Monday 29 June 2026, 7.30pm

Photo by Gerome Blanchard

Bex Burch – As yet untitled – with Bex Burch, Tamar Osborn, Laurel Pardue, Tom Herbert, Max Hallett and Tara Franksas part of “Four nights” across Berlin, London, Chicago and New York

£16 £14 Advance £8 MEMBERS
BUY A PASS FOR BOTH EVENTS IN THIS SERIES
£24 Advance £14 MEMBERS

A one-off ensemble, consisting of London and Berlin heavies, performs "As yet untitled," a work in progress by Bex Burch. Players include Tamar Osborn, Laurel Pardue, Tom Herbert, Max Hallett and Tara Franks and this night at OTO is a great privilege and opportunity to celebrate the importance of the city, community and room that all formed the melting pot in which Bex lived and grew for a decade, and developed much of her voice that you will hear in the music.

A composition in collaboration, "As yet untitled" balances composed material with freedom of individual expression; its performance is a lived and shared experience, reaching for the feeling that music and the sum of its parts lift all those present into a shared, connected place.

This event too is just one part of Four nights, a series unfolding across four cities and two continents continuing via silent green, Berlin (15 June), Constellation, Chicago (10 July), and with FourOneOne, New York (31 July). Each iteration reconfigures the piece through its local context, creating a constellation of encounters that extend beyond a single moment or place.

"As yet untitled", a conversation between nature sounds, audience voices, and each ensemble, inhabits the space between structure and improvisation, repetition and disruption. Bex heavily relies on expanding the artform of trust beyond just the music, embracing sonic texture, unpredictability, and a deeply collaborative spirit. Making art that brings people together, for each other.

Bex Burch

Bex Burch is a composer, percussionist, instrument maker and improviser who emphasises space, repetition and aspects of chaos. These themes characterise an ongoing approach she describes as “messy minimalism”.

Burch’s critically acclaimed 2023 debut solo album, 'There is only love and fear' was released via Chicago avant-garde label International Anthem and named The Guardian's Contemporary Album of the Month. She was nominated for the Deutscher Jazzpreis 2025, and has previously released music as part of Boing! with Leafcutter John, the Strut-released cosmic, boundary pushing quintet, Flock, critically acclaimed Vula Viel and with KORG Berlin. She set up her own DIY label, runs the community music event, Kantine Musik, and has collaborated with a diverse range of artists such as Peter Zummo, Kuljit Bhamra, Evelyn Glennie, Tamar Osborn, Che Chen and Dudù Kouate.

Bex was invited to Ghana for an 18-month apprenticeship from 2008 in instrument-making with master gyil player Thomas Sekgura, a strong early influence and experience that gave her a deep-seated respect for the powerful Dagaare music as well as the confidence to pursue a path that reflected her own voice and the myriad strands and tastes of her creativity. A restless, questing spirit has informed her career since, from the open-hearted collaborations of her constantly shapeshifting musical releases to the creation of a new xylophone, a non-traditional instrument she handmade under Jamie Linwood’s mentorship.

Her new piece, ‘as yet untitled’, extends the palette of composition, found sounds and improvisatory messy minimalism, and forms part of a durational work Burch will pursue for the next 42 years. Beyond writing and performing music and running her DIY record label, Bex mixes and produces records, curates radio shows and runs ‘Kantine Musik’, a regular live music happening born of the quiet “tradition” of making music that brings people together, for each other. All of Bex’s work embraces uncertainty, co-creation and the potential for music to connect in deep, unexpected and intuitive ways.