26–27 April 2014, 8–11pm
Two day mini-festival organised by the Warszaw based record label and independent publisher MONOTYPEREC. including performances by Trophies - a beguiling trio combining Alessandro Bosetti's half-sung/spoken texts and the loosely krautrock inspired rhythm motions of Kenta Nagai and Tony Buck (also drummer of The Necks) - Joyous blasts of heavy noise and exploratory electronics from Komora A, Boris Hegenbart and more. The weekend will close with another trio featuring legendary drummer Charles Hayward (This Heat, Camberwell Now) alongside experimental sound artist Jacek Staniszewski and percussionist Andrzej Załęski.
NB: Unfortunately, Schloss Mirabell will no longer be performing at this event.
MONOTYPE REC.
MONOTYPEREC. is an independent label founded in Warsaw, in 2004. Stylistically, it focuses on the musical avant-garde, from electronic, weird techno, noise, drone, musique concrete and electro-acoustic to minimal music, free jazz, or EAI. At present, it is one of the most active experimental European music labels. Its catalogue includes over 90 items (CDs, cassettes, vinyl records, DVDs). Since 2009, MonotypeRec. publishes its own magazine (Irregularly) - "m|i ".
So far, we have organized several tours, and the artists grouped around the label are considered the leading creators of independent, avant-garde art. We cooperate with a range of media on a regular basis. Our records are reviewed and presented in newspapers and magazines such as Dziennik, Newsweek Polska, Gazeta Wyborcza, Machina, Polityka, Playboy in Poland and abroad in Wire, Sound Projector, DE: Bug, His Voice, Auf Abwegen, Rock’a 'Rolla, Pitchfork, OndaRock, radio stations (BBC, Radio France, RAI, Czech Radio, WFMU, Polish Radio Programme 2, Polish Radio Programme 3, Radio BIS, Roxy FM) and television (TVP Kultura). MonotypeRec records are available through official sales channels, both in Poland and abroad: CARGO UK (worldwide), FORCED EXPOSURE (US), MORR MUSIC (digital)
monotyperecords.com
www.soundcloud.com/monotyperec
www.monotyperec.tumblr.com
www.instagram.com/monotyperecords
www.vimeo.com/monotyperec
www.youtube.com/monotyperec
KOMORA A (PL)
The Ambient is a genre of many faces—sometimes it constitutes merely a pleasant background music, the other time it can become heavy, dark and full of anxiety. Komora A—with its members: Jakub Mikołajczyk , Karol Koszniec and Dominik Kowalczyk—is much closer to the latter than the former. The band's music is full of barely masked anxiety, deep drones, subtle rhythmic fragments, dignified analog sounds and modular synthesizers, industrial themes and multi-level sound structures—and that's just a few of the elements used by the group to achieve its own unique sound. The music is improvised, full of trance and contemplation, filled with dark spots and seasoned with radical frequencies. Moments of silence border with dark, quirky electronics, just as meditation borders strong emanations of sound. Komora A radically experiments with music and the sound in general, making it interesting and surprising, creating with ingenuity and innovation.
soundcloud.com/komoraa
www.facebook.com/komoraa
BORIS HEGENBART (DE)
Boris Hegenbart, born in 1969 in Berlin - Germany. Musician / composer of electroacoustic music and sound-art since 1996. Sound installations, electroacoustic concerts, performances, workshops and lectures in Europe, Asia and America. Soundscapes for theatre plays, dance performances and experimental radio- and video-art. Solo-performances and collaborations with different performers, composers, improvisation musicians and ensembles: Zeitkratzer, Kairos Quartett, Michael Vorfeld, Martin Siewert, Stephan Mathieu, David Grubbs, Fred Frith, Martin Brandlmayr, Felix Kubin, Werner Dafeldecker and manny others. At Transmediale, Club-Transmediale, MaerzMusik, Inventionen, Steirischer Herbst and at many other venues.
"Boris Hegenbart, whose collages sound like meditations at a street crossing with an invading swarm of locusts." - Taz Berlin #7214, 21/11/2003
"Boris Hegenbart, in his eletro-acoustic compositions,Hegenbart combines the aesthetics of 1950′s musique concrete with our day’s digital technologies of music production and sound synthesis, without restricted by the contemporary software’s limitations. for him, this software, as well as music-samples and the sounds of his every day life, become material to be molded according to his artistic intentions. this way Hegenbart creates the delicate and complex sound-scapes, he is well known for." - thoughts on music and related arts, www.straebel.de
www.soundblocks.de
WE WILL FAIL (PL)
We will fail is a project focused on pleasure of wandering. field recordings, plunderphonic samples, synthesizers and electronic drum kits are mixed together to find some new, peculiar quality. Created by Aleksandra Grunholz - artist based in Poland, educated in graphic design and media arts. Worked on a field of performance arts, cooperated with many visual artists and musicans, member of artistic group OKO. Right now also working with Piotr Tkacz on Tirips duo - free interpretation of 'techno music' term.
soundcloud.com/wewillfail
www.facebook.com/wewillfail
TROPHIES
Alessandro Bosetti / voice + electronics
Kenta Nagai / guitar + fretless guitar
Tony Buck / drums
Trophies is a project led by Alessandro Bosetti – voice and electronics. Focusing on loops of spoken/sung abstract and highly emotional text and features the fretless guitar of Kenta Nagai and the textural and pulse driven drumming of Tony Buck (The Necks). Trophies
"In the work of composer Alessandro Bosetti, the gap between music and speech gets a lot smaller. Both in his solo music and with his trio Trophies, he explores what he calls “repetitive speech-loop forms.” Frequently, this involves him recording people either reading lines or speaking extemporaneously, then transposing the recordings into written music. Often, Bosetti then speaks the same words himself in conjunction with that music. On his latest solo CD Royals and Trophies’ new album Become Objects of Daily Use (both released by Polish label Monotype), he constantly questions the roles of music and speech: whether they convey literal meaning, act as pure sound, or do something in between" - Marc Masters, Pitchfork