Krutch is Newcastle duo Yeah You's black-hearted return to Slip: poisonous, weaponised pop, spat out on the roam. Father-daughter Mykl Jaxn-Elvin Brandhi's defiantly other improvisations tangle up defouling sermons with ragged beats, gnashing bass, and ear-worm synths. Recorded in a black Renault Clio in Holland and Germany, and at Aurora, Budapest throughout early 2017, Krutch is the 'You at a freshly terrifying apex, filtering the desperation of black metal through an unerring pop nous.
Yeah You - Krutch LP
Two previously unreleased works from the late Danish composer, musician, publisher, artist and performer Henning Christiansen.
Rødhætte (1985) is a rendition of Little Red Riding Hood featuring Ursula Reuter Christiansen as narrator. All the hallmarks of Henning’s unique approach to music/sound appear as the tale goes deeper into the depths of animalistic frenzy.
Ruinmusic (1984) inhabits the last breath off the piano housed within the former Marienborg Manor, an estate once on the Danish island of Møn. Prior to the destruction of the estate Henning Christiansen played a final haunting melody before the instrument was dumped down in the dirt.
Limited edition of 500 copies with artwork by Ursula Reuter Christiansen printed on matt sleeve with insert.
Henning Christiansen – Rødhætte / Ruinmusik 7″
NOTE: The LP And CD have different audio from the same recordings.
Outside of the 2CD release ‘Never Too Late But Always Too Early’ (Eremite, 2003) there has been scant documentation of one of the most dynamic pairings in all free jazz. Featuring unique material on each format Song Sentimentale rectifies this anomaly with a full blown audio account of the breathtaking communicative heights obtained by these three legends of the living.
Over 3 nights in January 2015 the trio seduced a winter worn crowd with the kind of organic interplay only these three can conjure. Warm and urgent the material that covers both formats unveils a wide range of techniques and emotions. This is music on the edge of itself; a living, breathing and existing force documented for repeated visits.
PETER BROETZMANN - TENOR SAX, B-FLAT-CL, TAROGATOWILLIAM PARKER - DOUBLE-BASS, GUEMBRI, SHAKUHACHI, SHENAIHAMID DRAKE - DRUMS, FRAME-DRUM, VOICE
Recorded Live at Cafe Oto on the 27th, 28th and 29th January 2015
Recorded by James Dunn
Mixed by John Chantler
Mastered by Andreas (Lupo) Lubich at Calax
Photocollage by Dawid Laskowski
Artwork by bro
Design by Uniet/bro
BROETZMANN / PARKER / DRAKE - SONG SENTIMENTALE
Otoroku is proud to present the full recording of the first meeting between Bill Orcutt (USA) and Okkyung Lee (South Korea). Individually these players have focussed on an idiosyncratic approach to their chosen instruments and technique. Okkyung is one of the most singular voices to compromise the cello’s ‘classical’ origin, whilst Orcutt has spent many years developing a unique abstraction of traditional guitar blues. Live at Cafe Oto is an uncompromising combination of these individual elements and an ecstatic improvised assault of mind and sense.
Okkyung Lee / cello
Bill Orcutt / guitar
180 gram vinyl. Matte sleeve with artwork by Bill Orcutt. Limited edition of 700 copies.
Okkyung Lee / Bill Orcutt - Live at Cafe Oto LP
Joe McPhee: B-flat and E-flat alto clarinet, Roland MC202 Micro Composer synthesizer
Bryan Eubanks: Open-circuit electronics (sinetones)
What constitutes an unidentified sighting, the rarely heard ‘alien’ clarinet playing of Joe McPhee and the ineffable electronics of McPhee and Bryan Eubanks? Penultimate Press is extremely proud to produce My Undocumented Alien Clarinet: a strange sensual addition to the ever inquisitive McPhee canon. My Undocumented Alien Clarinet is a beguiling document of a performance held at Alternative Books, Kingston, NY, Sunday, August 6, 2006 under the auspices of the Pauline Oliveros Foundation’s New Vanguard Series. My Undocumented Alien Clarinet captures a unique intimate improvisation exploring the outer reaches of the form.
