This second volume of Border-Listening/Escucha-Liminal was published within the framework of the third edition of the festival Radical Sounds Latin America. The nine essays presented here articulate and explore soundscapes and sonic stories from Latin American, but also multispecies, intersectional approaches, indigenous ontologies and positions that contend with the Western vocabulary, while also engaging with the ethical dilemmas of our age. 

-Daniela Avellar “An Amplified Echo, a Carbonated Resonance”
-Vered Engelhard “Sonic Cartography in the Rímac Watershed: On the Contemporaneity of a Pre-Columbian Acoustic Ecology”
-Ana Ruiz Valencia “Resounding Epistemologies of Conflict: Auralities in Colombia’s Historical Memory”
-Nora Castrejón/Fabián Avila Elizalde “¿Un arte sonoro menor?: Dosis de escucha (2018) y El aula de los ruidos (2019)”
-Alexandre Herbetta/Paulo Antonio Kalankó “Indigenous and Anticapitalist Sounds: Musical Practices to Pollinate the Brazilian Caatinga”
-Rui Chaves “32 instrucciones para escuchar con/en una epidemia global”
-Teresa Díaz de Cossio “Listening for Alida Vázquez: A Life in Electronic Music between Migration, Race and Gender”
-Reiko Yamada “On Temperament and Tempering”
-D’Andrade “Noise Vivarium: Spectral Radicalism”

Edited by: Alejandra Luciana Cárdenas.

Contributions by: Alexandre Herbetta, Ana Ruiz Valencia, D’Andrade, Daniela Avellar, Fabián Ávila Elizalde, Paulo Antonio Kalankó, Reiko Yamada, Rui Chaves, Nora Castrejón, Teresa Díaz de Cossio, Vered Engelhard.

This book was published within the framework of the third edition of the festival Radical Sounds Latin America.

English / Spanish 
224 pages
19.5 x 13 x 2.5 cm
Hardcover
ISBN: ‎ 978-3000704116