit the compositions and features guest musicians. The line-up will include Adam Bohman, Hutch Demouilpied, Sharon Gal, Greta Pistaceci, Sue Lynch and Crystabel Riley
Paradise Yard musicians:
Crystabel Riley ,
Sue Lynch currently runs ‘The Horse Improvised Music Club’ with Adam Bohman, Hutch Demouilpied and Adrian Northover. Has performed with
Adam Bohman, Eddie Prevost, Anna Homler, Steve Noble, Crystabel Riley, Caroline Kraabel, Sharon Gal and John Edwards. Recently performed as part of Tarek Atoui’s ‘Reverse Collection’ at The Tate Modern. In 2016 she formed, ‘Paradise Yard’-an electro acoustic ensemble, performing at Iklectik, Cafe Oto and The ICA. In 2018, she performed at 3 Klange Tag Festival, Switzerland with Hildegard Kleeb, at Womad BBC Stage and Guess Who Festival-Utrecht, with The Scorpios, psychedelic Sudanese band and solo saxophone at Le Pied Nu Festival, France.
Adam Bohman has been operating on the outer fringes of underground music for decades. Working with home-built instruments, found objects, tape cut-ups, collages, ink drawings and graphic scores. Favouring acoustic sounds over electronics, he explores the minute tendrils of sounds coaxed from any number of non-musical instruments and objects. He is a member of British experimental groups, Morphogenesis, The Bohman Brothers, Secluded Bronte, and The London Improvisers Orchestra. Adam's music is unique and experimental, incorporating Fluxus japery, musique concrete, sound poetry and free improvisation.
Greta Pistaceci is a multidisciplinary artist and improviser. In her musical performances, be they solo or group improvisations, she is equally at home in unrestrained noise and excess as in sparse, contemplative and controlled sound.
Hutch is a composer, sound designer and musician who is based in the UK. She has recently completed the soundtrack for the feature film The Levelling by director Hope Dickson Leach. “Hutch Demouilpied’s excellent, sparingly used score suddenly takes on a keening electro edge….” Variety Magazine 2017
As an accomplished musician she plays trumpet and has her own music released and has performed with Sue Lynch, Richard Sanderson, Steve Noble, Mark Sanders and Eddie Prevost amongst others. She co-promotes the Horse Improvised Music Club and her podcast Improvisor is part of the Horse Festival in January 2018.
Sharon Gal is an interdisciplinary artist, performer, vocalist, free improviser and composer. Her work explores presence, listening, embodiment, and the relationship between people, sound and space. She performs solo and in collaborations with David Toop, Steve Beresford, Phil Minton, Yoni Silver, Charles Hayward, Lina Lapelyte, Andie Brown and Blanca Regina.
Sharon directs site specific, participatory group compositions: L’esprit D’escalier for Voices in a staircase, Toy Orchestra & Room to Breathe with children/adults, Long Drone for mixed ensembles, Gals with Guitars with female players, Sound Out for M/Any Voices and Feel the Noise for guitars & micro amps.
Sharon is a co-founder of Resonance 104.4 FM arts radio. Her music was released by various labels; The Tapeworm, American Tapes, Ash International, A Silent Place Records, Chocolate Monk, Emanem Records, Ecstatic Yod , Paradigm Records , My Dance the Skull and Wild Silence, with 2 solo releases in 2018, Delicious Fish (Fractal Meat Cuts Label) and The Garden of Earthly Delights (Visible Near Midnight Recordings).
She performed in the UK & internationally including: The V&A, Science Museum, ICA, The Whitechapel Gallery, Arnolfini Gallery, Tate Modern & Tate Britain, MACBA and Colour Out of Space, Borealis and Supernormal festivals. http://www.sharon-gal.com/
During the late naughties Crystabel Riley toured Japan and Europe using drums, electronics and make-up in noise trio Maria and the Mirrors. This was the start of her interest in patterns on skins - human and drum.
She was later encouraged - and welcomed - into the Horse Improvised Music Club by Daniel Thompson and Sue Lynch respectively. This instantly consolidated into weekly playing with Sue, who she still collaborates with.
She is currently working on the multi-format duo project @xcrswx with Seymour Wright. This contrasts the LIVE (evolved sounds / patience / relentless) and the ANDROID (cropped media [sounds+visuals] / impatience / InstantPublication).