Monday 17 August 2026, 7.30pm
Natural Information Society (NIS) represents a convergence of musicians & artists to create sonic harbor, meditative space & kinetic momentum music. Realizing compositions by composer Joshua Abrams, the group's core quartet includes Abrams, Lisa Alvarado, Mikel Patrick Avery & Jason Stein. Working the seams between minimalism, jazz & experimental practice, the band has become a reference for contemporary non-idiomatic creative music. They have recorded 7 albums for eremite records & 2 collaborations with Bitchin Bajas for Drag City Records. The group has toured extensively in North America, Europe & Brazil using Alvarado's free hanging paintings as stage settings in concert. In 2021 Abrams formed an expanded version of NIS called the Natural Information Society Community Ensemble, adding winds & Chicago tenor saxophone legend Ari Brown to the group as heard on 2023's Since Time Is Gravity. Mandatory Reality as part of Lisa Alvarado's exhibition at The Kitchen, NYC. Their latest album, Perseverance Flow, was released in October 2025.
Joshua Abrams / guimbri , double bass
Lisa Alvarado / harmonium. gong
Jason Stein / autoharp
Mikel Patrick Avery / drums
"If you've ever been tempted by free improvisation, Parker is your gateway drug." - Stewart Lee
Evan Parker has been a consistently innovative presence in British free music since the 1960s. Parker played with John Stevens in the Spontaneous Music Ensemble, experimenting with new kinds of group improvisation and held a long-standing partnership with guitarist Derek Bailey. The two formed the Music Improvisation Company and later Incus Records. He also has tight associations with European free improvisations - playing on Peter Brötzmann's legendary 'Machine Gun' session (1968), with Alexander Von Schlippenbach and Paul Lovens (A trio that continues to this day), Globe Unity Orchestra, Chris McGregor's Brotherhood of Breath, and Barry Guy's London Jazz Composers Orchestra (LJCO).
Though he has worked extensively in both large and small ensembles, Parker is perhaps best known for his solo soprano saxophone music, a singular body of work that in recent years has centred around his continuing exploration of techniques such as circular breathing, split tonguing, overblowing, multiphonics and cross-pattern fingering. These are technical devices, yet Parker's use of them is, he says, less analytical than intuitive; he has likened performing his solo work to entering a kind of trance-state. The resulting music is certainly hypnotic, an uninterrupted flow of snaky, densely-textured sound that Parker has described as "the illusion of polyphony". Many listeners have indeed found it hard to credit that one man can create such intricate, complex music in real time.
