2016 Re-Press. Pre-orders taken now. Shipping 4.7.16.
Recording of the stunning first set performed by the trio of Peter Brötzmann, Steve Noble and John Edwards at Cafe OTO in January 2010 during Brotzmann's first residency at the venue. This was also the first time the trio had played together.
Recorded at Cafe OTO by Shane Browne, mixed by John Edwards and Mastered by Andres [LUPO] Lupich at Dubplates & Mastering, Berlin.
"On an east London side street, Café Oto hosts a programme of international experimental sounds to shame subsidised arts temples, drawing demographic-defying crowds of all ages through its doors. The first release on Oto's own label, available as an authentic vinyl slab or a slippery download, is a 40-minute splurge of sax, drums and bass skronk, live at the venue in 2010, from the German free-jazz giant Brötzmann and two stars of the London improv scene. Unrepeatable moments of collective inspiration and sudden sunlit shafts of modal near melody punctuate the continuing energy blur. Business as usual down Dalston Junction." Stewart Lee, The Sunday Times "Since it opened in Dalston in April 2008, Café OTO has become London's new music venue of choice for the likes of the Sun Ra Arkestra, Joe McPhee, Mats Gustafsson – and Peter Brötzmann, whose first residency at the club in January 2010 yielded this inaugural release on OtoRoku, Café OTO’s new in-house label. The night in question was the first time Brötzmann had played with bassist John Edwards and drummer Steve Noble, and the decision to team them up was inspired. With Alan Wilkinson, or in Decoy with Alex Hawkins and NEW with Alex Ward, Edwards and Noble have a deserved reputation as a thrilling high-energy rhythm section. And as Brötzmann is no slouch when it comes to high-energy playing, the combination is explosive. Right from the start of the set – the first that evening – it's obvious why this was selected to christen the label. All three players jump straight into top gear, with Brötzmann setting a cracking pace, his torrent of sound characterised by that hard-edged tone which makes him such compelling listening. ...the worse the better sets a high standard for subsequent releases to match. But, as every night at Café OTO is recorded and there's a wealth of fine music waiting in the wings, including quality recordings from Otomo Yoshihide and Wadada Leo Smith, OtoRoku looks like a label to watch." John Eyles, Paris Transatlantic
"These two extended improvisations, recorded in January 2010 during Brötzmann’s first residency at OTO, finds the group attaining near-telepathic modes of interconnectedness, despite this being the trio’s first outing together. From the off, Brötzmann’s gills are gurning, throwing up torrents of molten roar, while Noble’s mule-kicking at the traps reels out ride hits like a baby sporting a bonnet of bees." - Spencer Grady, BBC Music
"Does the world need another Brötzmann album? Probably not, but as the inaugural release on Cafe OTO's in-house high quality vinyl-only label, this one is cause for celebration. Recorded there - superbly well, too - during Brötzmann's residency in January 2012, this is no frills straight-up free jazz, solos and all, pitting the Firebreather of Wuppertal against the might local rhythm team (yes, they can and do swing hard) of John Edwards and Steve Noble. All three are on outstanding form, from the opening yelp - when it comes to Big Bang beginning, nobody does it better than Brötzmann - to Edwards's snarling drone 38 minutes later. Shame engineer Shane Browne slammed thos faders down so brutally: for once, you feel like joining in with the whoops and hollers of the punters." - Dan Warburton, The WIRE
BROETZMANN / EDWARDS / NOBLE - THE WORSE THE BETTER
Rabbit Eclipse is the second full-length recording from the legendary Księżyc following on from their self titled debut from 1996.
The Moon never went away.
The 2013 the Penultimate Press re-issue of Księżyc’s timeless debut exposed the band to a large new audience resulting in a return to live performance and the subsequent development of new material.
Rabbit Eclipse was recorded in Warsaw throughout May to September 2015 within the idyllic Palladian palace Królikarnia (The Rabbit House). All original members gathered to conjure the peculiar hybrid of the the ancient and the contemporary unique to the band.
With more expanded forms, Rabbit Eclipse presents a rich and subtle environment of beguiling narratives hanging in suspended tension. This opens up an entire new phase in the cycle of the band where an enchanting discrete musical continuum of rich and subtle sound excursions are enveloped in a mysterious melancholia.
Rabbit Eclipse is another exemplary presentation from one of Poland’s most idiosyncratic and respected outfits.
