Wednesday 12 February 2020, 7.30pm
Black To Comm is the solo project of German sound artist Marc Richter. Through masterfully manipulating sound he collapses the past, present and future of recorded music into kaleidoscopic pieces that transcend genre, bristling with detail: an intense sensory sonic experience. Before After, his forthcoming new album and follow-up to his Thrill Jockey debut Seven Horses For Seven Kings, charts a hallucinogenic journey through polar extremes of emotion and to the outer reaches of sound, the perfect companion piece to its darker predecessor.
Richter’s technical approach to making music is deeply rooted in his philosophy of time. He points to a quote from early electronic pioneer Eliane Radigue: “everything is an interval, we are always in-between. And in this interval, between two states, there is a continual expression of invisible variations, imperceptible transitions.” Before After exists in that fluid, liminal space, drawing on sounds and influences from disparate pasts and using these to synthesise new futures. “They Said Sleep” applies contemporary studio techniques to ancient material, creating a Chopped ‘n’ Screwed edit of an early medieval folk song. “The Seven Of Horses” expands on the language of Bulgarian Folk by adding abrasive new textures, processing piano sounds through analogue filters. Even Richter’s own material is ripe for reinvention, “Etas-Unis” and “Perfume Sample” both revisit elements of music from Seven Horses For Seven Kings with results that are entirely new and revelatory of the compositional and sound sculpting skills of Richter.
Before After was written during the same sessions that gave birth to Richter’s recent, highly acclaimed album Seven Horses For Seven Kings. The intentionally crafted companion pieces mine similar raw sonic materials to yield radically different results. Where Seven Horses was a dark work focused on anger and desperation, Before After finds faint glimmers of hope in the same sources. By reappraising the past Richter divines new futures, opening up parallel timelines and sonic universes. The album bookends the current phase of Richter’s output as Black To Comm, a decisive statement piece that leaves the future of the project tantalisingly open-ended.
Left Hand Cuts off the Right (Robbie Judkins) is an outlet for exploratory methods and composition. During live performances he plays with bent electronics, acoustic instruments, field recordings, loops and effects. The sounds are of otherworldliness, twinkling twitchings, habitual drones, crackling rhythms and aural oddities.
"His work gives rise to much pause and thought. Ambient if you’d like to call it that but not of the structured Eno variety, this being more improv sounding with radios, field recordings and broken electronics seeping like a heavy mist among somberly struck lower register piano keys. Imagine Keith Jarrett on Largactyl improvising sadness with his left hand while his right tries for some throbbing oscillating sounds all recorded in the basement of an abandoned Detroit theatre during a full moon. That's not far off." Idwal Fisher
He has created works for the Barbican, ICA, Resonance FM, Turner Contemporary, Whitechapel Gallery, University of Central Lancashire and more. Robbie is also the creator of Animal Sounds for Resonance FM, Parallax View for Threads Radio and is a member of noise punk groups Bruxa Maria and Casual Sect.