Friday 22 November 2019, 7.30pm
Keira Greene, Ute Kanngiesser, Vasco Alves, Rui Leal, Micael Speers, Seymour Wright, and Paul Abbott explore 'wolf ecologies' with moving image, bagpipes, cello, drums, saxophone, and bass.
Keira Greene will show a film in the making, a speculative fiction about the primal relationship of humans and wolves.
Ute Kanngiesser (cello) performs 'wolf notes'.
yPLO (Paul Abbott and Michael Speers, imaginary drums) are joined by Rui Leal (bass) to develop an imaginary 'trap' for this event.
Seymour Wright (alto saxophone) and Vasco Alves (bagpipes) perform for the first time as a duo.
Music and Other Living Creatures is a series at Cafe OTO (curated by OTO Projects) dedicated to music about, with, or by other living creatures. Birds, tigers, chickens, insects and many other living creatures are explored through sound-walks, listening sessions, commissioned performances, live responses and discussions.
KEIRA GREENE is an artist working across film, photography, performance and text. Her work is preoccupied with the social and organic life and landscape of specific environments. Her work is produced through a collaborative and conversational practice of looking, writing and forming enduring relationships. Recent works are concerned with ideas of the body and the experience of emotion, in dialogue with an embodied filmmaking practice. Film works by Greene are distributed by LUX, she is performance curator with Whitstable Biennale.
Ute Kanngiesser has played cello since early childhood, and for more than a decade, has only played unscripted, improvised music - solo and in collaboration with other musicians and composers in London and internationally. An important part of her work has developed in relationship to other art forms such as writing, dance, film, and site specific performance. More recently, she has begun to experiment with open form compositions, writing semi-graphic scores as a way of recording music, that can be retrieved later on and in new ways.
Recent collaborations have been with Evie Ward, Daniel Blumberg, Billy Steiger, Tom Wheatley, Crystabel Riley, Seymour Wright, Paul Abbott, Keira Greene, John Butcher, Eddie Prévost and Jennifer Allum.
Michael Speers is a musician from Northern Ireland, currently based in London. Feedback is the basis of most of his practice, using the limitations of himself and electronic / acoustic equipment—namely percussion, no-input mixer, sampled media, test equipment and field recordings—to depict his engagement with reality through sound phenomena. The resultant soundscape is generally dense and abrasive, focussing on texture and spatial / material resonance, which is formed live in improvised performances, installations and electronic compositional work.
Collaborating with Paul Abbott as yPLO—the duo uses real/synthetic drums/electronics towards realising a speculative drum kit. A solo record is scheduled for release in 2019 with C.A.N.V.A.S.
Seymour Wright’s work is about the creative, situated friction of learning, ideas, people and the saxophone – music, history and technique – actual and potential.
His solo work is documented on three widely-acclaimed collections - Seymour Wright of Derby (2008), Seymour Writes Back (2015) and Is This Right? (2017).
Current projects include: abaria with Ute Kanngiesser; [Ahmed] with Antonin Gerbal, Joel Grip and Pat Thomas; @xcrswx with Crystabel Riley; GUO with Daniel Blumberg; The Experimental Library with Evie Ward; XT with Paul Abbott; a trans-atlantic duet with Anne Guthrie, and, with Jean-luc Guionnet a project addressing an imaginary lacunae in Aby Warburg's Atlas Mnemosyne.
His writing has been published in C//A, Sound American and The Wire.
Paul Abbott works with real and imaginary drums, synthetic sounds, performance and writing: exploring how sounds, signs and the physical body effect each other in experimental musical play.
Recent and ongoing collaborations include—XT with Seymour Wright; F.R.David with Will Holder; Rian Treanor Duo; RP Boo Trio with XT; The Creaking Breeze Ensemble with Nathaniel Mackey, Ute Kanngießer, Evie Ward, Seymour Wright and Billy Steiger; yPLO with Micheal Speers; Falls with Keira Greene and performances with Cara Tolmie.
Paul has performed internationally at Cafe OTO, Talbot Rice Gallery, Whitstable Biennale, Whitechapel Gallery, Raven Row, Tate Modern, Counterflows, Next Festival, KW Institute Berlin, Serralves Porto, Empty Gallery HK. He has records released by OTORoku, Empty Editions, Pleasures of The Text, and published with Cesura//Acceso and F.R.David. Residencies include Cafe OTO, KW Institute, Empty Gallery.
Recent releases include—Deorlaf X (XT), Very Good* (FR David, Will Holder), Ductus (solo), 31.12.18 (XT/RP Boo) Palina’Tufa (XT) and Stop Constant. He was one of the co-editor’s of Cesura//Acceso and a Sound and Music “Embedded” resident artist at Cafe OTO 2015-2016.
Vasco Alves' work investigates the materiality of sound and aspects of acoustical phenomena through the use of unstable electronic and acoustic processes, which may include synthesis and amplification techniques, bagpipes and customised wind instruments.
Used sometimes concurrently but also individually, these processes of an often highly volatile nature tend to rely on minimal physical and compositional means.
With his bagpipes (Gaita de Fole in Portuguese) the focus lies in disrupting the airflow, exploiting the physical limits of the instrument and the interaction between its acoustic output and electronically generated audio (or other instruments). Aiming towards a musical experience that explores repetition, improvisation, psychoacoustics and its spatial impact.
Plays terrace bagpipes for Clube de Futebol "Os Belenenses".
1/3 of VA AA LR with Louie Rice and Adam Asnan.
1/2 of OndaXoque with Pedro Rufino.
Organiser of portaaaa.com.
Born in Lisbon, 1985.