Sunday 14 November 2021, 2pm

Photo by Brian Whar

MATINEE: Travis Just + Tim Parkinson

No Longer Available

Travis Just does new music from his NYC-based performance group Object Collection's upcoming piece "Look Out Shithead, Episode 3" based on Éric Rohmer's 1980's "Comédies et Proverbes" film cycle. For processed and altered piano, saxophone loops, spaced reverbs, and scrambled text.

Tim Parkinson does new music for Travis Just and himself with saxophone and piano and midi. Broken robot zombie lounge with clear views.

Travis Just

"Stoned Soap Opera That Hints At Demonic Powers...roughage for the synapses"
- New York Magazine/Vulture

Previous Episodes here:
Episode 1:
Episode 2: stream premieres soon at La MaMa, NYC

Tim Parkinson

Tim Parkinson (b.1973) consistently pursues an independent path, seeking to engage with whatever it means today to be a functioning composer in the world. His music has been labelled as "reconstructing music from the ground up", and "sounding like nothing else".

His music is mostly performed by a dedicated community of friends and musicians, but he has also written for various groups and ensembles including Plus Minus, Apartment House, [rout], Incidental Music, Dedalus, Edges, Basel Sinfonietta, London Sinfonietta; and for various instrumentalists including Stephen Altoft, Angharad Davies, Rhodri Davies, Julia Eckhardt, Tanja Masanti, Andrew Sparling, Craig Shepard, Silvia Tarozzi, Philip Thomas, Stefan Thut, Deborah Walker. His music has been performed in UK, Europe, USA, Armenia, Australia, New Zealand and Japan. Broadcasts of music have been on BBC Radio 3, Resonance FM, WDR Köln, Schweizer Radio SRF2, NTS, WFMU.

Two albums of music on Edition Wandelweiser (2006, 2010), Piano Music 2015-16 on all that dust (2019), the electro-opera Pleasure Island on Slip (2019), and Here Comes A Monster on Takuroku (2020).

Time With People, an opera, (2012-13) has received performances in London and Huddersfield (2014-15 by Edges), Los Angeles (2015 by Southland Ensemble); Chicago, Oberlin, Ohio and Beloit (2017 by, with set design by Parsons & Charlesworth); Cardiff (2016 by Good News From The Future); New York (2017 by Object Collection); Ghent (2018 by G.A.M.E.); La Chaux-de-Fonds (2018 French language version, translated by Louis d'Heudieres, performed by Nouvel Ensemble Contemporain); Helsinki (2019 multilingual version, at Tulkinnanvaraista); Basel (2020 in French as above, performed again by NEC).

Creative Fellowship at the Samuel Beckett Research Centre 2018-19, resulted in string quartet 2019 enclosed in a box.

He has performed at Tate Modern, Barbican, Cafe Oto, Union Chapel; and at Huddersfield Contemporary Music Festival, Tectonics, Borealis, Frontiers, Roadburn, Donaufestival, All Tomorrows Parties, Audiograft, Edinburgh Fringe, Musica Nova, Cut & Splice, Sonorités, RDV de l'Erdre; and with Object Collection, Skögen, Apartment House, Set Ensemble, Incidental Music, Q-02, J.G. Thirlwell, Phill Niblock, Matteo Fargion, Lee Patterson, Angharad Davies, Rhodri Davies, Jürg Frey, Michael Pisaro, Michael Parsons, Gavin Bryars, Joshua Rifkin, Tom Johnson, and Christian Wolff, amongst others. Since 2003 has been regularly performing with composer James Saunders in the lo-fi electronics, auxiliary instrument and any-sound-producing-means duo Parkinson Saunders.

He has organised many public concerts to promote the presence, wealth and variety of present day music exploration, one thread of which is the concert series, Music We'd Like to Hear, co-curated with John Lely and Markus Trunk annually in London since 2005.

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