Sunday 24 March 2019, 7.30pm
“I will perform eight violins by Tim Parkinson. I recorded all the parts in 2014 and this will be its first performance in its intended spatial distribution. I will play live with the 7 recorded tracks. At times a space punctuated by violin propositions seeking contact across the room; at others a dense thicket of competing attention; sometimes supporting each other, sometimes ignoring.
My memory of Ben and my duo at the LMC in 2006 was that it was a charged performance. We’re going to do the same thing again!”
Delighted to present a three-day residency curated by London-based, Welsh violinist, Angharad Davies, as a result of the OTO Projects UK Artists Residency Fund. A phenomenal improviser, Angaharad has also amassed a considerable body of work within the fields of composition and performance. Her approach to sound involves attentive listening and exploring beyond the sonic confines of her instrument, her classical training and performance expectation.
This residency is one of three at OTO for UK-based artists/groups at a vital point in their creative development, thanks to the support of Jerwood Charitable Foundation.
Angharad Davies is a Welsh violinist based in London working with free-improvisation, compositions and performance.
Her approach to sound involves attentive listening and exploring beyond the sonic confines of her instrument, her classical training and performance expectation.
Much of her work involves collaboration. She has long standing duos with Tisha Mukarji, Dominic Lash and Lina Lapelyte and plays with Common Objects, Cranc and Skogen. She has been involved in projects with Tarek Atui, Tony Conrad, Richard Dawson, Gwenno, Roberta Jean, Jack McNamara, Rie Nakajima, Tim Parkinson, Eliane Radigue, Georgia Ruth and J.G.Thirlwell.
Most of her records are released on Another Timbre but she also has releases on Absinth Records, Confrontrecords, Emanem, Potlatch and winds measure recordings.Her first orchestral piece was commissioned by LCMF in 2019.
Tim Parkinson has consistently pursued an independent path, seeking to engage with whatever it means today to be a functioning composer in the world. His music is mostly written for a dedicated community of friends and musicians (amongst others Philip Thomas, Anton Lukoszevieze, Julia Eckhardt). He has organised many public concerts to promote the presence, wealth and variety of present day music exploration, one thread of which is the annual concert series, Music We'd Like to Hear co-curated with John Lely and Markus Trunk. As a soloist he has performed with Object Collection, Skögen, Apartment House, Set Ensemble, Incidental Music, Q-02, J.G. Thirlwell, Phill Niblock, Matteo Fargion, James Saunders, Lee Patterson, Angharad Davies, Rhodri Davies, Jürg Frey, Michael Pisaro, Michael Parsons, Gavin Bryars, Joshua Rifkin, and Christian Wolff, amongst others.
His music has been labelled as experimental, "reconstructing music from the ground up", and "sounding like nothing else", the work invariably returning to fundamental questions around the meaning of sound.
He currently holds a Creative Fellowship at the Samuel Beckett Research Centre, and 2019 sees the 8th production of the complete “Time With People” at the Kallio New Music Days, Helsinki, and two new album releases of recent music on all that dust and Slip.
Benedict Drew works with video, drawing, sculpture, music. He is represented by Matts Gallery, London.
Recent solo exhibitions include The Saw Tooth Wave, CCA Derry, Kaput, The Walker Gallery Liverpool; Heads May Roll, Matt’s Gallery, London; The Persuaders’, Adelaide Festival, SASA Gallery Adelaide, Australia; Zero Hour Petrified, Ilam Campus Gallery, School of Fine Arts University of Canterbury, New Zealand (all 2014) The Onesie Cycle, Rhubarba, Edinburgh; Now Thing, Whitstable Biennale; This Is Feedback, Outpost, Norwich; Gliss, Cell Project Space; and The Persuaders, Circa Site / AV Festival, Newcastle. For many years he curated the London Musicians’ Collective annual festival of experimental music.