Monday 29 May 2017, 7.30pm
“In Davachi’s music, I hear a negotiation between human instigation and letting be. Sometimes I catch little traces of melodic patterns, as she sends synthesisers through little zig-zagging motifs that rise out of the drones and return to them. At other points, she simply allows the instrument to play itself, leaving harmonics and timbral inconsistency to form shapes of their own accord. Prolonged synthesiser tones falter gently, creating undulations in texture like chips and dents on an old antique; drones curdle together to form overtones that flicker and dance above the central hums.” – ATTN:Magazine
Sarah Davachi (b. 1987, Calgary, Canada) holds a bachelor's degree in philosophy from the University of Calgary, and a master's degree in electronic music and recording media from Mills College in Oakland, California. As a composer of electronic and electroacoustic music, Davachi's compositional projects are primarily concerned with disclosing the antiquated instruments and forgotten sonics of a bygone era in analog synthesis, with concurrent treatment of acoustic sources – particularly organ, piano, strings, and woodwinds – often involving de-familiarization through processing. Her work considers the experience of enveloped sonic dwelling, utilizing extended durations, psychoacoustic manipulations, and simple harmonic structures that emphasize variations in overtone complexity and natural phasing patterns.
John Chantler is a musician and organiser living in Stockholm, Sweden. He mostly works with synthesizers and electronics to create unpredictable, highly dynamic music where passages of spare, alien beauty bridge distorted washes of masses harmonics.
Originally from Australia he spent a decade in London before moving to Sweden where he directs a small annual festival for 'other music' in Stockholm called Edition. The 'Fifth Edition' is provisionally scheduled for early August 2020.
Chantler has performed in the UK, Australia, New Zealand, Japan, North America and across Europe including appearances at Akousma, Montreal; Madeira Dig; +90db Festival, Rome; Issue Project Room, NYC; and London’s Southbank Centre.
His work has been commissioned by Borealis Festival for Experimental Music in Bergen, Norway; Organ for the Senses, San Diego, USA; ElbPhilharmonie, Hamburg, Germany and Tectonics, Glasgow, UK. Chantler has also been artist-in-residence at the ZKM centre for media arts in Karlsruhe, Germany and NOTAM in Oslo, Norway.