Saturday 28 April 2018, 3pm

Alexander Hawkins – Three-Day Residency: MUSIC BY ANTHONY BRAXTON – MATINEE

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Repertoire TBC

Stephen Davis / percussion
Alexander Hawkins / piano
Hannah Marshall / ‘cello
Rachel Musson / saxophones
Cath Roberts / saxophones
Alex Ward / clarinet

Alexander Hawkins

Alexander Hawkins’ work ranges from his acclaimed solo performances (‘intensely intricate…powerful, technically brilliant and melodically inventive’) through to works on a much larger canvas, such as his Togetherness Music ('[a] masterpiece that can stand next to the best works of Mitchell, Braxton or Parker’). He collaborates regularly with all generations of creative musicians, including the likes of Anthony Braxton, Marshall Allen, Evan Parker, John Surman, Joe McPhee, Hamid Drake, Nicole Mitchell, Tomeka Reid, Sofia Jernberg, Shabaka Hutchings, and many others. Further creative associations, with two very different icons of African music, Louis Moholo-Moholo and Mulatu Astatke, stretch back for well over a decade. He has been widely commissioned as a composer, including by the likes of the BBC, Berlin’s Pierre Boulez Saal, and numerous festivals. His performance schedule takes him to club, concert hall, and festival stages worldwide.

"Sounds like all the future jazz you might imagine without ever being able to conceive of the details" – The Guardian

Hannah Marshall

Hannah Marshall is a cellist who is continuing to extract, invent, and exorcize as many sounds and emotional qualities from her instrument as she can. She has been a regular member of Alexander Hawkins’ Ensembles and has toured in Europe and South America with Luc Ex and Veryan Weston’s ensembles – SOL 6 & 12. She plays with ‘String Terrorists’ - Barrel (a trio with Violinist Alison Blunt & Violist/poet Ivor kallin). And has been invited by Fred Frith and Suichi Chino in their residencies at café Oto. She also plays with Terry Day, Tim Hodgkinson, Roger Turner, Paul May, Kay Grant, and the London Improvisers Orchestra.

Rachel Musson

RACHEL MUSSON is a saxophonist, improviser and composer based in the UK. She has spent the last decade immersed in improvised music, and has also gradually been introducing composed elements into her work, drawing on text, field recordings and processing sounds. She is involved with a variety of improvisation projects, and works regularly with Mark Sanders, Pat Thomas, Hannah Marshall, Julie Kjaer, Corey Mwamba, Olie Brice, Alex Ward and Alex Hawkins, amongst others. She features on several releases, including a nonet featuring her composition 'I Went This Way' (577 Records), two with Shifa, feat. Pat Thomas and Mark Sanders, (577 Records), one with Mark Sanders and John Edwards (Two Rivers Records), trio with Liam Noble and Mark Sanders (Babel), and Corey Mwamba (Takuroku).

Cath Roberts

Cath Roberts (they/them) is an improviser, composer and artist based in Hastings, UK, whose work combines acoustic and electronic improvised music, experimental composition, and DIY publishing practices.

On saxophones Cath has collaborated with a wide range of artists and ensembles internationally for over a decade. Their band Sloth Racket has released five studio albums, touring widely and ‘lurching between riff and abstraction’ (The Wire) since forming in 2015. Other recent exploits include playing with Chris Corsano as part of his 2022 Cafe Oto residency, and being one of two UK artists (with Mandhira De Saram) commissioned by Australian Art Orchestra to co-create and perform Fresh Water – Salt Water in Melbourne and Huddersfield (a hcmf// and AAO co-commission, also in 2022).

Cath works with live electronics (SOMA Lyra-8 synthesiser, samplers, and small tabletop machines) in ongoing collaborations with Kate Carr (as Quartz Sand), Graham Dunning (as Grid & Robots) and Tullis Rennie (as Composite Mashworks). Be unafraid to open things up, a solo improvisation on tabletop electronics, was released on Fractal Meat Cuts in 2022. Cath’s sampler-based solo collage set appeared at hcmf// 2024, Sonics Hastings 2025 and Sacrum Profanum (Kraków) 2025.

In 2021 Cath was commissioned by hcmf// to create And then the next thing you know, a cross-artform installation/performance piece involving a giant, hanging, fragmented graphic score, elements of which are being integrated into a new audio-visual collaboration with Tullis Rennie. In 2024 Cath established the DIY small press Ink-Paper-Sound, and they co-run the Luminous label and the BRÅK concert series.

https://cathrobots.co.uk/

Photo by Adriana Kochanska

Alex Ward

Alex Ward's diverse musical activities since the early '90s have straddled the worlds of free improvisation, contemporary composition and avant rock, and have seen him work with such significant musical figures as Derek Bailey, Duck Baker, Lol Coxhill, Eugene Chadbourne, Simon H. Fell, Thurston Moore, Joe Morris, Steve Noble, Evan Parker, Jamaaladeen Tacuma, Pat Thomas and Weasel Walter, amongst a host of others. His work as a composer/bandleader has encompassed his own ensembles such as Predicate, Forebrace, the Alex Ward Quintet and Items 4, 6, 7 & 10, alongside collaborative projects such as his duos with Dominic Lash, Jem Doulton (as Dead Days Beyond Help) and Sean Noonan (as Noonward); while his solo releases have ranged from unaccompanied performances on clarinet and guitar to the layered studio creations found on 2021's Gated. He currently plays guitar and sings in math/noise trio Heckle Chamber (with Roberto Sassi and Jem Doulton), and is working on the completion of the final album by legendary band Pere Ubu (which he joined in 2021) alongside the other surviving members.

"...guitarist Alex Ward [is] a compulsively creative polymath... a reliably unpredictable axe-hero for collaborators of all backgrounds." – Stewart Lee, The Sunday Times Review

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