Peter Knight

Although his name for many years was synonymous with the seminal Folk-Rock Band 'Steeleye Span', Peter Knight has avoided being categorised purely as a Folk Musician due to the diversity of musical genres that he chooses to apply to his music making, and to the musicians he has chosen to work with. Peter has that rare gift of being able to seamlessly embrace a number of musical styles with consummate skill and effortless grace.

Author Terry Pratchett had a nutshell moment when he wrote “Peter Knight can spin the World on his Bow”.

His prodigious talent was recognised at an early age when in true Billy Elliot style his life changed by winning a place at The Royal Academy of Music in London, an experience that has indelibly left its mark on Peter's style of playing.

Resisting the lure of an extension to continue his studies as a classical soloist, Peter left the Royal Academy at 16 and was drawn to the copious presence of Irish Music that was flourishing in London during the 1960's. Inspired initially by the legendary Fiddle players Michael Coleman and Michael Gorman, Peter totally immersed himself into the playing of traditional music and began performing in Folk Clubs with guitarist Bob Johnson. Being invited by Ashley Hutchings to join the fledgling 'Steeleye Span' secured his place within the annals of British Folk Music. The Band has gone on to become one of the most successful Folk-Rock Band in Britain, securing a string of Gold Albums and top ten hits, and remains influential after more than 40 years.

During the 80’s, an encounter with globally renowned Saxophonist Trevor Watts marked a very significant turning point in Peter's musical journey when he was introduced to the area of free improvisation.

Peter counts his playing with Trevor and his Bands 'Moiré Music' and 'The Drum Orchestra' as one of his most deeply influential and formative experiences, and has continued to use both improvisation and free improvisation as means of accessing a rich seam of emotion and depth of feeling, something that is particularly in evidence with his Trio 'Peter Knight’s Gigspanner', one of the most innovative acts of the UK’s folk-roots scene. Gigspanner’s highly original approach to traditional music of the British Isles has earned Peter several accolades including this year ‘Instrumentalist of the Year’ (Fatea Magazine) and ‘Best Musician’ (