We need your help – please

Nour Mobarak

Nour Mobarak excavates violence and desire – the compulsions, and glitches in both a person or nation state. Her body acts, in voice, sound, performance, writing and video, as one hybrid part under current geopolitical conditions. Mobarak has performed at such locations as the Hammer Museum, Los Angeles; Miguel Abreu Gallery, New York; Stadslimeit, Antwerp; Cambridge University, Cambridge; and the Getty Museum, Los Angeles among others. Mobarak has published poems in journals such as F.R. David, The Claudius App, and The Salzburg Review among others. Mobarak has participated in exhibitions at Miguel Abreu Gallery, New York; Cubitt Gallery, Rodeo Gallery, London.

Featured releases

Nour Mobarak is a compelling new artist from Los Angeles whose work, as she describes "excavates violence and desire – the compulsions, and glitches in both a person or nation state." We fell in love with what she does thanks to her 2019 album 'Father Fugue', released on Sean McCann's Recital label. In it, the left channel of the audio documents conversations with her father Jean Mobarak - a polyglot who has a 30-second memory and lives in the mountains of Lebanon - while the right channel is composed simply of improvised song. The result conjures a similar effect that of Godard's 'Numéro deux' - whereby documented, composed and improvised elements are projected through two channels, then coagulate to form a multi-faceted, beguiling whole. To understand Nour as a film-maker - someone who acts behind and in-front of the lens - is perhaps easier than that of a musician. When we asked Nour to do a release for Takuroku she kindly responded by offering us compositions used in her multi-disciplinary, multi-channel live performances over the past 2 years, mixed down to stereo as self-contained works. What we hear is just one part of her overall projection, but that of which delves deep; investigating the voices of others, her own voice and vocal material that forms human languages. It's poetry, a Cassavetes set piece, a walk in the park, a voice in abandon, a philosophical meditation on voice, agency and human beings - but of course much more than ideas projected on a flat canvas. Each piece moves and shakes, creating rhythms emanating from the syntax and intonation of language and the voice. Toothtone sounds like rippling streams of water running concurrently, splashing into themselves and overlapping one another. Allophone Movement and its arrangement of voices captures the immediacy of machine-funk sampling techniques, whipping the immediacy of vocal expression into a composition that swings back and forth, like a Ron Hardy edit stripped to its bones. On Phoneme Movement her own vocals take centre stage with spirals, gurgles, purrs and cries that reach ecstatic heights: the voice excavated from its bodily origins. Hopefully we'll be able to present Nour's work in Cafe OTO some time in the not too distant future. -- All music & recording by Nour Mobarak Photo: Performance of “Phoneme Movement II”, Los Angeles Contemporary Archive, December 8, 2018. Photo by Marco Kane Braunschweiler, design by Oli Barrett. “Allophone Movement” samples sourced from the UCLA Phonetics Archive. “Toothtone” voices recorded in Pershing Square, Los Angeles, September 2019.This project was supported, in part, by a Foundation for Contemporary Arts Emergency Grant. Editing technical assistance for “Allophone Movement” and “Toothtone” by Sean McCann & Juliette Amoroso

Nour Mobarak – 3 Performance Works