Wednesday 28 June 2017, 7.30pm, OTO Project Space
SOLO:DUO:TRIO is a monthly night of improvised performances bringing together a wide variety of musicians and artists. Each show features a solo, a duo, and a trio performance where performers are invited to present something new or play with a person they haven’t played with before in an intimate and open environment.
SOLO: Douglas Benford
DUO: Andie Brown & Oliver Barrett
TRIO: John Butcher, Ute Kanngiesser & Phil Julian
£7 on the door (£5 members)
Butcher is well known as a saxophonist who attempts to engage with the uniqueness of time and place. His music ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and unusual acoustics. Since the early 80s he has collaborated with hundreds of musicians – including Derek Bailey, Rhodri Davies, Andy Moor (EX), Phil Minton, Christian Marclay, Eddie Prevost, John Stevens’ SME, Gino Robair, Polwechsel, Mark Sanders, John Tilbury, and Okkyung Lee.
Alongside long term projects he values occasional encounters; from large groups such as the EX Orkestra & Butch Morris’ “London Skyscraper”, to duo concerts with Fred Frith, Akio Suzuki, Paal Nilssen-Love, Keiji Haino, David Toop, Otomo Yoshihide, Sophie Agnel and Matthew Shipp.
Recent compositions include “Penny Wands” for Futurist Intonarumori, two HCMF commissions for his own groups, “Good Liquor Caused my Heart for to Sing” for the London Sinfonietta and “Tarab Cuts”, a response to recordings of early Arabic classical music which was shortlisted for a 2014 British Composer’s Award.
“English saxophonist John Butcher may be among the world’s most influential musicians, operating at the cutting-edge of improvisatory practice since the ‘80s. Whenever an acoustic musician starts to sound like a bank of oscillators, a tropical forest, a brook or an insect factory, Butcher’s influence is likely nearby.” – New York City Jazz Record.
Ute Kanngiesser has played cello since early childhood, and for more than a decade, has only played unscripted, improvised music - solo and in collaboration with other musicians and composers in London and internationally. An important part of her work has developed in relationship to other art forms such as writing, dance, film, and site specific performance. More recently, she has begun to experiment with open form compositions, writing semi-graphic scores as a way of recording music, that can be retrieved later on and in new ways.
Recent collaborations have been with Evie Ward, Daniel Blumberg, Billy Steiger, Tom Wheatley, Crystabel Riley, Seymour Wright, Paul Abbott, Keira Greene, John Butcher, Eddie Prévost and Jennifer Allum.
Phil Julian is a UK based composer and improviser active since the late 1990’s principally working with modular electronic devices and computers. Releases have appeared on labels including Entr'acte, Harbinger Sound and The Tapeworm with regular solo and collaborative live performances in the UK and Europe.
Andie Brown is a musician, artist, maker and researcher who began her music career as a bass player during her teens. In 2007 Andie began performing and recording as a solo artist under the name These Feathers Have Plumes which saw her begin an experimentation with glass and electronics.
In 2016 Andie began to work with sound installation which is now the focus of her practice. In 2019 Andie was one of six recipients of the annual PRSF Oram Awards. Since 2017 Andie has been working on a practiced based PhD at the CeReNeM, University of Huddersfield.
Oliver Barrett is a musician and illustrator based in Somerset. Having played in various bands, Oliver has most recently put out several releases under his 'Petrels' moniker on various labels internationally including Denovali, Tartaruga, and Patient Sounds. As a composer he has had work commissioned by the BFI, London Word Festival and the Southbank Centre amongst others. A multi-instrumentalist, Oliver's musical practice ranges from solo electronics, acoustic improvisation, band work, and sound art, to orchestral arrangements and song, drawing influences from a broad spectrum.
As a composer and sound artist, Douglas Benford has been involved in various audio genres since the late 1980s, performing at many institutions/venues in the UK (Bristol’s Arnolfini, London’s Science Museum, Tate Modern, The Roundhouse, ICA and Glasgow’s CCA), festivals worldwide and had installation work in numerous UK art spaces. He is a regular contributor to the London Improvisers Orchestra, as well as playing with Confront Recordings’ The Seen collective. His collaborators in recent years have included Blanca Regina, Dominic Lash, Martin Vishnick, Crystabel Riley, poet Tamar Yoseloff, Olivia Moore, Matt Atkins, Lina Lapelyte, Jem Finer, Clive Bell, John Edwards, Jennifer Allum, Sue Lynch, sculptor Rob Olins and many more.