Agata Harz - vocals, objects
Katarzyna Smoluk-Moczydłowska - vocals, keyboards, objects
Lechosław Polak - accordion, keyboards, synthesizers
Remigiusz Mazur Hanaj - tapes, hurdy-gurdy, violin
Robert Niziński - clarinet, keyboards, objects
Paweł Romańczuk - Fidel, Stössel-Laute, objects
4. Walczyk III
Rabbit Eclipseis packaged in a 4-page DVD format digipack in an edition of 500 copies
Księżyc - Rabbit Eclipse CD
Paul Abbott – Vagus
Publication & CD-R
Published by Porta (#11)
- - -
Paul Abbott - Drums, voice, texts and programming.
Part 1: 'Welcome'
Part 2: 'Hsiovidhe'
Part 3: 'Mung Pool'
Free download available at: http://www.portaaaa.com/porta11.php
Written and recorded in London, 2014-2015.
Double sided Black CD-R mounted on a 20 page, black & white publication.
Both inside a grey-transparent plastic envelope.
Edition of 100.
Paul Abbott - Vagus CD
Founded in 2010 in Oxford the Set Ensemble is dedicated to the performance of experimental music and contemporary composition. All of the members of the ensemble are also composers and they often write for one another, using the ensemble as a testing ground for new ideas, developing and rehearsing pieces together. This process is a collaborative endeavour with the score acting a material among many, directing or shaping actions within a complex field of activity.
This disc contains six such compositions by Dominic Lash, Patrick Farmer, Sarah Hughes, Paul Whitty and Bruno Guastalla, the scores for which are all text or instruction based. Running the gamut from tonal instrumentation to fluxus antics, sometimes even within one work, this collection refuses to sit tidily within one strand of contemporary music, reflecting the broad influences and practices of the ensemble's members.
The CD is packaged in a 7" sleeve with letter-pressed back panel and digitally printed 4 panel leaflet, see scans attached.
Set Ensemble – Stopcock CD
The Trost label presents a live recording from the trio Sonore, featuring Peter Brötzmann (tenor and alto sax, clarinet and taragato), Ken Vandermark (tenor sax and clarinet) and Mats Gustafsson (baritone sax). All compositions by Brötzmann, Vandermark and Gustafsson. Recorded at Café OTO, London, for Jazz On 3, BBC Radio 3, April 20th 2011.
SONORE - OTO CD
One of two different sets, along with Two City Blues 1 (TROST 126LP), recorded on one intense night at Tokyo's Shinjuku Pit Inn. A trio of three towering figures, German free jazz legend Peter Brötzmann, Japanese avant-garde wizard Keiji Haino, and wildly versatile American composer and musician Jim O'Rourke, recorded by Yasuo Fujimura on November 23, 2010. Brötzmann: alto and tenor saxophones, tarogato, and clarinet; Haino: guitar, voice, shamisen; O'Rourke: guitar.
PETER BROTZMANN/KEIJI HAINO/JIM O'ROURKE - Two City Blues 2 CD
1. lll人 = Daichi Yoshikawa + Paul Abbott + Seymour Wright2. Still finding, twisting and hammering out an expanding musical universe balanced only by its own logics – lll人 have few obvious comparisons. Their performances are consistent radical negotiations of the emotional, physical and social energies of the environments they sound out. 3. Fold out/roll up drumfeedbackreed sausage/pleat, holed and sliced. 4. [cropse after gannen begat gjerhan (ovo) ROKU11] 5. The tools are familiar, the listening is not; 6. The tools are familiar, the spaces are not. 7. Here are recordings of public longform negotiations of: a. the vast of V&A cast rooms (walkthru); b. the theatron of Spanish Fighters (sitdown). 8. June 28, 2013 VandA cast-coated Huge room full cast of plaster. BORC Ljubljan Friday Spanski - spanski 2013 the 11th year 15 months dark room Escapade Winton, we're playing in front of the emergency; 9. More lll人: absorbing protoplasm dances of doppelnut learnings.
lll人 Vjerhanxsk (!)
Alexander Hawkins / Hammond B3 John Edwards / Double Bass Steve Noble / Drums Joe McPhee / Pocket Trumpet, Alto Sax
New 2CD version of Spontaneous Combustion - the second meeting of UK organ/bass/drums trio DECOY with sax legend Joe McPhee - Here with an extra 78 minutes of music added to the original LP material.
