With live music and group-based rehearsal and recordings severely restricted in 2020, Dominic Lash gets to work on his own, exploring the rarely-embraced option of playing with recordings of himself on guitar and double bass. Neither a classic call and response or palimpset based approach to double tracking, Dom's volant weaving makes it hard to decipher which recording was made first. Both hands are used to colour the canvas, giving the illusion that lines of each instrument are leading each other down different paths. In a set of winding melodic phrases, splintered guitar stabs, bowed double bass refrains and harmonic embraces, Dom unveils conversations with himself. A dialogue that is both a reckoning and peacemaking with himself and his thoughts within 4 walls.
in memory of Simon H. Fell (1959-2020) and John Russell (1954-2021), with love and gratitude
Everything about this album has in one way or another been influenced by these two master musicians (but please don't hold them responsible).
Dominic Lash is an improviser and composer. A partial list of musicians he has worked with includes Antoine Beuger, Tony Conrad, Angharad Davies, Jürg Frey, Elizabeth Harnik, James Ilgenfritz, Charlotte Keeffe, Paul Lytton, Joe Morris, Evan Parker, Éliane Radigue, Mark Sanders, Roger Turner, Fay Victor, and Philipp Wachsmann. Best known as a double bass player, he's emerged as a guitarist since the 2020 lockdown, during which he "spent his time developing a very interesting and personal approach to electric guitar... Lash uses the Telecaster's basic yet unique design super-effectively; the biting, percussive nature of the instrument highlighted by the sheer power in his contrabass-trained hands" (Paul Khimasia Morgan).