Georgina (BMus MA in Electro-acoustic music), focuses mainly on vocal compositions in ambient, minimalist and electro-acoustic styles. Currently absorbed in all things spatial, she has had 6 pieces performed on ambisonic rigs to date, including a week long residency at Stonenest, London learning how to use 4DSOUND immersive rig. Currently transferring her live vocal-looping techniques to computer based ambisonic 3D spatializations. Performing in USA, France, Italy, Germany and Spain, Geogina has worked with artists including: Eatstatic, Youth and Alabama 3. She has also recently begun performing using her own poetry. She runs Tuesdays Post : Live Progressive Ambient, a series of concerts in London.
Performance
To perform Éliane Radigue’s Kailasha using only my voice and electronics is to abandon the traditional role of a singer. There are no lyrics to deliver, no dramatic intervals to hit, and no moments to showcase vocal agility. Instead, my voice becomes an analog machine—specifically, an interpretation of her ARP 2500 synthesizer.
From my perspective on stage, the performance feels less like singing and more like a profound exercise in anatomical endurance and extreme microtonal precision. Rather than treating Kailasha as fixed repertoire, my approach explores how fragile drones, beating frequencies, room resonance, and deep listening practices can recreate the work’s experience of suspended time and emotional stillness, whilst encompassing her deep sense of grief for the loss of her son.