Joe McPhee, (b.1939 USA) is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He has collaborated with Pauline Oliveros, Graham Lambkin, Peter Brotzmann, Evan Parker, Raymond Boni among many others. With a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections and reach for music’s outer limits.
.. His magical take on avant-garde sax remains one of the wonders of the scene. He still has one of the most beautiful tones on the planet, even when he’s reaching for jazz’s outer limits.” – Time Out NY
Bryan Eubanks (b. 1977, USA) is a musician composing electronic and acoustic works for small ensembles, solo instruments, and custom generative software; improvising in collaboration; and working with acoustic holography, a stereophonic recording and diffusion technique.
Artwork by Jerry Starpoli
Liner notes by Joe McPhee
In memory of Jerry Starpoli
Joe McPhee and Bryan Eubanks – My Undocumented Alien Clarinet LP
"This long-overdue vinyl reissue of Yoko Ono's seminal, but massively under-appreciated Plastic Ono Band has all the makings of a classic rock nostalgia trip: Ono, John Lennon, Ringo Starr, Klaus Voorman and free-jazz legend Ornette Coleman. All the pieces are here to stir up a dangerous amount of nostalgia. But once the needle drops, the record achieves something exactly perpendicular to nostalgia. Released in 1971, the album not only influenced the approach of other musicians for decades, it also sounds absolutely modern 44 years out, eternally fresh despite the forward march of time. Plastic Ono Band not only predicted the intersection of the avant-garde and rock that would take place in the second half of that decade, the album would sound right at home at where that intersection is happening today."
Yoko Ono - Plastic Ono Band LP
Limited edition of 100 LPs pressed as a fundraiser for Cafe OTO to acquire some new equipment.
Thurston Moore / GuitarAlex Ward / Clarinet, Amplifier
Recorded 20 March 2012 at Cafe OTO by John Chantler & Jonny McHugh.Mixed by Alex Ward, Vinyl cut by Nick @ Curved.
Cover image courtesy of Matti Braun.
All proceeds from this LP go towards Cafe OTO's equipment fund thanks to the kind generosity of Thurston, Alex and Matti. Price includes international shipping.
100 copies pressed via Curved - who use MPO in France. Two colour silkscreen print sleeves on 380gsm acid-free archival quality card stock, printed by Pat at Heavyrock, Brighton.
Thurston Moore & Alex Ward - Live at Cafe OTO (LP)
Yukihiro Isso: Nohkan (noh-flute), shinobue, dengakubue, gemshorn and recorder.
Roger Turner: percussion
Born in 1964, Yukihiro Isso is a Japanese Noh flutist (hayashi-kata fue-kata) from a family that has been playing this instrument since the 16th century. He received his initial instruction in flute playing from his father Yukimasa Isso and performed on the Noh stage for the first time at the age of nine. From his middle school years he began to listen to a variety of different kinds of music and studying new instruments including the recorder, flute and piano. An acclaimed performer of classical Noh repertoire, Isso is also an accomplished improviser and has performed with the likes of Cecil Taylor, Peter Brötzmann and John Zorn..
Born 1946, Roger Turner grew up amongst the Canterbury musical life of the 1960’s with a strong jazz foundation. Since 1974 work has been concentrated on exploring a more personal percussion language through the processes of improvisation. Solo work, collaborations with experimental rock musics & open - form song, extensive work with dance, film and visual art, involvements in numerous jazz-based ensembles, & workshop residencies have formed part of that development.
Takanehishigu is the audio documentation of the first time these artists played together. The results are a breathtaking new music which remains respectful to the individual traditions whilst simultaneously subverting them.
Takanehishigu was recorded live at Cafe Oto on 23rd Sep 2015 by Shaun Crook
Mixed by John Chantler.
Mastered by Giuseppe Ielasi.
Artwork by Paul Abbott.
Edition of 500 copies.