The original LP (now out of print) was listed in The WIRE magazine's top Jazz & Improv releases of 2013!
"a show that surpassed all expectations to become one of the very best things I’ve seen this year." The Liminal
Disc One recorded 29 October 2011, Cafe OTO by Mick Ritchie. Mix by Ritchie/Noble. Mastered by Andreas [LUPO] Lubich @ Dubplates & Mastering, Berlin. Disc Two recorded 30 October 2011, Cafe OTO by Mick Ritchie. Mixed by Ritchie/Noble and mastered by Mick Ritchie.
Sleeve design by Oliver Pitt.
Decoy with Joe McPhee - Spontaneous Combustion
Our tenth OTOROKU release sees a return to the group that kick-started the label - the veteran German reedsman and free jazz pioneer Peter Broetzmann with the long-running London bass/drums partnership of John Edwards and Steve Noble. After the release of '…The Worse The Better' that group went on to play a series of devastating shows in Europe and to emerge as one of Broetzmann's finest working groups. Over the same period Peter was developing a deep rapport with Jason Adasiewicz, the upstart vibraphone player from Chicago. What seems on paper like an awkward pairing reveals itself on stage and on record as a symbiotic revelation. Adasiewicz's physical attack matching Broetzmann for impact whilst the extended sustain of the vibes opens up an eerie space for some of Broetzmann's most fertile lyricism.
The recording is from the last set of a two-day residency at Cafe OTO that brought these two groups together for an astonishing quartet. Adasiewicz and Noble struck up an immense partnership in rhythm. Edwards wrestled with a broken house bass and failing amplifier and still managed new levels of invention - stoking the others onwards. Broetzmann was clearly energised - I swear I saw him dancing at the side of the stage whilst exchanging a shattered reed. And for all the usual rhetoric of Free Jazz bluster and machismo, this is a meeting characterised by the joy of communal creation that makes you want to dance - even if only in your head.
Broetzmann / Adasiewicz / Edwards / Noble – MENTAL SHAKE (LP)
This recording gathers all of the music from the final night of Otomo and Sachiko's first residency in 2009 which saw the pair joined by the long running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher. Butcher played duos with both Otomo and Sachiko and joined the quintet for a rousing sextet: stunning twin saxophone interplay, the unparalleled open-ness of the Marsh/Edwards rhythm pairing, Sachiko's deft high frequency interventions and Otomo's guitar at the centre - moving between abrasive textural invention and suggestive single note runs of ever-shifting melody.
"As for indicating a place in the curiously sculpted bridges between improvised music and sound art, well, the simple singularity of these daring and committed performances should bear out their significance." Clifford Allen, Tiny Mix Tapes
"This Quintet/Sextet album is recorded beautifully and it needed to be to capture all the nuance involved ... These are musicians at the top of their craft." Free Jazz Blog
"...fresh and inspired. The recording stands as a finely-honed classic of classically approached free improvisation: the players dance and flow smoothly and effortlessly with and around the sounds of their partners." - Henry Kuntz
Point of Departure Review
Otomo Yoshihide / Sachiko M / Evan Parker / Tony Marsh / John Edwards / John Butcher - Quintet / Sextet / Duos
Akio Suzuki: pebbles, glass plate, sponge, pocket bottle, voice ANALAPOS, brass plate, cardboard box, wood screws, bamboo stick, metal plate, noise whistle, swizzle sticksJohn Butcher: tenor and soprano saxophones (amplified on 1)Arika "Resonant Spaces" Tour, Scotland & Orkney - June 2006Wormit Reservoir, FifeHamilton Mausoleum, South LanarkshireSmoo Cave, Durness, HighlandsTugnet Ice House, Spey Bay, MorayLyness Oil Tank, Island of HoyRecorded by Ruari CormackFtarri Festival - November 2015SuperDeluxe, Roppongi, TokyoRecorded by Chihei HatakeyamaMixed and Mastered by John ButcherArtwork and design by Cathy FishmanPackaged in a cardboard jacket________________________________Sound artist Akio Suzuki crisscrosses the world with his self-made instruments. British tenor/soprano sax player John Butcher is a leading figure in improvised music. These two musicians have been carrying out duo performances since 2002. The six tracks on this CD are recordings of their duos in Scotland in 2006 and Tokyo in 2015.In June 2006, an event was held in which Suzuki and Butcher visited and performed in places around Scotland that have highly distinctive acoustic characteristics. Butcher's solo performances from this event were released in the CD Resonant Spaces (Confront, 2008). Recordings had also been made of the duo performances, and these are being released for the first time on this CD. The fascinating performances on these five tracks, each of which is 5-8 minutes long, made use of the special acoustic environments of five locations: the underground Wormit Reservoir in Fife; the Hamilton Mausoleum in Hamilton, well known as a manmade structure with long reverberation; the gigantic Smoo Cave in Durness; the large Tugnet Ice House in Spey Bay; and the Lyness Oil Tank in the Orkney Islands, which was used during World War Two. Suzuki and Butcher also performed together nine and a half years later, in November 2015, at Ftarri Festival2015, held at SuperDeluxe, Tokyo. In this 27-minute-long performance, they exchange myriad sounds in a flexible, spontaneous manner.
