Sunday 24 June 2018, 7.30pm
Very excited to host a first time collaboration between Moor Mother – aka musician and poet, Camae Ayewa – and pianist Pat Thomas, who recently came together to stunning effect for Ayewa's sold out Irreversible Entanglements show at OTO in April.
Moor Mother Goddess’ music is a history lesson, a future lesson, and a comment on the present all at once. And really it is more than a lesson, its a soundscape to these different time dimensions, so that you are hearing and experiencing not only music, but you get the voices of the ancestors, the whispers of our descendants, and the field sounds of the future and past landscapes. She presents an immersive experience in her music that unfolds or unearths some of the hidden dimensions that are embedded in sounds.
Pat Thomas studied classical piano from aged 8 and started playing Jazz from the age of 16. He has since gone on to develop an utterly unique style - embracing improvisation, jazz and new music. He has played with Derek Bailey in Company Week (1990/91) and in the trio AND (with Noble) – with Tony Oxley’s Quartet and Celebration Orchestra and in Duo with Lol Coxhill.
"Sartorially shabby as Thomas may be, and on first impression even rather stolid, he has a somewhat imperious charisma that’s immediately amplified when he starts to play. Unlike other pianists whose virtuosity seems to be racing ahead of their thought processes Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude." - The Jazzmann