Roger Turner / Yukihiro Isso: Takanehishigu LP
This recording gathers all of the music from the final night of Otomo and Sachiko's first residency in 2009 which saw the pair joined by the long running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher. Butcher played duos with both Otomo and Sachiko and joined the quintet for a rousing sextet: stunning twin saxophone interplay, the unparalleled open-ness of the Marsh/Edwards rhythm pairing, Sachiko's deft high frequency interventions and Otomo's guitar at the centre - moving between abrasive textural invention and suggestive single note runs of ever-shifting melody.
"As for indicating a place in the curiously sculpted bridges between improvised music and sound art, well, the simple singularity of these daring and committed performances should bear out their significance." Clifford Allen, Tiny Mix Tapes
"This Quintet/Sextet album is recorded beautifully and it needed to be to capture all the nuance involved ... These are musicians at the top of their craft." Free Jazz Blog
"...fresh and inspired. The recording stands as a finely-honed classic of classically approached free improvisation: the players dance and flow smoothly and effortlessly with and around the sounds of their partners." - Henry Kuntz
Point of Departure Review
Otomo Yoshihide / Sachiko M / Evan Parker / Tony Marsh / John Edwards / John Butcher - Quintet / Sextet / Duos
Born in Bolgatanga in rural Ghana, King Ayisoba was a prodigy on the kologo, playing locally until he’d outgrown the possibilities of the area. Moving to Accra, the country’s biggest city, he eventually released the song “I Want To See You, My Father.” There was nothing modern about it. No hiplife rap, no electronic beats. But somehow it conquered the country and brought the tradition firmly into the mainstream.
“It was Song of the Year and Traditional Song of the Year,” says album producer Zea. “He also had a song called “Modern Ghanaians” that said we shouldn’t forget the tradition. Instead we should use it to fight modern problems.”
With that mantra, King Ayisoba became the unlikeliest star. His music was a strong weapon for Ghana’s traditions. What he wanted, though, was to play with a band, to bring what he called the “man-power” to give the full drive to his sound. On the album Wicked Leaders, with Zea producing, that’s exactly what he did.After that Ayisoba toured Europe together with Zea, opening up solo, providing guitar, vocals and live electronics on stage, and Francis Ayagama joined King Ayisoba’s band on djembe and bemne drums
Alone or with beats, ultimately the power that propels 1000 Can Die comes from the band itself, from the sense of history that forms every piece of music. It’s there in every musician. They all go home and farm. They’re connected to the land, and the songs are part of the harvest they bring from the fields and from their own families.“Ayisoba’s grandfather played the kologo,” Zea says. “But only in the house. He was a healer, a shaman. People would come and tell him their problems. He’d make a connection with the spirits, then play and start singing, and his stories would include solutions.”
On 1000 Can Die, King Ayisoba is digging a new future from Ghana’s soil.
King Ayisoba - 1000 Can Die LP
"Turns out the very sound of falling in love is just as abstract, subjective and loopy as the concept itself. Yoko Ono and John Lennon are two of history's greatest lovers, and Two Virgins is the document of the pair falling in love in real time. The album is a curious and amazing suite recorded over one weekend in Spring 1968 at Lennon's Kenwood home: Distant conversations; comedic role playing and footsteps; laughter, birdcalls and plunking piano lines; silly songs and space; tape delay stretching shrieks, bass rumbles and moans to the moon and back again. The now-iconic cover (featuring Ono and Lennon standing nude together) not-with-standing, nothing about Two Virgins is safe. It would be a risky move today for artists in the larger, pop-culture conversation just as it was a risky move in 1969. But this is an uncomfortably private, two-person dialogue about - and celebration of experimentation, inspiration and play. And these two souls bravely let us look through the keyhole."
John Lennon and Yoko Ono - Unfinished Music No. 1: Two Virgins LP
Limited edition of 100 LPs pressed as a fundraiser for Cafe OTO to acquire some new equipment.
Fred Frith - Guitar, Piano Christian Marclay - Records and Turntables
Recorded 7 July 2012 at Cafe OTO by John Chantler & James Dunn. Mixed and mastered by Myles Boysen at Headless Buddha Mastering Labs.
Design by Laurent Benner, Collages by Christian Marclay.