Akio Suzuki & John Butcher - Immediate Landscapes CD
It is always a treat to see some major musical innovators in action. Especially in a mind-blowing line-up, at the top of their game and unrecorded until now on this impressive new Dropa Disc release. Evan Parker might be a member of some legendary trios – one with von Schlippenbach and Paul Lovens and one with Barry Guy and Paul Lytton – still this brilliant master of the saxophone and pioneer of free music managed to surprise us big time when he introduced his trio with John Edwards and Steve Noble to the Belgian audience in January of 2015. Together with this ultimate rhythm section – backing artists like Peter Brötzmann, Akira Sakata and Julie Kjaer, to name a few – Parker reals out a truly mesmerising demonstration, full of individual brilliance, but most of all with a collective cohesion rendered with majestic imagination and endless iridescence. Dropa Disc #004 Evan Parker – John Edwards – Steve Noble: PEN is the first release of this trio ever, fitting perfectly next to the best works in these stellar musicians ever expanding discography.
Evan Parker: Tenor saxophoneJohn Edwards: Double bassSteve Noble: Drums & PercussionRecorded by Michael Huon at the Oorstof concert series, Zuiderpershuis, Antwerp 24 January 2015Edited & Mixed by Michael Huon and Koen Vandenhoudt at Odeon 120, Brussels 2016Mastered by Michael Huon at Odeon 120, Brussels 2016Live concert produced by Sound in MotionProduced by Koen VandenhoudtExecutive Producers: Koen Vandenhoudt & Christel KumpenCover Design & Layout: Pascal Cools
First release for the stellar trio Evan Parker, John Edwards & Steve Noble.You can order the cd Evan Parker – John Edwards – Steve Noble: PEN (Dropa Disc#004) by mailing us here ! or go to the PayPal buy button.You want to order more Dropa Disc releases at once? Mail us for combined shipping prices here !
Extended text by Guy Peters (Enola Magazine, Gonzo Circus, Cadence … ):
Without a doubt, Evan Parker belongs to the top league of free improvisers. For half a century now, he has been one of the most innovative, challenging and consistent members of the European avant-garde. Together with Alexander von Schlippenbach, Peter Brötzmann, Fred Van Hove and a handful of others, he is among the trailblazers who set and raised the bar. The best thing about it: he’s still going strong. When he appeared in the Oorstof series with the terrific rhythm section of John Edwards (bass) and Steve Noble (drums), we were in a for a memorable night.
Parker is not only a legend because of his technical mastery and individual approach to the soprano and tenor saxophone, but also because he was/is a member and/or leader of several crucial bands. He was part of the legendary Brötzmann Octet that cut the Big Bang-record Machine Gun and he is a member of two of the most formidable trios in the history of improvised music: one with Von Schlippenhach and Paul Lovens, the other with Barry Guy and Paul Lytton. Also his documented trio with John Edwards and Mark Sanders is well-respected. Also his documented trio with John Edwards and Mark Sanders is well-respected. In the meantime, Parker has played with so many improvisers that it’s hard to believe his stunning trio with John Edwards and Steve Noble, until now, went unrecorded.
Edwards and Noble are a tight rhythm section, appearing beside a.o. Alex Ward, Hans Koch, Alan Wilkinson, Peter Brötzmann, Sophie Agnel and, most recently, Julie Kjær. Though teaming up with Parker seemed inevitable the music generated by this trio – as displayed perfectly on this new Dropa Disc release – is stunning. There is no holding back, the musicians are not too respectful and it’s no feast of impatient fury either. No, instead we hear three masters displaying an enormous control of their respective instruments – with Parker sticking to tenor saxophone – without losing the overall cohesion of the performance. It’s rife with remarkable solo and duo moments, and even though these often belong to the highlights, you hear an exceptional solid unit.
