Wednesday 8 February 2017, 7.30pm
Very pleased to welcome back Chicago-based composer and sound artist, Olivia Block – her first OTO show since 2011 – following on from new album, Dissolution, on Jason Lescalleet's Glistening Examples label.
“Ms. Block deployed her implements — hand-held microcassette recorders and walkie-talkies, a contact microphone brushed through her hair, a cathode light that flashed in time with pattering electronic pulsations — with an elegantly choreographed efficiency. The graceful, deliberate physicality of her gestures enhanced the ebb and flow of her aural assemblage, endowing what might have sounded abstract and cerebral with palpable sensations of volition and emotional involvement.” – New York Times
Olivia Block is a media artist and composer. Her body of work includes sound recordings, audio-visual installations, performances, sound design for cinema, and scores for orchestra and chamber music concerts.
Over the last twenty years, Block has pioneered the utilization of audio field recordings and found materials in the realms of music and sound art. She combines field recordings, chamber instruments and electronic textures, resulting in mysterious and vivid electroacoustic sound pieces including Pure Gaze, Mobius Fuse, Karren, and others. Block creates multimedia installations and performances utilizing found sounds from micro cassette tapes, field recordings, video, and curated 35mm slides.
Block’s work reflects her interests in site specificity, ethnographic sound, architectural sound, and found/archival materials from the 1950's-1990's
Her work with expanded cinema and film artists has led to interests related to cinema sound, and visual phenomena like shadows and reflections...(more)
Luciano Maggiore (Palermo 1980) lives and works in London.
Active musician in the field of electroacoustic music, in recent years he has developed a strong interest in the mechanisms of sound diffusion, using speakers and several analogue and digital devices (walkmans, CD players, tape recorders) as principal instruments. His interest is focused on the architectural and psychoacoustic as well as dynamic and directional values of sound with a strong emphasis on fixed sounds.
His works are published by Balloon & Needle, Boring Machines, Consumer Waste, Hideous Replica, Palustre, Senufo editions, 1000Füssler, Triscele Registrazioni and Tulip records.
Kostis Kilymis is a Bristol-based artist. He performs electronic and noise music based on live synthesis, rhythm and found sound. His work focuses on immersive environments, feedback systems and the notion of representation. He has been an improviser, performer and collaborator – his encounters including Lucio Capece, Nikos Veliotis, Greg Pope, Leif Elggren, Sarah Hughes, Stephen Cornford and Phil Julian amongst others. He has published work on labels such as Rekem, I Dischi del Barone, Strange Rules and Coherent States.
Ute Kanngiesser has played cello since early childhood, and for more than a decade, has only played unscripted, improvised music - solo and in collaboration with other musicians and composers in London and internationally. An important part of her work has developed in relationship to other art forms such as writing, dance, film, and site specific performance. More recently, she has begun to experiment with open form compositions, writing semi-graphic scores as a way of recording music, that can be retrieved later on and in new ways.
Recent collaborations have been with Evie Ward, Daniel Blumberg, Billy Steiger, Tom Wheatley, Crystabel Riley, Seymour Wright, Paul Abbott, Keira Greene, John Butcher, Eddie Prévost and Jennifer Allum.