Reissue of the rare & infamous double 7“ originally published by FMP in 1973. Recordings from a workshop at Akademie der Künste, Berlin, April 1972, featuring 15 children (aged 8-11) and Peter Brötzmann, Fred van Hove, and Han Bennink. At the beginning of the work the fifteen invited children aged eight to ten years were asked to come for four days in a row, so that a fixed, unchanging group could be expected. In practice, this was difficult to carry out, since every afternoon more children with their parents who had heard about this small course wanted to join. In spite of these organizational difficulties, approaches to real musical group work emerged. With the musicians' instruments - saxophone, piano, drums - and more experimental "sound generators" - dismantled pianos, blowing tubes, etc. - the aim was to organize sounds with conversations, games, explanations and musical actions of the musicians and children and to provoke individual musical expressions of the children within fixed areas.
Peter Brötzmann / tenor saxophone
Fred Van Hove / piano
Han Bennink / drums, percussion
& 15 children
Recorded by Jürgen Lindenau in April 1972 during KINDER UND KÜNSTE at the Akademie der Künste in Berlin.
Cover design by Peter Brötzmann.
Photographs by Karin Gaa.
Peter Brötzmann is one of the most important and uncompromising figures in free jazz and has been at the forefront of developing a unique, European take on free improvisation since the 1960s.
Brötzmann first trained as a painter and was associated with Fluxus (Participating in various events and working as an assistant to Nam Jun Paik) before dissatisfaction with the art world moved his focus towards music. However he continued to paint and his instantly recognisable visual sensibility has produced some of our favourite LP sleeves as well as a number of gallery shows in recent years.
Self-taught on Clarinet and Saxophone, Brötzmann established himself as one of the most powerful and original players around, releasing a number of now highly sought after sides of musical invention including the epochal 'Machine Gun' session in 1968 - originally released on his own Brö private press and later recordings for FMP (Free Music Production) the label he started with Jost Gebers. Brötzmann's sound is "one of the most distinctive, life-affirming and joyous in all music" and he has performed with almost all of the major players of free music from early associations with Don Cherry and Steve Lacy to regular groupings with Peter Kowald, Alex Von Slippenbach, Han Bennink and Fred Van Hove, the Chicago Tentet (Mats Gustafsson/Joe McPhee/Ken Vandermark and more) and various one-off and ad hoc associations with many others including Keiji Haino, Derek Bailey, Evan Parker, Anthony Braxton and Rashied Ali.
Fred Van Hove is a Belgian jazz musician and a pioneer of European free jazz. He is a pianist, accordionist, church organist, and carillonist, an improviser and a composer. He is known for his work in the 1960s and 70s with saxophonist Peter Brötzmann and drummer Han Bennink and for his subsequent work in various duos and as a solo artist.
Van Hove studied musical theory, harmony and piano in Belgium. He began an association with saxophonist Peter Brötzmann in 1966, playing on his early quartet and sextet recordings including 1968's Machine Gun album, and then as part of a trio with Brötzmann and drummer Han Bennink. Van Hove has since played in a number of duos, notably with saxophonists Steve Lacy and Lol Coxhill and with trombonists Albert Mangelsdorff and Vinko Globokar. He has composed for film and theatre and taught local musicians in Berlin. He has held workshops in Germany, France, England, Belgium, and the Netherlands, and has held studios at the University of Lille III. Van Hove has collaborated with a number of his fellow Belgian musicians and in 1996 he was given the title of Cultural Ambassador of Flanders by the Belgian government.
Drummer and multi-instrumentalist Han Bennink was born in Zaandam near Amsterdam in 1942. His first percussion instrument was a kitchen chair. Later his father, an orchestra percussionist, supplied him with a more conventional outfit, but Han never lost his taste for coaxing sounds from unlikely objects he finds backstage at concerts. He is still very fond of playing chairs.
In Holland in the 1960s, Bennink was quickly recognized as an uncommonly versatile drummer. As a hard swinger in the tradition of his hero Kenny Clarke, he accompanied touring American jazz stars, including Sonny Rollins, Ben Webster, Wes Montgomery, Johnny Griffin, Eric Dolphy and Dexter Gordon. He is heard with Gordon on the 1969 album "Live at Amsterdam Paradiso" (on the Affinity label) and with Dolphy on 1964s "Last Date" (PolyGram). At the same time, Bennink participated in the creation of a European improvised music which began to evolve a new identity, apart from its jazz roots. With fellow Dutch pioneers, pianist Misha Mengelberg and saxophonist Willem Breuker, he founded the musicians collective Instant Composers Pool in 1967. Bennink anchored various bands led by Mengelberg or Breuker, and appeared in their comic music-theater productions.
Bennink attended art school in the 1960s, and is also a successful visual artist in several media, often constructing sculpture from found objects, which may include broken drum heads and sticks. He has designed the covers for many LPs and CDs on which he appears. Bennink is represented by Amsterdam's Galerie Espace, and has been the subject of several one-man shows, including one at the Gemeente Museum in the Hague in 1995... [more]