All proceeds from this LP go towards Cafe OTO's equipment fund. Thanks to Fred, Christian and Laurent for generously making this possible!
100 copies + 10 Artist Proofs. Two colour screenprint sleeves on 380gsm acid-free archive quality card stock, printed by Pat at Heavyrock, Brighton. Centre labels hand-stamped (Black on Black). Vinyl pressed at MPO (via Curved, London).
Fred Frith & Christian Marclay - Live at Cafe OTO - 2012
Peter Brötzmann: tenor saxophone; Fred Van Hove: piano; Han Bennink: drums, voice; Albert Mangelsdorff: trombone. Recorded during the Free Music Market, August 27 and 28, 1971, in Berlin. Designed by Peter Brötzmann. Part of the legendary "Berlin Trilogy" originally released by FMP in 1971 (FMP 0050). 180-gram vinyl. One-time pressing of 500. First standalone reissue."The great thing about this trilogy/set is how naturally everything flows. . . . each subdividing of the group, each solo excursion, feels smooth and logical, as though the player(s) in question had nodded to the others as if to say 'Gimme a minute here, I've got an idea,' and received assent in response. There's all the ferocity any free jazz diehard could ask for, but it never goes on so long that it becomes schtick, and it's always countered by passages that are genuinely beautiful in the most conventional, you-could-play-this-for-your-mom sense. Even without Mangelsdorff, Brötzmann, Van Hove and Bennink were a remarkably empathetic and attuned team, and when he joined them (and these records document their second and third times playing together, ever), everyone's game was raised." --Phil Freeman, Burning Ambulance, 2013
BROTZMANN/VAN HOVE/BENNINK PLUS ALBERT MANGELSDORFF The End LP
Peter Brötzmann: tenor saxophone; Fred Van Hove: piano; Han Bennink: drums, voice; Albert Mangelsdorff: trombone. Recorded during the Free Music Market, August 27 and 28, 1971, in Berlin. Designed by Peter Brötzmann. Part of the legendary "Berlin Trilogy" originally released by FMP in 1971 (FMP 0040). 180-gram vinyl. One-time pressing of 500. First standalone reissue."Brötzmann's regular trio was joined by the trombonist Albert Mangelsdorff, one of the most respected German jazz musicians, who has managed to keep abreast of musical developments for more than a decade. Those who remember him only for those fine early-sixties albums (like Tension, on German CBS) will be in for a shock, because he's updated his playing all the way. On 'Couscouss De La Mauresque', for instance, his tonal distortions rival those of Paul Rutherford, as he backs Brötzmann's wailing with a rip-snorting obligato. He has the advantage of being a virtuous technician, so that some of his wilder flights are truly breathtaking. . . . Mangelsdorff's technique doesn't hinder his fire, either, and he's well able to stand up to the rest of this very hairy band. Van Hove and Bennink obviously know each other inside out by now, and you'll hear few more exciting passages of music than their interlude during the trombonist's solo on 'Couscouss'. Bennink is getting further into textures every day, and on this album makes great play with his steel-drum and many unidentifiable implements, thus giving the music a great deal of variety. If you wanted to buy just one of these records, it would be very hard to choose because the level is so high throughout." --Richard Williams, Melody Maker, February 5, 1972
BROTZMANN/VAN HOVE / BENNINK PLUS ALBERT MANGELSDORFF - Couscouss de la Mauresque LP
Our tenth OTOROKU release sees a return to the group that kick-started the label - the veteran German reedsman and free jazz pioneer Peter Broetzmann with the long-running London bass/drums partnership of John Edwards and Steve Noble. After the release of '…The Worse The Better' that group went on to play a series of devastating shows in Europe and to emerge as one of Broetzmann's finest working groups. Over the same period Peter was developing a deep rapport with Jason Adasiewicz, the upstart vibraphone player from Chicago. What seems on paper like an awkward pairing reveals itself on stage and on record as a symbiotic revelation. Adasiewicz's physical attack matching Broetzmann for impact whilst the extended sustain of the vibes opens up an eerie space for some of Broetzmann's most fertile lyricism.
