Wednesday 3 August 2011, 8pm
LAETITIA SADIER
Best known as the lead vocalist for Stereolab, Laetitia Sadier was
born in France and was working as a nanny in the late ‘80s when she
met McCarthy member Tim Gane at one of the band’s gigs in Paris. She
followed Gane to London and the duo formed Stereolab soon after
McCarthy disbanded in 1990. The pair was inspired by lounge-pop, bossa
nova, film music, and Krautrock, but Sadier's hypnotic vocals and
leftist lyrics made the band’s sound even more distinctive.
Stereolab
earned critical acclaim for albums such as 1993’s Transient Random
Noise Bursts with Announcements, 1995’s Mars Audiac Quintet, and
1996’s Emperor Tomato Ketchup; around that time, Sadier began working
on her own project Monade, recording with Pram's Rosie Cuckston. In
1998, she gave birth to her and Gane's son Alex, and the following
year she returned with Stereolab for the group’s Cobra and Phases
Group Play Voltage in the Milky Night and 2001’s Sound-Dust.
Monade's
first album, Socialisme ou Barbarie: The Bedroom Recordings, appeared
in 2003. Despite Stereolab member Mary Hansen's death in 2002, the
band continued, releasing Margerine Eclipse in 2004; the next year,
Sadier was busy with the full-band Monade album A Few Steps More and
Fab Four Suture, a compilation of limited-edition Stereolab EPs.
Likewise, 2008 saw the release of the third Monade album, Monstre
Cosmic, and Stereolab’s most accessible album in some time, Chemical
Chords.
Stereolab went on hiatus in 2009 and Sadier began work on her
first solo album, working with the Spinanes’ Rebecca Gates, April
March, Richard Swift, and former Monade players Julien Casc and
Emmanuel Mario. The Trip was released in 2010, the same year that
another Stereolab collection, Not Music, arrived. Sadier’s immediately
recognizable voice also appeared on many other collaborations over the
years, including songs with Blur, Luna, the High Llamas, and Mouse on
Mars. Heather Phares, Rovi
Laetitia Sadler on Myspace
ALAN LACROIX
London based guitarist and singer/songwriter Alan Lacroix has been
experimenting with different styles and musical settings for a number
of years. Five years ago a decison was made to explore the
possibilities of writing for voice and solo guitar, an idea initially
inspired by Nick Drake's 'Pink Moon' album. That decision lead to a
great deal of experimentation with open tunings, a fingerstyle
approach to playing and eventually a decision to embrace the 12 string
guitar - a move initially inspired by the work of James Blackshaw -
which lead to a collaboration with former Sneaker Pimps singer Kelli
Ali on a cover version of Odetta's "All the pretty little horses". He
has recently completed a cycle of 24 pieces for the 12 string guitar
and supported Rumer at Liverpool's Philharmonic Hall.
Alan Lacroix on Myspace
ALEX MONK
Alex Monk is a musician and producer based in London, once described
as a ‘fringe psychedelicist operating in the realms of concrete
ambience.’. His shows are often
improvised though Monk often uses song and chant as the centre-point;
a means to invoke new melodies, mood and space during live
performances. His work has been compared to that of Moondog, Brian
Eno, Roy Montgomery and Laurie Anderson.
Recorded over a 2 year period, new double album, ‘The Safety Machine’
is Monk’s first vinyl release and limited to just 300 copies and
digital download. Though the free, hypnotic and repetitive approach to
composition is still apparent on ‘The Safety Machine’, the album is
also interspersed with more popular forms of song, inspired by the
rich compositional approach of Robert Wyatt and Franco Battiato.
Alex Monk website