Sunday 20 March 2022, 8pm
"Watching the light of dawn (or is it dusk?). See the light-wall of apartments. Leaves waving. Or are the trees bare? And distant as the hillside. Images refracted by veins of rain. No, the sky is clear: stars, pinprick rear-projections. But drowned in a sea of streetlights—streaking—traffic etches unpredictable figures across the darkened ceiling. My eyes hunt muscae volitantes. Hear those creaks."
Hear the improvisers Han-earl Park, Lara Jones and Pat Thomas guide, and be guided by, sounds—map Lost Inland Stations; evoke phantom cavernous clubs; coax Sleeping Giants to dance a new dance—the shifts and signals in the real-time networks and relationships of interaction.
“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….” – Brian Morton (Point of Departure)
Han-earl Park / guitar
Lara Jones / saxophone
Pat Thomas / keyboards
Improviser, guitarist and constructor Han-earl Park has been crossing borders and performing fuzzily idiomatic, on occasion experimental, always traditional, open improvised musics for twenty years. He has performed in clubs, theaters, art galleries, concert halls, and (ad-hoc) alternative spaces across Europe and the USA.
Park engages a radical, liminal, cyborg virtuosity in which mind, body and artifact collide. He is driven by the social and revolutionary potential of real-time interactive performance in which tradition and practice become creative problematics. As a constructor of musical automata, he is interested in partial, and partially frustrating, context-specific artifacts; artifacts that amplify social relations and corporeal identities and agencies.
Ensembles include Mathilde 253 with Charles Hayward and Ian Smith, Eris 136199 with Nick Didkovsky and Catherine Sikora, and Numbers with Richard Barrett. Park is the constructor of the machine improviser io 0.0.1 beta++, and instigator of Metis 9, a playbook of improvisative tactics. He has performed with Wadada Leo Smith, Paul Dunmall, Evan Parker, Lol Coxhill, Mark Sanders, Josh Sinton, Louise Dam Eckardt Jensen, Gino Robair, Tim Perkis, Andrew Drury, Pat Thomas and Franziska Schroeder, and as part of large ensembles led by Wadada Leo Smith, Evan Parker and Pauline Oliveros.
Festival appearances include Freedom of the City (London), Sonorities (Belfast), ISIM (New York), dialogues festival (Edinburgh), CEAIT (Los Angeles) and Sonic Acts (Amsterdam). His recordings have been released by labels including Slam Productions, Creative Sources and DUNS Limited Edition.
Park taught improvisation at University College Cork, and founded and curated Stet Lab, a space for improvised music in Cork.
Lara Jones is an award winning saxophonist, improviser, composer & collaborator based in London, currently the recipient of Help Musician’s UK’s Peter Whittingam Jazz Award, Jerwood Arts Jazz Encounter Fellow and Manchester Jazz Festival’s Level Up.
She is a member of avant garde trio J Frisco. Lara contrasts high energy pulsating electronics with mediative dream-like soundscapes with solo saxophone & software Abelton; using live processing and field recordings to build structures and stories in her work. Her work has been featured on BBC 6 music as Mary Anne Hobb’s Near Future track, BBC Radio 3 Freeness and in Jazzwise Magazine.
Performance highlights include Vortex Jazz Club, London Jazz Festival Kings Place, 'Jazz in the Round', Cafe Oto and Servant Jazz Quarters. She has supported artists including Courtney Pine, Novelist, Roller Trio, Portico Quartet, Laura Jurd and Elliot Galvin. She’s collaborated with Archipelago, Shiva Feshareki, Seb Rochford, DJ Shlomo and Cleveland Watkis and performed around Europe at events including Sofar Sounds, London Jazz Festival, Gateshead International Jazz Festival, Manchester Jazz Festival, Tubax International Festival Munich and Cheltenham Jazz Festival.
Her compositional activity has led to participation in projects Postcards from Eyemouth (Dr. Jacob Thompson-Bell and Dr. Nick Katuszonek) and Peninsular Arts ‘Music of Motions and Presence’ (Dr. Federico Visi and Marco Frattini). She worked on a commission for theatre company ‘Riptide’ in which she composed and recorded the music for an immersive app experience available on the apple app store ‘Sonder’ and recently composed the music for Kahlo Theatre’s new theatre production ‘The Other Side’.
Lara has recently released her brand new single Upside Down on forward thinking record label No Such Thing Records. It comes as the first single from her new EP ‘Flow’ set to be released in February 2022 and is the result of the Peter Whittingham Jazz Award.
Pat Thomas studied classical piano from aged 8 and started playing Jazz from the age of 16. He has since gone on to develop an utterly unique style - embracing improvisation, jazz and new music. He has played with Derek Bailey in Company Week (1990/91) and in the trio AND (with Noble) – with Tony Oxley’s Quartet and Celebration Orchestra and in Duo with Lol Coxhill.
"Sartorially shabby as Thomas may be, and on first impression even rather stolid, he has a somewhat imperious charisma that’s immediately amplified when he starts to play. Unlike other pianists whose virtuosity seems to be racing ahead of their thought processes Thomas always seems supremely in command of his gift, and his playing, no matter how free and ready to tangle with abstraction, always carries a charge of authoritative exactitude." - The Jazzmann