Sunday 8 January 2023, 7.30pm
'Everywhere is Haunted' provides a discourse on the themes of race, gender, queer identity and natural hostile spaces in horror through talks, screenings, live performances and a horror disco. Curated by Dee Sada.
There will also be a zine available on the night and the incredible Burning Witches Records on-site with their vast array of horror vinyl and cassette tapes.
Dee Sada is a London-based musician and curator. She currently performs in Paper Birch with Fergus Lawrie of Urusei Yatsura. The duo released their debut album, 'morninghairwater' via TAKUROKU and Reckless Yes records in 2021. Dee has created an eclectic and diverse collection of work over the last 12 years through projects such as percussive noise band, An Experiment On A Bird In The Air Pump, electronic duo Blue On Blue and improv performance bands The Noise Bodies and ORAL ORAL.
Dee is currently studying the MFA Curating course at Goldsmiths, University of London and was awarded the inaugural Cultural Institute of Radical Contemporary Art (CIRCA) scholarship. She was also awarded a 2022-2023 culture seed grant from Culture Mile London. Her curatorial practice is based on inclusion, diversity, sustainability and community-based engagement. She has recently worked on projects with artists Carolee Schneemann and Laure Prouvost.
https://deesada.com
https://circa.art
Ric Rawlins is the writer and director of the UK's first folk horror anthology feature film, Rewilding, a trio of tales which take place in the fields, forests and caves of the UK's wildest haunts. As a writer he's published Rise of the Super Furry Animals (2015) about the seminal Welsh band, and he's currently writing a new film about a river-dwelling vampire.
rewildingfilm.com
Emma Merkling is an art historian based at the Courtauld Institute of Art and Durham University, specialising in the intersections between art, science, and spiritualism in the long nineteenth century.
She is co-host of Drawing Blood, a podcast about visual culture, the history of science and medicine, and the macabre. Emma received her PhD from the Courtauld in 2021 for a thesis on spiritualist artist Evelyn De Morgan and science, and has held postdoctoral fellowships at the Courtauld’s Centre for American Art, University of Stirling, and the Science Museum (London).
She has just completed a grant project on the scientific photographs of the medium 'Margery' Crandon, and is currently working on a book project, with Dr Thomas Hughes, on The Victorian Idyll in Art and Literature: Ecology, Matter, Form, where her contribution focuses on queer/more-than-human desire, ecology, and horror in the photography of Julia Margaret Cameron.
www.emmamerkling.com
https://drawingbloodpod.wordpress.com
Burning Witches Records is a UK-based record label specialising in forward-thinking electronic and heavy synth music. Born from a love of horror films and electronic music, Burning Witches presents artists that are pushing the boundaries of electronic music and music as a whole package. Opening track to album art to vinyl and cassette colour variants, Burning Witches Records makes every release count.
https://burningwitchesrecords.com
"Full of wonder, magic, and frightening set pieces" - Film Threat
When two teenagers report seeing the face of the Devil in a sea cave, a retired archeologist is asked to investigate. So begins the UK's first ever folk-horror anthology film, Rewilding.
Across three stories, we'll also follow a journalist looking into the Halloween rituals of a rural village, and an author on the hunt for the grave of a historical 'witch finder'.
Taking its influence from M.R James and the BBC’s Ghost Stories for Christmas, Rewilding takes the spirit of classic 1970s British folk horror and unearths it into a frightfully modern experience.
Meheli Sen, Associate Professor at Rutgers University and author of Haunting Bollywood: Gender, Genre and the Supernatural in Hindi Commercial Cinema
