One way to spot a rip current in the ocean is to search for a rippled surface surrounded by still water. When many different currents are pulling in different directions, a rippling effect is created on the water's surface.
This piece is for 4 unamplified electric guitars. It’s in a 13-limit tuning that I've been exploring in various contexts recently.
Over the the piece's duration, the guitars are tuned up or down at specific points, so that they cross each other, moving from a close cluster to a spread voicing over three octaves.
As the frequencies push away or pull towards each other, the stillness is disrupted, sometimes only subtly, other times quite chaotically. At times many shifts happen at once, at other times the movement is against a backdrop of static pitches.
Julia Reidy - 4 unamplified guitars
Recorded in 2021
Mastered by Oliver Barrett
Album cover photo courtesy of Adam Pultz Melbye
Julia Reidy makes music for processed and acoustic instruments (mostly guitars). Their recent recorded work—brace, brace (Slip 2019,) In Real Life (Black Truffle 2019), and Vanish (Editions Mego 2020)—can be described as a series of non-traditional song forms which combine unstable harmonic territories, rhythmic elasticity and abstract narrative over stretched, episodic forms. They have performed at Tectonics Festival (SCT), Send/Receive Festival (CA), Mona Foma (AUS), Berlin Jazz Festival (DE), Angelica Festival (ITA) and Borderline Festival (GR).