Tuesday 24 October 2017, 7.30pm
'Paradise Yard', is an ensemble formed by Sue Lynch in 2016, as part of The Horse Improvised Music Club’s programme and has featured collaborations with Adam Bohman on text. The ensemble combines written and improvised horn lines with electronics, amplified objects, percussion, vocals and spoken word, including new text collages by Adam Bohman. Previous concerts have included dedications to women electronic pioneers including Delia Derbyshire and Daphne Oram. This ensemble is formed to suit the compositions and features guest musicians. The line-up will include Adam Bohman, Hutch Demouilpied, Sharon Gal, Greta Pistaceci, Sue Lynch and Crystabel Riley
Paradise Yard musicians:
Crystabel Riley ,
Sue Lynch currently runs ‘The Horse Improvised Music Club’ with Adam Bohman, Hutch Demouilpied and Adrian Northover. Has performed with
Adam Bohman, Eddie Prevost, Anna Homler, Steve Noble, Crystabel Riley, Caroline Kraabel, Sharon Gal and John Edwards. Recently performed as part of Tarek Atoui’s ‘Reverse Collection’ at The Tate Modern. In 2016 she formed, ‘Paradise Yard’-an electro acoustic ensemble, performing at Iklectik, Cafe Oto and The ICA. In 2018, she performed at 3 Klange Tag Festival, Switzerland with Hildegard Kleeb, at Womad BBC Stage and Guess Who Festival-Utrecht, with The Scorpios, psychedelic Sudanese band and solo saxophone at Le Pied Nu Festival, France.
Adam Bohman has been operating on the outer fringes of underground music for decades. Working with home-built instruments, found objects, tape cut-ups, collages, ink drawings and graphic scores. Favouring acoustic sounds over electronics, he explores the minute tendrils of sounds coaxed from any number of non-musical instruments and objects. He is a member of British experimental groups, Morphogenesis, The Bohman Brothers, Secluded Bronte, and The London Improvisers Orchestra. Adam's music is unique and experimental, incorporating Fluxus japery, musique concrete, sound poetry and free improvisation.
Greta Pistaceci is a multidisciplinary artist and improviser. In her musical performances, be they solo or group improvisations, she is equally at home in unrestrained noise and excess as in sparse, contemplative and controlled sound.
Hutch is a composer, sound designer and musician who is based in the UK. She has recently completed the soundtrack for the feature film The Levelling by director Hope Dickson Leach. “Hutch Demouilpied’s excellent, sparingly used score suddenly takes on a keening electro edge….” Variety Magazine 2017
As an accomplished musician she plays trumpet and has her own music released and has performed with Sue Lynch, Richard Sanderson, Steve Noble, Mark Sanders and Eddie Prevost amongst others. She co-promotes the Horse Improvised Music Club and her podcast Improvisor is part of the Horse Festival in January 2018.
Sharon Gal is an interdisciplinary artist, performer, vocalist and composer, specialising in free improvisation and participatory, collaborative compositions.
She works with voice, electronics, various instruments, field recordings, found audio & video; exploring presence, listening, embodiment, and the relationship between people, sound and space.
Sharon performs solo and in many collaborations including: David Toop, Steve Beresford, Phil Minton, Charles Hayward, Andie Brown, Yoni Silver, Sue Lynch, Blanca Regina, Anat Ben David and Lina Lapelyte.
Since 2007 she has been directing a series of large group, site specific compositions, inviting musicians and non-musicians to take part.
Past performances include The V&A, Science Museum, ICA, The Whitechapel Gallery, Tate Modern & Tate Britain, MACBA, and Colour Out Of Space, Borealis, Supernormal, Supersonic and TUSK festivals.
Sharon's music was released by many labels, including five solo albums and various collaborations.
Her new experimental work, Etudes, a collection of text & colour scores and propositions, presented as a deck of 78 cards, was published in 2021.
During the late naughties Crystabel Riley toured Japan and Europe using drums, electronics and make-up in noise trio Maria and the Mirrors.
This was the start of her interest in patterns on skins - human and drum.
This interest in dimensional patterns existing on (and off) different surfaces has continued to evolve through exploring the idea of 'care and uncare' of the skin, self, others, and the world, across all of Crystabel's practices as an Artist (Make-up, Drum).
Crystabel has been a long term collaborator with Sue Lynch who welcomed her into the Horse Improvised Music Club, where she collaborated with Caroline Krabel, John Edwards, and Steve Beresford who welcomed her into the London Improvisers Orchestra.
She is currently working on the multi-format duo project @xcrswx with Seymour Wright.