The recording is from the last set of a two-day residency at Cafe OTO that brought these two groups together for an astonishing quartet. Adasiewicz and Noble struck up an immense partnership in rhythm. Edwards wrestled with a broken house bass and failing amplifier and still managed new levels of invention - stoking the others onwards. Broetzmann was clearly energised - I swear I saw him dancing at the side of the stage whilst exchanging a shattered reed. And for all the usual rhetoric of Free Jazz bluster and machismo, this is a meeting characterised by the joy of communal creation that makes you want to dance - even if only in your head.
Broetzmann / Adasiewicz / Edwards / Noble – MENTAL SHAKE (LP)
Born in Tbilisi, Nargilə Mehtiyeva aka Aşıq Nargilə has been playing saz (long-neck lute) and singing since the age of 15. Fluent in Azerbaijani, Georgian, and Russian, Nargilə represents the cosmopolitan heritage of old Tbilisi, a city once known as a meeting point for multilingual aşıq bards who would travel through the region serving as conduits for news, ideas, music and culture. Nargilə is currently the only female aşıq living and performing in the ethnic Azeri region of Georgia, and has been teaching the art to new generations.
This is a recording of Aşıq Nargilə's first concert in the UK. Recorded live at Cafe Oto on the 18th October 2014 by James Dunn. The pieces performed are named after the traditional saz aşıq havası (melodies) they are based on. Lyrics are taken from destan epics, regional poetry and Nargile’s own lyrics to match the rhyming patterns of these melodies. Yanıq Kerem (1) and Ruhani (7) are both instrumental pieces which depict their own stories without words. Ay Ceyranım (5) is a popular song performed at weddings across Azerbaijan.
Aşıq Nargilə Mehtiyeva: Saz (long-necked lute) and Söz (vocals)
1. Yaniq Keremi
2. Yurt Yeri
5. Ay Ceyrani
6. Bas Saritel
8. Orta Saritel
Asiq Nargile - Yurt Yeri
One of the great 'free' avant garde lp's. As dynamic as it is frustrating. The glory of not caring about what anyone thinks in audio, on wax. "Life With The Lions is the sound of Ono and Lennon validating their love as something impenetrable and timeless. It's when we, the listener, begin to fully understand that the scope of their recording efforts was much more than a recording collaboration, and something closer to a performative documentary, a declaration of 'Our life and our love is our art - every nitty, gritty part of it.' "
JOHN LENNON AND YOKO ONO - Unfinished Music No. 2: Life With The Lions LP
Combining the searching, raucous spirit of free improvisation, massive guitar textures and slowly shifting moods of the drone/doom-tradition the Saint Francis Duo proves there’s still a place for adventure and innovation in the world of improvised music. Four years after their debut recording as a duo, influential guitarist Stephen O’Malley (Sunn O))), KTL) and master percussionist Steve Noble (Rip, Rig & Panic, Brötzmann, Parker, Edwards …) reach an absolute peak on their third album ‘los bordes de las respuestas’. Mixed by Mark Urselli (John Zorn, Dave Lombardo … ) and mastered & cut by Matt Colton ( Thurston Moore, Aphex Twin) this limited and first release for the Antwerp based Dropa Disc label is an excellent example of the intense and adventurous musical interplay O’Malley and Noble generate as Saint Francis Duo, a must-hear for open-minded music fanatics and doom heads alike.
Steve Noble: Drums & Percussion
Stephen O’Malley: Guitars & Amplifiers
Recorded by Michael Huon at Freakscene’s Summer Bummer, Zuiderpershuis, Antwerp 10 Aug 2014
Mixed by Marc Urselli, NYC 2015
Mastered & Cut by Matt Colton at Alchemy, London 2016
Produced by Stephen O’Malley
Live Concert produced by Sound in Motion
Cover Artwork by Ken Reaume / www.kennethreaume.ca
Photo’s by Geert Vandepoele & Mark Rietveld
SAINT FRANCIS DUO - LOS BORDES DE LAS RESPUESTAS LP