Wednesday 28 June 2017, 7.30pm, OTO Project Space
SOLO:DUO:TRIO is a monthly night of improvised performances bringing together a wide variety of musicians and artists. Each show features a solo, a duo, and a trio performance where performers are invited to present something new or play with a person they haven’t played with before in an intimate and open environment.
SOLO: Douglas Benford
DUO: Andie Brown & Oliver Barrett
TRIO: John Butcher, Ute Kanngiesser & Phil Julian
£7 on the door (£5 members)
Butcher is well known as a saxophonist who attempts to engage with the uniqueness of time and place. His music ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and unusual acoustics. Since the early 80s he has collaborated with hundreds of musicians – including Derek Bailey, Rhodri Davies, Andy Moor (EX), Phil Minton, Christian Marclay, Eddie Prevost, John Stevens’ SME, Gino Robair, Polwechsel, Mark Sanders, John Tilbury, and Okkyung Lee.
Alongside long term projects he values occasional encounters; from large groups such as the EX Orkestra & Butch Morris’ “London Skyscraper”, to duo concerts with Fred Frith, Akio Suzuki, Paal Nilssen-Love, Keiji Haino, David Toop, Otomo Yoshihide, Sophie Agnel and Matthew Shipp.
Recent compositions include “Penny Wands” for Futurist Intonarumori, two HCMF commissions for his own groups, “Good Liquor Caused my Heart for to Sing” for the London Sinfonietta and “Tarab Cuts”, a response to recordings of early Arabic classical music which was shortlisted for a 2014 British Composer’s Award.
“English saxophonist John Butcher may be among the world’s most influential musicians, operating at the cutting-edge of improvisatory practice since the ‘80s. Whenever an acoustic musician starts to sound like a bank of oscillators, a tropical forest, a brook or an insect factory, Butcher’s influence is likely nearby.” – New York City Jazz Record.
Ute Kanngiesser is a London based musician from Germany. She has played classical cello since early childhood and turned to improvisation and experimental music while training in physical theatre and dance in Berlin. Since then, she has thoroughly deconstructed her classical roots and focussed on the immediate material of her instrument - its limitless resonance and pulse, its potential for an elemental music that dissolves conventional notions of rhythm and pitch and what it means to be lyrical.
Most recent collaborations have been with Seymour Wright, Crystabel Riley, Paul Abbott, Keira Greene, Billy Steiger, Evie Ward, Daniel Blumberg, Tom Wheatley, Jim White, Taku Sugimoto, Minami Saeki, Joe McPhee, David Ornette Cherry, and Steve Noble.
Her music has been released on Otoroku, Matchless, Earshots, Another Timbre and Mute. www.utekanngiesser.com
Phil Julian is a UK based composer and improviser active since the late 1990’s principally working with modular electronic devices and computers. Releases have appeared on labels including Entr'acte, Harbinger Sound and The Tapeworm with regular solo and collaborative live performances in the UK and Europe.
Andie Brown is a musician, artist, maker and researcher who began her music career as a bass player during her teens. In 2007 Andie began performing and recording as a solo artist under the name These Feathers Have Plumes. Over the last decade, Andie has been experimenting with glass and electronics, creating what she has termed an “augmented glass harp”. Andie has performed extensively including at Colour Out of Space and Full of Noises Festivals and at venues such as Cafe OTO, Union Chapel and the De La Warr Pavilion. She has also taken part in ensemble works with Part Wild Horses Mane on Both Sides at Tate Britain and at White Cube Gallery for Christian Marclay conducted by Steve Beresford. Elsewhere, Andie has enjoyed collaborating with a diverse range of artists including Sophie Cooper, Joincey, Kelly Jayne Jones, Dale Cornish and Phil Julian but most often with artist and vocalist Sharon Gal. Since 2016 Andie has also been working with sound installation and film; in 2017, Andie was nominated for the PRSF Oram Awards and began a practiced based PhD at the University of Huddersfield. Andie is also a co-Director at Yorkshire Sound Women Network. https://andiebrownsound.com/
Oliver Barrett is a musician and illustrator currently living in London. Having played in various bands, Oliver has most recently put out several releases under his 'Petrels' moniker on various labels internationally including Denovali, Tartaruga, and Patient Sounds. As a composer he has had work commissioned by the BFI, London Word Festival and the Southbank Centre amongst others. A multi-instrumentalist, Oliver's musical practice ranges from solo electronics, acoustic improvisation, band work, and sound art, to orchestral arrangements and song, drawing influences from a broad spectrum.
Douglas Benford is a sound artist and composer based in London:
“As a composer and sound artist, I have been involved in various audio genres since the late 1980s, performing at institutions in the UK (Bristol’s Arnolfini, London’s Science Museum, Tate Modern, The Roundhouse, ICA and Glasgow’s CCA), festivals worldwide (Mutek, Synch, Transmediale) and had installation work in numerous UK galleries (Inc. London, Swansea, Gloucestershire and Essex). After numerous electronica releases in my ‘si-cut.db’ guise, in the past decade I have focused on acoustic improvisation and installations, using field recordings, classical instruments, vocals and children’s toys. My regular collaborators include Blanca Regina, poet Tamar Yoseloff, Angharad Davies, Lina Lapelyte, Steve Beresford, Clive Bell, Sue Lynch, sculptor Rob Olins, as well as - in the past - pop group Saint Etienne, Jem Finer (The Pogues), Momus, Rod Thomas (Bright Light Bright Light), Scanner, Stephan Mathieu and Andrew Weatherall. I am also co-curator with Iris Garrelfs since 1996, of Sprawl audio events in London.”