Thursday 23 August 2018, 7.30pm
After the success of Alterations Festival in 2016, Alterations (Peter Cusack, David Toop, Terry Day and Steve Beresford) plus guests will be back to perform at Cafe OTO and present workshops some of their archives and artworks at Oto Projects, responding to nature, history and music.
Guest artists include John Butcher, Gina Southgate, Pierre Bouvier Patron, Cath Roberts, Max Eastley and Blanca Regina.
More information at www.unpredictable.info
David Toop is a composer, musician, author, a professor and lecturer at the London College of Communication and curator with a particular interest in sound practice, listening and improvisation. He has worked in many fields of sound art and music, including improvisation, sound installations, field recordings, pop music production, and music for television, theatre and dance. He has recorded Yanomami shamanism in the Amazonas, appeared on Top of the Pops, exhibited sound installations in Tokyo, Beijing and London’s National Gallery, and performed with artists ranging from John Zorn, Evan Parker, Bob Cobbing and Ivor Cutler to Akio Suzuki, Elaine Mitchener, Lore Lixenberg and Max Eastley. He has published seven books, including Ocean of Sound, Haunted Weather, and Sinister Resonance: The Mediumship of the Listener.
He released eight solo albums, including Screen Ceremonies, Black Chamber and Sound Body, and as a critic, has written for publications including The Wire, The Face, Leonardo Music Journal and Bookforum.
Exhibitions he has curated include Sonic Boom at the Hayward Gallery, London, Playing John Cage at Arnolfini, Bristol, and Blow Up at Flat-Time House, London.
David is a member of CRISAP (Creative Research into Sound Arts Practice).
His opera, Star-shaped Biscuit, was performed as an Aldeburgh’ Faster than Sound project, in September 2012 and his latest book, Into the Maelstrom: Improvised Music and the Pursuit of Freedom, was shortlisted for the Penderyn Music Book Prize in 2017.
Peter is a field recordist, musician and sound artist with a long interest in the sound environment. He is currently based in Berlin.
He initiated the ‘Favourite Sounds Project’ to discover what people find positive about their everyday sound environment and ‘Sounds From Dangerous Places’ (sonic journalism) that investigates sites of major environmental damage such as the Caspian Sea oil fields and the Chernobyl exclusion zone.
He produced ‘Vermilion Sounds’ - the environmental sound program - for ResonanceFM Radio and is a research fellow at the London College of Communication. As DAAD artist-in-residence in Berlin 2011/12, he intiated ‘Berlin Sonic Places’, examining relationships between soundscapes and urban development. Musical collaborators include Kahondo Style, Clive Bell, Nic Collins and Viv Corringham.
Steve has been a central figure in the British and international spontaneous music scenes for over forty years, freely improvising on piano, electronics and other things with people like Derek Bailey, Evan Parker, Han Bennink, John Zorn and Alterations.
He has written songs, written for large and small ensembles, and scored short films, feature films, TV shows and commercials. He was part of the editorial teams for 'Musics' and 'Collusion' magazines, writes about music in various contexts and was a senior lecturer in music at University of Westminster. With Blanca Regina, he is part of 'Unpredictable Series', which produces events and sound and video recordings of experimental music and art.
Steve has often worked with Christian Marclay on various Marclay mixed media pieces. Others he has worked with include The Slits, Najma Akhtar, Stewart Lee, Ivor Cutler, Prince Far-I, Alan Hacker, Tania Chen, Ray Davies, Mandhira De Saram, The Flying Lizards, Zeena Parkins, The Portsmouth Sinfonia, Ilan Volkov, Rachel Musson, Vic Reeves and Lore Lixenberg.
Beresford has an extensive discography as performer, arranger, free-improviser, composer and producer, and was was awarded a Paul Hamlyn award for composers in 2012.
Terry is an improviser, multi-instrumentalist, lyricist, song writer, visual artist and poet. He is a ‘first generation’ pioneer improviser from the 1960s.
A self-taught musician in a family of musicians, he began improvising on the drums with his brother in 1955. In the early 1960s he formed the Hardy Holman Day trio focusing on free improvisation. Later he became part of Kilburn & the Highroads, a band led by Ian Dury.
Sharing their interest in visual art and painting, Terry and Ian both studied at Walthamstow School of Art and later at the Royal College of Art, London. As an art student in the 1960s he was a pioneer of improvisation, free jazz & experimental music.
Day also formed a duo with Derek Bailey in the late 1960s and was a regular member of The Continuous Music Ensemble, later known as The People Band. Since then he has collaborated with many musical luminaries, groups, dancers, painters, poets and performed in theatre, events, and rock & roll.
Butcher is well known as a saxophonist who attempts to engage with the uniqueness of time and place. His music ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and unusual acoustics. Since the early 80s he has collaborated with hundreds of musicians – including Derek Bailey, Rhodri Davies, Andy Moor (EX), Phil Minton, Christian Marclay, Eddie Prevost, John Stevens’ SME, Gino Robair, Polwechsel, Mark Sanders, John Tilbury, and Okkyung Lee.
Alongside long term projects he values occasional encounters; from large groups such as the EX Orkestra & Butch Morris’ “London Skyscraper”, to duo concerts with Fred Frith, Akio Suzuki, Paal Nilssen-Love, Keiji Haino, David Toop, Otomo Yoshihide, Sophie Agnel and Matthew Shipp.
Recent compositions include “Penny Wands” for Futurist Intonarumori, two HCMF commissions for his own groups, “Good Liquor Caused my Heart for to Sing” for the London Sinfonietta and “Tarab Cuts”, a response to recordings of early Arabic classical music which was shortlisted for a 2014 British Composer’s Award.
“English saxophonist John Butcher may be among the world’s most influential musicians, operating at the cutting-edge of improvisatory practice since the ‘80s. Whenever an acoustic musician starts to sound like a bank of oscillators, a tropical forest, a brook or an insect factory, Butcher’s influence is likely nearby.” – New York City Jazz Record.
Blanca Regina is an artist, teacher and curator based in London who is currently involved in creating audiovisual performances, sound works, instalations and film.
Her research and practice encompass sound art, free-improvisation, moving image, live events, electronic music and performance.
In 2014 she joined Event and Experience Design department at University of Kent.
From 2011-2014 she was visiting research fellow at Chelsea College of Arts & Design at University of the Arts London.
In 2010, she received a doctorate in Humanities from University Rey Juan Carlos, Madrid, with the thesis: The VJ and audiovisual performance: towards a radical aesthetic of postmodernism.
In London, she co-funded with Steve Beresford and later Jack Goldstein 'Strange Umbrellas', a platform for free improvised music and visual art. During 2012-2014 she curated performances at Music Hackspace. She is initial co-founder of the Live Cinema Foundation.
In 2011 with Matthias Kispert at Soundfjord she founded the Material Studies Group. Focusing at developing a series of workshops and performances open to everyone looking at the production of sound with everyday objects.
She has performed with various artists, including Terry Day, Leafcutter John, Beresford and Matthias Kispert and curated a number of events and installations in London and internationally. Her last exhibition: ‘Expanded and Ephemera Audiovisual’ was presented at MUPO, Oaxaca, México in November 2015
Current works in development include the direction of Unpredictable a film about Terry Day and 'Unpredictable series' a series of exhibitions, talks and performances.
Gina Southgate is an artist who, through a growing interest in music and the aesthetic of musical instruments, began to paint at gigs. She is well known on the London free music and jazz scene where she has painted and performed live at gigs for 25 years.