We were already familiar with the breadth of Steve Noble’s playing, as he appeared on Dropa Disc #001 (los bordes de las respuestas, by the Saint Francis Duo with Stephen O’Malley), but it’s exciting to witness his amazing dynamics, range of textures, energy and rhythm. Equally at ease within abstract expression as in inflammatory interaction, he is the guy you need for a balance of thoughtfulness and vital energy. Edwards is his ideal sidekick: a player with agility, intelligence and a physical approach that sometimes borders on harassment. Together they create an intricate, lively and surprisingly soulfulperformance, serving as foundation, trigger and sparring partner for Parker’s associative approach.
As such, this exceptional concert is not about easy effects, wild climaxes or raucous energy. Instead, it’s a celebration of freedom and the direction in which it can be taken. During its best moments it sounds as if the music almost becomes self-evident in its organic cohesion. Not because the musicians rely on predictable patterns, but because the music seems to take over, flowing from three musicians in one identifiable language – something similar happened a few months later, when Ballister visited Oorstof, check the Dropa Disc #005 release. When you observe Parker in action, the man often stands there with a stoic, immovable pose, but these adjectives couldn’t be further removed from this music’s essence. The performance contained on this album is all about restless movement and ceaseless interaction. It is a celebration of the potential of improvised music.
Evan Parker/John Edwards/Steve Noble: PEN CD
Paul Abbott: Drum kits, percussion, computer.Seymour Wright: Alto Saxophone, feedback
Pah’ is a monolithic document of the shared improvisational language of saxophonist Seymour Wright and percussionist Paul Abbott, also known as XT. One piece, just under eighty minutes long, begins in the well-traveled territory of contemporary free-jazz, with Wright and Abbott falling into a supersonic velocity that they don’t give up until a strange English folk music marks the end of their set; the audience clearly taking a second to register the proceedings. Recorded live in 2015 at London’s Café Oto, the duo almost immediately ejects/(r)ejects the typical free jazz tropes as Abbott and Wright spin off into conflicting repetitions and cycles, only to morph and move again just at the point that the listener becomes comfortable. The addition of Wright’s use of feedback and Abbott’s heavily deconstructed electro-dance textures takes Pah’ from elegantly brutal blow out to truly 21st century music, and fits perfectly into the experimental formal and timbral languages of label mates Nate Wooley and Paul Lytton. Track Listing: 1. Pah’ (79:19) Recorded live at Café Oto, 24 November 2015 by James DunnMixed and Mastered by Paul AbbottDesign by Paul Abbott and Seymour Wright
XT - Pah CD
In October 2015, a three-day was held at Porgy & Bess in Vienna for the 50th birthday of Mats Gustafsson, saxophone player extraordinaire in contemporary (free) jazz with The Thing, Fire!, and various duo/trio/ensemble formations. Many collaborators of Gustafsson's were invited to join in various formations. The first three discs of the four-CD set were recorded October 26-28, 2014 at Porgy & Bess in Vienna by Mikael Werliin. The fouth disc was recorded October 26-28th, 2014 at "Strenge Kammer," Porgy & Bess, by Alexander Kasses. The discs are presented in a heavy cardboard box with two thick booklets including essays and many photos. Mixed in 2015 at Garnison7 in Vienna by Martin Siewert and Mats Gustafsson. Mastered by Martin Siewert in 2016. Photos by Petra Cvelbar and Ziga Koritnik. Artwork by Lasse Marhaug. Produced by Konstantin Drobil and Mats Gustafsson. Includes performances by Mats Gustafsson/Didi Kern, RISC (Billy Roisz/Dieb 13), Sven- Åke Johansson, Swedish Azz, Fake The Facts + Paul Lytton & Martin Brandlmayr, Christof Kurzmann/Sofia Jernberg, Fire! Plus guests, Klangforum Wien & Mats Gustafsson, TR!O + 1 (Günther Christman/Paul Lovens/Thomas Lehn/Mats Gustafsson), The Thing & Ken Vandermark, Kjell Nordeson, Per-Åke Holmlander, Agustí Fernández, Erwan Keravec, Christof Kurzmann/Ken Vandermark, and Anna Högberg.
