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1 | Part 1 | 15:24 |
| 2 | Part 2 | 20:08 |
Something stark and wonderful for our first live release of 2023. [something’s happening] is the sound and text duo of poet and performer Iris Colomb and composer Daryl Worthington (Beachers), exploring textual and sonic permutation through improvisation.
Iris Colomb conjures the evocative atmosphere of a dream half-recalled, voicing fragments of found text that subtly build and layer, repeating and circling back around before branching off into new images and meanings. Alongside her, Daryl Worthington utilises all manner of sound-making devices from guitar and bells to tapes, toothbrushes and other objects. But there is never any sense of overload, more of having the right palette for Colomb's hypnagogic word patterns; letting the sonic focus gradually shift with a light touch combined with audible attentiveness. This is a music that takes its time, letting each moment unfurl with care and space.
In the wrong hands, such an approach could prove overly deliberate, keeping the listener at arm's length. Instead there's an unselfconscious intimacy that feels like eavesdropping onto a hidden little corner of the world that you previously had no idea existed. The current, ongoing process hinted at in the group's name is no accident; you get the sense that this soundworld was unfolding long before you got there and will continue long after you left. What a privilege to have captured this fleeting glimpse in the meantime.
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Iris Colomb / voice, effects
Daryl Worthington / guitar, electronics, bells, electric toothbrush, tape walkman and other objects
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Recorded by kyle acab
Mixed and mastered by Oli Barrett
Cover photo by Peter Döpper
Thanks to Anthony Chalmers and Em Lodge from Baba Yaga's Hut
[something’s happening] is the sound and text duo of poet and performer Iris Colomb and sound artist Daryl Worthington (Beachers). The project explores textual and sonic permutation through improvisation, scores and responses to situation and context. Their practice is centred around an integrating of sound and language, the two emerging together in unison rather than one leading the other. Their previous work has included experimental translations fused with site-specific field recordings, responses to art exhibitions as well as a live, fully improvised performance practice wielding poetry, processed voice and electro-acoustic sounds made with a variety of instruments and non-instruments.
In 2025 they released the albums Buzz (Flaming Pines) and a map has always been an attempt (Strategic Tape Reserve).
Their first release, an album of single-take live improvisations recorded with a solitary mic in a practice room, ‘Something Like That’, was released in May 2022 by Sensory Leakage. Their second release, 12.10.22, a recording of a live performance from October 2022 at Cafe Oto was released on the venue’s digital label Otoroku in 2023. In 2024 they were commissioned by EMALIN Gallery in London to respond to Adriano Costa’s exhibition HOW GRANDMA TAUGHT HOW TO KILL A GHOST CHICKEN.
[something’s happening] have performed with Eric Chenaux, Mai Mai Mai, Dali St Paul’s EP/64, Neo Geodesia and many more, for promoters and venues including Café Oto, Baba Yaga’s Hut and Upset the Rhythm.
https://flamingpines.bandcamp.com/album/buzz
https://strategictapereserve.bandcamp.com/album/a-map-has-always-been-an-attempt