“There is something magical about the music of part wild horses mane on both sides. Initial exposure conjures up a Zen garden in sound, where flute and spare percussion brush against elemental textures of trickling water, shifting sands or rocks. But such simple symbolism belies the profound, complex inner journeys that more focused listening inspires, revealing a considered array of electronic, acoustic and found sounds. These often longform sonic spells are cast through combining free improvisation with aspects of electro-acoustic composition and musique concrète, to arrive at a creative practice that the Manchester-based duo of Kelly Jayne Jones and Pascal Nichols describe as 'musique précaire' (precarious music). The term reflects the fragility evoked by their craft, where spontaneity and the gifts of chance ensure a delightful degree of unpredictability.” – Russel Cuzner, The Quietus