Sunday 13 December 2020, 7pm
Please note that the stream starts at 7:45pm.
a breath measure
meets a hand measure
Over the last three years, Evie and Ute have developed a close working relationship in music and poetry.
They will share new writing, solo and in parallel, for this event.
Most recently, they have published '5AM' on Takuroku together with field recordist Daniel Kordík - Ute playing with the dawn chorus and Evie writing a poem alongside it.
"Part meditation on, part mediation of the natural world as a place of refuge in troubled times, 5AM also queries what and how music can function and contribute to profoundly changed circumstances. If it has any meaningful analogue, it can claim some kinship to a morning rāga, something to escape within to explore the daily ritual of the world itself awakening from slumber."
(Michael Quinn, The Sampler)
We'd love to see you. In order to keep things safe we will be operating with a limited, seated only capacity. Please note that you will only be able to sit with people from your household, and any additional tickets you order should also only be for people in your household. Visitors will be asked to scan a QR code at the door when they arrive, using the NHS COVID-19 app. The bar will be table service only - please wear a mask when arriving and moving around the venue. We will be providing hand sanitiser - and note that we will only be accepting card payments.
Evie Ward (b. London, 1993) is a poet and writer based in London. Her poetry has been published in Art Licks, SALT, and Cesura//Acceso. She often works collaboratively at the intersection of writing with music and art, having recently shared a site-specific poem in the 'Like A Sieve' group exhibition at Kupfer, and written a poem for '5AM' - a digital release on Takuroku with Ute Kanngiesser and field recordist Daniel Kordík.
Ute Kanngiesser has played cello since early childhood, and for more than a decade, has only played unscripted, improvised music - solo and in collaboration with other musicians and composers in London and internationally. An important part of her work has developed in relationship to other art forms such as writing, dance, film, and site specific performance. More recently, she has begun to experiment with open form compositions, writing semi-graphic scores as a way of recording music, that can be retrieved later on and in new ways.
Recent collaborations have been with Evie Ward, Daniel Blumberg, Billy Steiger, Tom Wheatley, Crystabel Riley, Seymour Wright, Paul Abbott, Keira Greene, John Butcher, Eddie Prévost and Jennifer Allum.