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Hyperdelia

On Hyperdelia’s first release 'Erster Teil - Zweiter Teil - Dritter Teil' the recording studio takes eight musicians on astral travelling. The Serenus Zeitblom Oktett’s album is the beautiful result of a complexly processed abstraction of a live acoustic jazz ensemble becoming a hyperdelic space tentacle, reaching into bass depths and pop dimensions: one moment zooming into microscopic miniature sounds only to branch out into free floating airy planes in the next. Erster Teil - Zweiter Teil - Dritter Teil is the debut LP of the Berlin based ensemble Serenus Zeitblom Oktett. The Oktett from Berlin consists of musicians with a broad pop, free jazz and contemporary music background. All eight musicians have worked in various formations and with various musicians, ranging from Efterklang’s Martyn Heyne (who also did post-production on the record) and Matthew Herbert to Ingrid Laubrock, Stargaze, Andromeda Mega Express Orchestra and many more. These diverse backgrounds inform the Oktett’s artificial but organic live sound-production aesthetic.The ensemble is accompanied by a ninth member, the Klanggestalter. Both in the studio as well as live every instrument is being amplified and processed by filters and live algorithms, neutralising the difference of acoustic and electric instruments.The LP comes with a special video documentary by Roman Hagenbrock (i am just a video girl). The video adds another poetic layer of abstraction: confusing sound, action and image. --- Andreas Dzialocha (electric bass, composition), David Meier (drums), Moritz Bossmann (electric guitar), Karsten Lipp (electric guitar), Els Vandeweyer (vibraphone), Isabelle Klemt (violoncello), Shasta Ellenbogen (viola), Richard Koch (trumpet), Matthias Erb (Klanggestaltung)Production: Andreas DzialochaRecording: Antonio Pulli (Vox-Ton Studio, Berlin)Mix Fuzz & Fairy Dust: Martyn Heyne (Lichte Studio, Berlin)Mixing: Matthias Erb, Andreas DzialochaMastering: Francesco Donadello (Calyx Mastering, Berlin)Video: Roman Hagenbrock

Serenus Zeitblom Oktett – Erster Teil - Zweiter Teil - Dritter Teil

Andreas Dzialocha creates an enchanting ghost music. Animated by his solo bass playing and haunted by aleatoric acoustics, 'For Always LP' unearthes the instrument’s low end harmonics.  For Always LP is produced in collaboration with Sam Slater (Hildur Guðnadóttir, Shapednoise, Zebra Katz, Mica Levi) and with support by composer/violist Marta Forsberg (Passepartout Duo, Ellen Arkbro, Stellan Veloce) and sound artist/singer Fågelle (Henryk Lipp). Dzialocha recorded the initial bass material residing at the Baltic Sea in Lithuania. Afterwards and in collaboration with Sam Slater, he reworked the material in Stockholm: there they re-amped the original stems and turned the studio itself into a living dub creature. Dzialocha, who is also a programmer, created an algorithm to sequence and filter the bass inputs. This software in turn randomly enables loudspeakers, headphones and tape machines that were placed in corridors and staircases. As an eerie result, we hear both Dzialocha’s stripped-down bass playing, the (non)logic of the algorithm as well as the specific resonances of the room acoustics: all of these have merged into one sentient instrument. ‘For Always LP’ is populated by a myriad of these machinic, acoustic and indeed personal traces. Marta Forsberg and Klara Andersson join by providing viola (on IV) as well as guitar, voice and lyrics (For Always). The record is animated by all of these forces and in ensemble they sing a wonderfully abstracted ghost music: for always.

Andreas Dzialocha – For Always LP

Stellan Veloce’s first record for Hyperdelia is not only their debut album but simultaneously the inception of a band: Stellan Veloce’s Complesso Spettro. At Veloce’s disposal, the players have turned into a Frankensteinian super group: with Andreas Dzialocha on electric bass, Bridget Ferrill doing electronics & processing, Julia Reidy on guitars, Marta Tiesenga on baritone sax, Earl Harvin and Jesse Quebbeman-Turley on drums, Elena Kakaliagou playing horn, Carlo Spiga aka Makika at the launeddas, Pierpaolo Lorenzo playing harmonium and Stellan Veloce on cello.The A-side (‘Brackish’), initially recorded live at Robbie Moore’s Impression Studio, is the result of hours of improvisations loosely based on Veloce’s graphic scores. In the hands of the composer, the recording material soon turned into an abstracted collage. Despite the asynchronous addition of further drums and saxophone, the piece remains the outcome of a noisy live band due to the heavy leakage on the different takes and spatial distancing effects inherent in the recordings. The B-Side (‘Briny’) responds to the staggering layers of space and time. ‘Briny’ is a drone piece that emerges from the interplay of cello, bass and horn and acts as a Romanticist counterpart to ‘Brackish’ while the addition of launeddas – a Sardinian woodwind instrument –, harmonium and electronics returns it to rougher timbral territories.Stellan Veloce’s Complesso Spettro is an exceptional music that combines the power of band playing with Veloce’s sense for deconstruction and rearranging. The record takes its cues equally from Talk Talk’s meticulous recording and editing processes, the grand narratives of Nate Wooley’s Seven Storey Mountain, Animal Collective’s textured noise or the free-wheeling play of Zeena Parkins. The album is the work of a shoegaze ensemble that is indebted to Italian prog rock and Free Jazz as much as to pastoral post rock and spectral composition.Stellan Veloce is a Sardinian composer, performer and cellist living and working in Berlin. They compose pieces for acoustic instrumental ensembles and develop installations and performance pieces focusing on timbre, repetition and sound densities. Veloce also works as a touring band member and studio musician, recently with Peaches, Kat Frankie, Dear Reader, Kenichi & The Sun. They have collaborated with composers Marta Forsberg and Neo Hülcker, choreographer Sheena McGrandles and others. They are co-founder of the collective and online platform Y-E-S.org and are part of the group Fem*_Music*_.  --- Composition, editing, production by Stellan VeloceStellan Veloce - cello, additional bass (A, B)Andreas Dzialocha - electric bass (A, B)Bridget Ferrill - electronics, processing (A, B)Julia Reidy - guitars (A)Marta Tiesenga - baritone sax (A)Earl Harvin - drums (A)Jesse Quebbeman-Turley - drums (A)Elena Kakaliagou - horn (B)Carlo Spiga aka Makika - launeddas (B)Pierpaolo “the coach” Lorenzo - harmonium (B)Recorded by Robbie Moore, Stellan Veloce, Andreas Dzialocha and Ole Jana in Berlin; and by Marta Tiesenga and Jesse Quebbeman-Turley in Los Angeles. Mixed by Robbie Moore at Impression Studio, Berlin. Mastered by Stephan Mathieu at Schwebung Mastering, Bonn. Artwork by Ale Rodriguez, Design by Xerox Martins.Grazie a Silvia e alla Monterico Fam.

Stellan Veloce – Stellan Veloce’s Complesso Spettro