Extended duration performance in the round with legendary Japanese sound artist/instrument builder Akio Suzuki and Aki Onda - an electronic musician/composer/visual artist best known for his Cassette Memories project.

AKIO SUZUKI

A legendary Japanese sound artist Akio Suzuki has been performing, building instruments, and presenting sound installations for nearly 40 years. His music is simple and pure, exploring how natural atmospheres and sounds can be harnessed and then set free. To experience his art is to lose oneself in the sound that surrounds us. Akio performs on a range of unique self-made instruments including Analapos – an instrument he invented in the 1970s that creates echoes through the acoustic transmissions of a spiral cord stretched between two metal cylinders, De Koolmees - consisting of hollow glass tubes suspended over a frame, and an ancient stone flute (Iwabue) passed down through his family for many generations. Akio has collaborated with artists such as Toru Takemitsu, Takehisa Kosugi, Derek Bailey, Peter Brötzmann, Steve Lacy and John Butcher.

www.akiosuzuki.com

Akio Suzuki @ Walthamstowe Marshes // Films by Helen Petts

AKI ONDA

Aki Onda is an electronic musician, composer, and visual artist. Aki was born in Japan and currently resides in New York. He is particularly known for his Cassette Memories project – works compiled from a “sound diary” of field-recordings collected by himself over a span of two decades. Aki’s musical instrument of choice is the cassette Walkman. Not only does he capture field recordings with the Walkman, he also physically manipulates multiple Walkmans with electronics in his performances. In recent years, Aki often works in interdisciplinary fields and collaborates with filmmakers, choreographers and visual artists. He has collaborated with artists such as Michael Snow, Ken Jacobs, Paul Clipson, Alan Licht, Loren Connors, Oren Ambarchi, Noël Akchoté, Jean-François Pauvros, Jac Berrocal, Lionel Marchetti, Linda Sharrock, and Blixa Bargeld.

www.akionda.net







Supported by the Great Britain Sasakawa Foundation.