Thursday 4 January 2024, 7.30pm
Mandhira De Saram / violin
Mark Sanders / drums
Steve Beresford / piano, objects
Mandhira is happiest bringing her playful energy and creativity to a breadth of projects across the less trodden paths of contemporary music, working with the likes of Anna Meredith, Elaine Mitchener, Elliot Galvin, Laura Jurd and Shabaka Hutchings, and now increasingly as a solo artist.
Having left the Ligeti Quartet (Songbooks Vol. 1, 2021 and Nuc, 2023) - the plucky band of musical buccaneers who explore the outer reaches of chamber repertoire - Mandhira’s recent creative ventures include commissions by the Ligeti Quartet, a collaboration with the cross-cultural Australian Art Orchestra (debuting in Melbourne and HCMF) and working with Jasmin Kent Rodgman on the soundtrack to the feature film Bawa’s Garden. She has also been commissioned by the Barbican’s Sound Unbound Festival and Musicity.
Equally at home leading orchestras in the world’s most prestigious concert venues, recording film soundtracks at Abbey Road and improvising at Café Oto, her other projects include improvising duos with Steve Beresford and Benoit Delbecq (Spinneret, 2019) and regular appearances with Riot Ensemble and London Contemporary Orchestra.
She currently plays a 1735 Sanctus Seraphin violin kindly loaned to her by Derek Clements-Croome.
Mark has worked with a host of renowned musicians including Derek Bailey, Henry Grimes, Mathew Shipp, Evan Parker, Roswell Rudd, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.
In situations using composition Mark works in a number of projects including Christian Marclay’s Everyday for film and live music and John Butcher’s Tarab Cuts - both projects have performed major festivals throughout Europe and Brazil. He has performed works by guitarist John Coxon in Glasgow and Sydney playing with the Scottish and Sydney Symphony Orchestras. With New York’s ICE Ensemble he has performed John Zorn’s The Tempest in London and at Huddersfield New Music Festival.
Mark also works in the groups of Paul Dunmall including Deep Whole Trio with Paul Rogers, and the ensembles of Sarah Gail Brand, including a long-standing duo. He has a lengthy discography including a solo album, has performed internationally and played at major festivals including, Nickelsdorf, Ulrichsburg, Womad and notably at Glastonbury with legendary saxophonist John Tchicai.
"ubiquitous, diverse and constantly creative, drummer Mark Sanders always outdoes himself, whether playing with restraint or erupting like a dynamo." Bruce L Gallenter, Downtown Music Gallery. NY
Steve Beresford has been a central figure in the British and international spontaneous music scenes for over fifty years, freely improvising on piano, objects, electronics and other things with people like Derek Bailey, Evan Parker, Han Bennink and John Zorn. Long-standing groups have included Alterations (with David Toop, Terry Day and Peter Cusack), The Melody Four (with Lol Coxhill and Tony Coe, both RIP) and London Improvisers Orchestra.
He has written songs, composed for large and small ensembles, and scored short films, feature films, TV shows and commercials. He was part of the editorial teams of ‘Musics’ and ‘Collusion’ magazines, writes about music in various contexts, and was a senior lecturer in music at the University of Westminster.
Steve has worked with Christian Marclay on various Marclay mixed media pieces. He has also worked with The Slits, Najma Akhtar, Stewart Lee, Ivor Cutler, Prince Far-I, Alan Hacker, Tania Chen, Louis Moholo-Moholo, Faradena Afifi, Blanca Regina, Ray Davies, Mandhira De Saram, The Flying Lizards, Zeena Parkins, The Portsmouth Sinfonia, Ilan Volkov, Rachel Musson, Vic Reeves, Lore Lixenberg, Valentina Magaletti and many others.
Beresford has an extensive discography - around 500 releases - as performer, arranger, free-improviser, composer, conductor and producer. He was awarded a Paul Hamlyn award for composers in 2012.
In 2021, Bloomsbury published a book by Andy Hamilton: ‘Pianos, Toys, Music and Noise: Conversations with Steve Beresford’.
In 2022, Siglio published the book ‘Call and Response’, which partnered photographs by Christian Marclay with notated improvisations by Beresford.
Lore Lixenberg has evolved a practice based on voice, that has three major features. Firstly, exploring extended vocal techniques and hyper-extensions of the voice (‘BIRD’ and ‘THE BIRD STUDIES’, pieces, that explore language and syntax through birdsong) Secondly, drawing on socially engaged practices (PRET A CHANTER, THE VOICE PARTY) and thirdly, exploring digital technologies and apps for their operatic dramatic potential creating a new form - the APP-ERA, (SINGLR, VOXCOIN, IDENTITY THEFT). Incorporating comedy into her compositions applying bel canto singing into physical theatre, comedy and free-improvisation she works with Simon Munnery, Richard Thomas, Stewart Lee and Complicite (McBurney). She has performed internationally on concert platforms and galleries, opera houses, in operas and has collaborated on experimental installations and vocal performances with experimental composers visual and sound artists like Acquaviva, STELARC, Bruce Mclean, ORLAN, Georgina Starr, Imogen Sidworthy and David Toop. Her stuff has been shown at at The Hamburger Bahnhof , Galerie Nord Berlin, Ikon Gallery UK, The Armory NY, Emily Harvey Foundation NY among others. She published an artist book ‚Memory Maps’, monographic CD ‘The afternoon of a phone’ (£@B). She started THE VOICE PARTY standing in British election of 2019 and will satnd again in 2024. Her vinyl release NANCARROW KARAOKE, a record of Nancarrow piano rolls she transcribed for her own voice multi-tracked is on the De Player label.
