Sunday 18 August 2024, 7pm
Two concerts marking Dave Smith’s 75th birthday. A member of the Scratch Orchestra in the 1970's and a contemporary and collaborator of Cornelius Cardew, Gavin Bryars and John White amongst others, Smith has amassed an extensive body of work that draws on a wide range of influences from contemporary composition to Javanese classical and Albanian folk musics.
Both concerts feature Albanian Summer, a 42-minute single movement for alto saxophone and piano, to be performed by Jan Steele and Janet Sherbourne who commissioned it back in 1980. The work celebrates something of the variety of (mostly folk) music heard on holidays in Albania from 1973 onwards.
Both evenings contain a set of Smith’s solo piano music performed by the composer. On the 18th, the half-hour post-minimal On the virtues of flowers (2003) plus the energetic All this and less and Nails from 2002. And on the 19th, 14 selections from the multi-cultural 1st Piano Concert, a collection of pieces relating to variety of genres and styles.
Dave Smith is a British composer, arranger and musical performer. Since 1971 he has been associated with the English school of experimental music. After attending Solihull School, he read music at Magdalene College, Cambridge. In the 1970s, Smith was a member of the Scratch Orchestra and a participant in several composer/performer ensembles. The first of these was a keyboard duo with John Lewis which played minimalist and systemic works by British and American composers (notably including early works by Philip Glass) as well as by themselves. Several concerts with Michael Parsons and Howard Skempton featured at this time, as did a short-lived 5 piano group (with Lewis, Michael Nyman, Orlando Gough and Benedict Mason) and an involvement with the People's Liberation Music group of Laurie Scott Baker, Cornelius Cardew and others. From 1977 he played in John White's Garden Furniture Music Ensemble alongside Mason and Gavin Bryars: his close association with the music of White, Bryars and Cardew has continued ever since. In the 1980s he was a founder-member of the English Gamelan Orchestra and Liria, the first British groups to specialise in, respectively, Javanese classical and Albanian folk musics.
Up to 1977 his music was largely minimalist (process music or systems music). His style quickly developed into a highly eclectic pool of ideas ranging musically from the abstract to the markedly referential and which on occasion is informed by a political consciousness and commitment reminiscent of the later Cardew. His acknowledged influences range from Alkan, Ives and Szymanowski to Albanian folk music, Duke Ellington and those with whom he has worked. The range of ideas is most clearly chronicled in a long series of recital-length solo Piano Concerts, works which encompass an entire concert with varieties of styles. Many of his piano works have been encouraged and performed by John Tilbury.
"Dave has the keenest artistic instincts, and that would probably ensure the quality of his compositions even before we throw all those other things into the mix - his experiences as a member of the Scratch Orchestra, as part of the flourishing community of English Experimental composers, his encyclopedic musical enthusiasms and his pianistic bravura. His pieces can be enjoyed on so many levels - there's enough here to keep a connoisseur-detective occupied for hours, while the huge appeal of the music could stop the most casual listener in their tracks." - Sarah Walker, pianist, on Dave Smith
