Abdul-Malik was a NYC bassist, oudist, composer, educator and philosopher who fused aspects of American, Arabic and East African thought, ethics, meanings and beliefs in open and experimental ways to make vital, forward leaning jazz. [Ahmed] reimagine the notes of Malik as they push for new ground. Melodies respirate, swell, escalate and combust in a driving jazz which yes is technical, yes is accomplished, but ultimately just foot-to-the-floor swings.
‘Super Majnoon [East Meets West]’ is a title fused from the leader of the Master Musicians of Jajouka Bechir Attar’s description of [Ahmed] after hearing them in Switzerland last year (Majnoon is the arabic slang for ‘crazy’), and Abdul-Malik’s 1959 album East Meets West. Arriving as a double LP, the first comprises studio recordings of [Ahmed] at Hong Kong’s Empty Gallery in 2018 and the second a scorched live recording at OTO from August 2018. The record features photos by Bert Glinnand Taku Unamiand ‘in and out’ liner notes by James G. Spady – historian and journalist from Philadelphia, the author of books on Marcus Garvey and the trilogy of groundbreaking books on hip hop (Nation Conscious Rap, Street Conscious Rap, The Global Cypha).
PAT THOMAS / piano
ANTONIN GERBAL / drums
JOEL GRIP / bass
SEYMOUR WRIGHT / alto saxophone
LP 1 recorded by David Sum at Empty Gallery Hong, March 31, 2018. LP 2 recorded by Paul Skinner at Café OTO London, August 25, 2018. LP1 mixed by David Sum. LP 2 mixed by Pat Thomas. Mastered by James Dunn. Liner notes © James G. Spady. Cover photo © Burt Glinn/Magnum Photos. Design by Maja Larsson. Produced by John Hawthorn, Jens Löwius and Seymour Wright.
SIDE A E-Lail [The Night] East - 19:28
SIDE B Farah ‘Alaiyna (Joy Upon Us) - 20:57
SIDE A + B E-Lail [The Night] West- 34:31
Extra Digital Tracks:
1. East Meets West Aggregates - 39:38
2. El Haris - 43:24
“When a musician plays, he should paint a picture”: said Malik, “he should portray wind, movement, war, the universe – and after he finishes, he should be able to repeat in words what he has just said in music.The Man I Love – thingshave all been said before – over and over again. The reason people don’t come to concerts is that they’re used to the sounds.”
To guard against this “stagnation,” said Malik, jazz must branch out, experiment, fight the inbreeding that is now its wont. Musicians must stop looking inward, and instead, open their eyes to the imaginations of other cultures.
– Malik interviewed by Bob Gannon Metronome 1958.