MATS GUSTAFSSON AND FRIENDS - Peace & Fire 4CD BOX
Beautiful CD set including 10 prints
“Another interesting way that Néillidh used the natural environment in his music was that near his home was a small lake with a rock face just behind it. Néillidh would stand just in front of a large rock near his home and play a phrase on the fiddle, bouncing the sound off the water and the rock face behind it then when the echo came back to him he would listen back to what he had played. He sometimes played along with the echo of his own playing adding in variations and harmonies.”
Sleeve notes to A Feeling in the Blood - Néillidh Boyle, Rab Cherry and Dermot McLaughlin
“Then he sat down by a pond and began to play a tune. As he played, the most extraordinary thing happened. One by one the fish in the pond began to jump out and fly about in the air. And what is more, they were all different colours and they were singing to the music.”
Patrick, Quentin Blake.
Billy Steiger’s first album of solo violin recordings.
The Ten Recordings:Some were recorded outside, some were recorded inside.Wood carried inside, wood carried outside.The first and tenth tracks are Festival Music.
The Ten Drawings and Photographs:They are reprints of monoprints. (Two have photographs).
Billy Steiger - Recordings, drawings and photographs from in and around Frîdd Newydd, December 2014 - December 2015 CD
CD01 – Arcoparlante
CD02 – Gesualdo Translation
CD03 – A Collection of Smiles
CD03 – The Whistling Republic / Campanas
ALESSANDRO BOSETTI – STILLE POST. RADIO WORKS: 2003-2011 4CD
First pressing sold out. Repress maybe by June 2016? Harry Bertoia's Complete Sonambient Collection features all 11 of Bertoia's original records newly restored from their master tapes and housed in replica jackets. A heavy duty box, printed with metallic inks, holds the 11 discs as well as a 100-page book containing a lengthy historical essay, an interview with Harry Bertoia from the Smithsonian Archives of American Art, exclusive Sonambient-era material from the Bertoia archive, modern and archival photos of the Bertoia barn, and reflections on Bertoia from David Sefton, Tom Welsh, David Harrington (Kronos Quartet), and all three of Bertoia's children. The Complete Sonambient Collection celebrates 100 years of Harry Bertoia in 2015, the centennial of his birth. In the late 1950s, Harry Bertoia (1915-1978), already a renowned American sculptor, began creating long-form, improvised pieces of music utilizing pure acoustic tones evoked from his sound sculptures. Around this time Bertoia came up with the term "Sonambient" to describe the music and environment created by his tonal sculptures and their lush harmonic overtones. In a renovated barn on his property deep in the Pennsylvania woods, Bertoia curated a harmonious selection of his sculptures and gongs, often recording his frequent, intuitive sound experiments using four overhead microphones and a ¼" tape recorder. Bertoia dedicated the last 20 years of his life to his Sonambient work and in 1970 he released the first Sonambient LP. In 1978, in the final months of his life, he selected recordings from his archive and produced ten more Sonambient records. He would not live long enough to see or hear these records himself. Bertoia died in 1978, at age 63, and was buried beneath a giant gong behind his Sonambient barn. Bertoia's recordings are as much a celebration of sustained tones, slow decay, healing vibrations, and shimmering harmonics as Indian classical music, singing bowls, La Monte Young, or Benjamin Franklin's glass armonica. Through these rich harmonics, pulsing tones, and pure gongs Bertoia was able to more clearly articulate his inner spirit than he could with sculpture alone -- a point he made himself many times in interview. His single greatest piece of art is the totality of his life, which is nearly impossible to measure but easy to feel. Important Records hopes that somehow this box set evokes some of the same sacred, personal feeling that one has in Bertoia's barn. "I don't hold onto terms like music and sculpture anymore. Those old distinctions have lost all their meaning." --Harry Bertoia, 1976
HARRY BERTOIA SONAMBIENT: RECORDINGS OF HARRY BERTOIA 11CD BOX
American saxophonist John Dikeman, Belgian guitar experimentalist Dirk Serries, and legendary English drummer Steve Noble team up for an impressive improvisational record. Inventive, harsh, precise! Recorded at Sound Savers, London, in 2015. John Dikeman: saxophone; Steve Noble: drums; Dirk Serries: guitar.
DIKEMAN NOBLE SERRIES TRIO - Obscure Fluctuations LP