Tuesday 26 July 2022, 8pm
Excited to host this excellent line-up loosely themed around new experimental music from the Middle East, featuring musician, architect and researcher, Safa; the jaw-dropping duo of composer, turntablist and performer, Mariam Rezaei and vocalist and composer, Alya Al-Sultani; and music researcher, collector, DJ and radio host, Yamen Mekdad.
Mhamad Safa is a musician, architect and researcher, based between London and Beirut. Safa’s work focuses on multi-scalar spatial conditions and their sonic make-ups. He explores their intersections with aural legacies of traditional and subcultural practices as well as environments of conflict and violence. He conveys these auditory inquiries by assembling sound design, micro-sampling, algorithmic sound technology, psychoacoustics, field recordings, and their graphic interpretations. Culminating with heavily percussive and rhythmically odd interventions, these sonic irregularities are often repurposed as speculative experimentations on the futures of dance culture. In addition to his research in sound, film scoring and installations, he has released music both solo and collectively. Most recently, his album Ibtihalat was released on UIQ with compositions that contemplate sonorous futures of traditional musical practices from the Arabian Peninsula and North Africa.
Mariam Rezaei is a multi-award-winning composer, turntablist and performer working across experimental new music, free improvisation, mutant club music and hip-hop. Described by The Wire as “one of the most technically adept and creatively daring artists to use the turntable as a musical instrument,” Rezaei uses a digital vinyl system, allowing her to manipulate an expansive range of samples in real time using classic turntablist skills and her own innovative techniques.
The Anglo-Iranian virtuoso’s latest solo release FRACTURED (Heat Crimes) has been praised by The Wire, Uncut and Bandcamp Daily, and was one of The Quietus’ cassette releases of 2024. Rezaei is a member of the international free music supergroup The Sleep of Reason Produces Monsters, the pioneering Turntable Trio with Evicshen and Maria Chávez, 1984 with Kobe Van Cauwenberghe and Sakina Abdou, and Fire! Orchestra.
Her co-composition with Matthew Shlomowitz, 6 Scenes for Turntable and Orchestra, was premiered at IMD Darmstadt 2023, while in October 2025, she premiered Scholar’s Record, a major commission for the 75th Donaueschinger Musiktage that draws on the legendary festival’s audio archives. Other recent projects include a collaboration with Ensemble Contrechamps and upcoming commissions from Ensemble Intercontemporain and Huddersfield Contemporary Music Festival.
Other collaborators include Pat Thomas, Bill Orcutt, Jennifer Walshe, Edward George, Farida Amadou, Mats Gustafsson, Valentina Magaletti, Robyn Rocket, Thurston Moore, Lasse Marhaug, Evicshen, Fritz Welch, Raymond MacDonald, Lukas König, Okkyung Lee, Dali de St Paul, Kenosist and Ali Robertson.
Alya Al-Sultani is a dramatic soprano, improvising vocalist and opera-maker from Basrah, Iraq. Her work is focused on the themes of liberation and love. Her current work includes a trio with Pat Thomas and Khabat Abas (Manara) and with Robert Mitchell and Maggie Nicols, a duo with Maggie Nicols and an underground electronic / opera duo with GRANDMIXXER. She is working on a new opera with Jennifer Farmer, In The Teeth of the Wind, due to be debuted in 2026. She continues to be a student in the life-long study of maqam and Arabic music and has released albums of Iraqi folk songs and interpretations of Arabic poetry by living and past poets.
Her most recent releases include improvised solo opera suites "Three Ages of Woman/Mother", "Self Lost / Self Found" and "Return/Exile" and a protest album with Maggie Nicols "Free, Free". Her most recent release is "Immersion" with Robert Mitchell and Maggie Nicols and upcoming in September is Manara's debut album, both out on the UK label Discus.
Yamen Mekdad is a Syrian artist, filmmaker and community organiser based in London. His practice is an experimentation in radical collaboration with a focus on the relationship between sound and geography as well as the political possibility of sound. His interests in field recording, archiving, radio and grassroots organising led him to co-found the collectives Sawt of the Earth, Makkam and Sadaa Sound Syndicate. He is a frequent contributor to a number of radio stations, including Root, Balami, NTS and AlHara. Yamen is also curator and producer of Syrian Cassette Archives, the Syrian Arts and Culture Festival (SACF) and Sawt Syria a Boiler Room & Sadaa Sound Syndicate collaboration, exploring the inner worlds of the underground music scene in Syria and its exilic diaspora in Europe.
